REGRET

2016 - The song portrays people moving through life like shadows, present in body but dimmed in spirit. Their thoughts, steps, and identities feel fragmented, as if they are fading before they fully form. They long to be seen before they disappear completely, struggling against a world that barely notices them. Their voices crumble in the air, hinting at a deep isolation and quiet despair. In the end, they remain as faint, almost invisible beings, slowly dissolving into the dim.

In The Dim

“The Silence We Become” portrays a slow inner withdrawal, where a person loses clarity, weight, and a sense of self. The world feels unfamiliar, and identity begins to dissolve almost without sound. The line “I feel nothing” marks an emotional breaking point where numbness becomes a form of protection. Silence is not emptiness but a space in which a fragile new self takes shape. In the end, everything expands into a quiet, epic fade, as if the person fully merges with the silence. Lyrics: Y. Frömme

The Silence We Become

This text presents a voice from beyond, observing human life with calm distance and deep understanding. It sees people searching, breaking, rising, and carrying unspoken truths within their struggles and small moments. The message repeats that meaning is not found in answers or explanations, but in the act of living itself. The tone offers comfort without sentimentality—quiet, existential, and steady. Ultimately, the song declares that simply being alive is enough, and every breath is already a form of purpose. Lyrics: Y. Frömme. Original: 2009. Rmx. 2023. Thx to "Lüttke".

From Beyond

Everyone knows that one bar in their city — the place where time slows down and nothing ever really has to end. “The Horse And The Cow” exists in that in-between space, where conversations fade, glasses stay half full, and stories are left unfinished. The bar becomes a mirror of a state of mind: familiar, slightly worn, but deeply meaningful to those who keep returning. Within this room, everyone is equal — stripped of roles and expectations, reduced simply to people, as reflected in the song’s quiet, observational tone. The horse and the cow don’t represent opposites, but coexistence — different lives sharing the same silent frame. The song lingers on the act of staying, of remaining seated while the world outside keeps moving. In the end, there is no resolution — only the sense of being exactly where no explanation is required. Original 2016, Rmx. 2022. Lyrics: Y. Frömme. Thx to "Lüttke".

The Horse And The Cow

Lock into an hour of deep-driven house and rolling tech house as the evening energy starts to rise. Expect tight basslines, crisp percussion, and underground-leaning grooves designed for movement and momentum. Whether you’re warming up for the night or zoning out after the day, this mix sets the tone.

🕺 One hour. One vibe. No distractions.

🔑 House music • Tech house • Underground grooves • Dancefloor energy • Radio show


Eats Everything - Dancing (Again!) [feat. Tiga & Audion] Method White
Catz ’n Dogz, Chandler, Brazen Barbie - Run That Back (Extended Mix) Club Sweat
CGVE & Breseb - Baile Vem (Extended Mix) Big Smile Records
ANDJACK - Put Em Up (Extended Mix) Wh0 Plays
Dombresky & Noizu - Jack Machine (Extended Mix) Techne
BARKER - Make Some Noise (Extended Mix) DistroKid
Juicy M x AVE - Rumble (Extended Mix) Westwood Recordings
Atoms - Another Day (Extended Mix) Stereohype Rising
Cave Studio - Hood - Terminal Underground
Corrupt (UK) - Siren (Extended Mix) House Call
Eauki - Loca People (Formant Shifted For Sick MF'ers Extended Mix)
Danmic's & Massi Ronchi - You Never Be Mind (Extended Mix) Groove People Records
Lost at the Rave, Mike Balance - Want My Luv - Warehouse Disco
Haskell & Dope Earth Alien - Rock The Rhythm (Extended Mix) Uprise Music
Costa UK - Bring It (Extended Mix) Wh0 Plays
Angel Nava - Rhythm Elements - Funky Music

Groove Frequency Session Ep3

The Lyrics written in 2013, describes an awakening in a world that feels cold, abandoned, and inwardly fractured—a day that is “black” from the very first moment. The narrator moves through a city that mirrors his own inner emptiness: deserted, marked by traces of past lives and unspoken sorrow. The surroundings become a metaphor for his emotional alienation; shadows, fog, and silent streets gather into images of disorientation and spiritual uprooting. And yet, the narrator carries a fragile inner spark—a quiet form of survival that is neither clearly hope nor warning. In the end, it becomes apparent that this “black day” is a process of transformation: the darkness does not break him, but shapes him into someone who has learned to bear it without being consumed. Lyrics: Y. Frömme. Song composed in 2014. Thx to Sven and his amazing wife Kerstin.

Black Day

ME AND KAFKA

VC JACOBY - POET ON MUSICAL WAYS

Volker Carl Jacoby - Autor, Poet, Kabarettist, Comedian, Liedermacher, Synchronsprecher - https://www.literaturland-saar.de/personen/volker-carl-jacoby

Author, poet, cabaret artist, songwriter, voice actor, journalist and even pastor: Volker C. Jacoby is active in many fields.

He spent his childhood and youth in St. Ingbert. Saarland, Germany, where he attended the humanistic and classical language branch of the State Secondary School. After university and various jobs, he began working freelance for „Saarländischer Rundfunk“ Radio, initially as a correspondent for the SR 3 regional news program, in parallel with his readings and literary solo cabaret programs. This was followed by roles as a narrator for radio plays, as a voice actor, and for various commercials.

In 1977, Jacoby teamed up with Schorsch Seitz to form the duo "Jacoby & Schorsch." Together, they primarily composed humorous songs in Standard German and the Rhenish-Franconian-Saarland dialect with a cabaret-like, ironic touch. Their dialect songs, in particular, filled a clearly existing gap in the market, especially since "SR 3 Saarlandwelle" featured them permanently on their programming, thus making them known to a wider audience. Subsequently, "Jacoby and Schorsch" produced three vinyl albums and three singles. During their tours, they also performed open-air gigs with rock bands.

Soon well known beyond the borders of Saarland, the duo received engagements in Berlin, Stuttgart (Südfunk), Cologne (Westdeutscher Rundfunk), Frankfurt, Munich, Basel and Brussels, among others. During a TV recording at the Renitenztheater in Stuttgart, they also met Mathias Richling and Karl Dall. Jacoby collaborated with the latter several times for RTL on the radio show "Die schlaue Stunde." In 1993, the popularity of "Jacoby & Schorsch" peaked – not least through their appearances with Hanns Dieter Hüsch  (A "Hüsch Evening" with music in memory of his friend and cabaret colleague Hanns Dieter Hüsch was added to the repertoire – later in 2010).

He moved to France 1994. Since then, he has been performed readings, including singing. His dialect contributions have provided him with a rewarding outlet in the "Mundartring Saar" (Saarland dialect circle), including as a reciter of poems by deceased fellow authors, to whom he lends his voice.

Constantly prolific in literary terms, his poems are in the tradition of comic poetry in the style of Wilhelm Busch, Christian Morgenstern, Joachim Ringelnatz, Eugen Roth, Heinz Erhardt and Robert Gernhardt. Volker C. Jacoby also publishes his poetry and prose on LiteratPro, Facebook and YouTube. Since 2025, he has been setting his poems to music and is constantly writing new songs. And, of course, he continues to write his cheerful, humorous, and often very quirky poems.

ME AND KAFKA

VC JACOBY

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