Electro/Breakbeat 2.0 ☠️☠️ - Part 1

Volsoc

Electrokillerz IV

VOLSOM

Jackal (Cyberian Knights) - This is the Sound of the Underground

The second track from a collaboration between Daryl Robinson and Eugene Rowlett. 

Fission Noise

Welcome to the Future... Happy New Year 2015!

Mirror Comparator

From the remix compilation "Compuphonic Mutations" released on World Electric Records.

Compuphonic Intelligence (Remix by Bass Kittens & Single Cell Orchestra)

Taken from the eponymous EP released in 2006 on Exzakt’s Monotone USA imprint, Dynamik Bass System’s classic “Robotmachine” has been masterly revisited by some heavywheights procuders worldwide featuring VIP’s Aux 88 (Puzzlebox Records), Mandroid (Breakin’ Records), Detroit In Effect (M.A.P Records), Downrocks (Beathazard), Hardfloor (www.hardﬂoor.de), Detroit Techno Militia (Cratesavers International), Dark Vektor (Dona-Li Records), Di’jital (Twilight 76 Records) and Kronos Device (Battle Trax). 
 


Dynamik Bass System- "Robotmachine" (Hardfloor Remix).snippet

“We Are What You Think We Are” is the tenth dispatch from the crew at Lost Soul Enterprises, New York City, USA. This compilation features a whopping 15 artists who together represent all corners of the label’s extended family, with frequent local collaborators paired with past guests of our various parties. It is served with love from us to you on 3 slabs of vinyl released in 3 installments.
Each installment charts a different component of our sound: 10.1 highlights the influences of synthwave and postpunk electronics, 10.2 is comprised of razor-sharp acid and overdriven electro, and 10.3 delves into darker shades of industrial techno. Together, all of these elements loosely sketch our little corner of the sonic universe. With this humble offering we tried to capture and share with you a little sliver of what we’ve found together in hazy rooms full of flashing lights and strange sounds. Here is a track from 2nd installment by NYC based producer Maroje T who is slowly to slowly making his mark in the game after its recent stunning release alongside Annanan on Pinkman !

LISTEN ON YOUTUBE

PREMIERE : Maroje T - Bosnian Witch

Limited edition 12" vinyl in shrink-wrapped printed sleeve with paper inner. Includes Discrete Opinion, The Selfix Job, Little Man and Night And Day.

Fleck E.S.C - Discrete Opinion

From the album "10,000 Spaceships Attacking a Very Small Planet" released on Spacebar Sentiments and Pretension Records

Here Come Volsoc

From the album "10,000 Spaceships Attacking a Very Small Planet" on Spacebar Sentiments & Pretension Records.

OK Robot

Compuphonic Intelligence (Jeff Taylor Remix)

Soundcheck (Tony's Theme) ** UNRELEASED **

awesome remix Kingbastard did of the first track from my new album, 
you can download it at: http://kingbastardmusic.com/track/kid606-godspeed-you-african-american-emperor-kingbastard-remix

Kid606 - Godspeed you African American emperor [Kingbastard Remix]

https://www.juno.co.uk/products/helena-hauff-living-with-ants/732784-01/
First full EP Living With Ants by Helena Hauff on Return To Disorder. Electro stuff, s alright, nothing more to say really.

Helena Hauff - Catso - RTTD015

Release Dates: Bandcamp + Record Stores: September 25th, 2019
Download & Streaming platforms: October 2nd, 2019

A1: Jor-El aka @joel-alter – Human Matrix
A2: @karimakarima – Flaccid House
B1: @basic-soul-unit – Grotto Bounce
B2: @christopher-rau – Paradijs

After PINK and RED comes ORANGE. It’s the third out of seven records for the celebrations of the 50th Uncanny Valley release. And it’s tailor-made for pure dance floor delight.

Sweden’s Jor-El aka Joel Alter spells out house music on HUMAN MATRIX with great effect. You can't resist being dragged along by a track that is well composed down to the last tiny little detail, but always comes across light and easy. Synth stabs for the masses. Uncanny Valley-Newcomer Karima F from Oslo delivers FLACCID HOUSE, a track that feels like the perfect way to make ravers resurrect. The track is based on few, but effectively used ingredients like a hammering broken beat and those odd vocal bits. Thus, it gets to the point without detours.

Being a scene-legend himself, Toronto's Basic Soul Unit contributes GROTTO BOUNCE, a raw but precise nod to classic Detroit and Acid tunes. Finally, former Hamburger and now Berliner Christopher Rau is in full play mode and turns on all the equipment in the studio for PARADIJS, a wonky house track that gives you goose bumps even though he may be throwing you out of step.

Distributed by Clone Distribution - www.clonedistribution.com
p & © 2019 by Uncanny Valley - www.uncannyvalley.de
Mastering and Tape Transfer by Jacob Korn at Tailout Studios - www.tailout.de
Font Design and Artwork by Doppeldenk - www.doppeldenk.com

ORANGE (UV050-4)

Grotto Bounce

Bandcamp

Basic Soul Unit – Grotto Bounce

A1  DAVID VUNK - Can You Tell Me The Last Thing I Remembered (MOUSTACHE RECORDS 041)

B1  DAVID VUNK - Cross Addiction (MOUSTACHE RECORDS 041)

READ > inverted-audio.com/premiere-luke-hess-tdy-aubrey-remix

On paper '10YRS RMX EP2' is a heavyweight release - four reworks executed with utmost dexterity and diligence. Our pick - Aubrey's take on Luke Hess 'TDY' - is a melting kaleidoscope of sound, sitting somewhere between acid and jazz. Out soon on @jauntmusic.

Luke Hess - TDY (Aubrey Remix) [Jaunt Records]

From the LP "Without Your Love" available worldwide via Nihjgt Feelings. Vinyl / CD / Digital June 24 2013  

US: http://experimedia.net/index.php?main_page=product_music_info&cPath=1&%20%20%20products_id=8859
      http://www.forcedexposure.com/bin/basket.pl
      http://www.insound.com/Without-Your-Love-Vinyl-LP-oOoOO/P/INS118807/
      https://itunes.apple.com/us/album/without-your-love/id650179557
UK: http://www.roughtrade.com/albums/73138
      http://www.piccadillyrecords.com/products/OOoOO-WithoutYourLove-NihjgtFeelings-90812.html 
       http://www.phonicarecords.com/product/view/115365
EUROPE: http://www.deejay.de/m_Beats/details__123485
PARIS: http://www.colette.fr/ooooo-without-your-love.html


facebook.com/oOoOOsounds
twitter.com/oOoOOsounds
www.facebook.com/NihjgtFeelings

US SHOWS
May 4 - San Francisco@Public Works
May 13-San Diego@Soda Bar
May 15 - Phoenix @ Crescent Ballroom
May 16 - Austin @ Red 7
May 21 - Richmond, VA @ Strange Matter
May 22 - Washington, DC @ U Street Music Hall
May 23 - Brooklyn @ Glasslands
May 24 - Boston @   Middle East Upstairs
May 25 - Baltimore @ Metro Gallery
May 28 - Pittsburgh @ 6119
June 1 - Chicago @ Lincoln Hall
June 4 - Hollywood @ Dim Mak Studios
June 5 - Seattle @ El Corazon
June 6 - Vancouver @ Fortune Sound Club
June 7 - Portland @ Mississippi Studios
June 8 Calgary @ HiFi Club

AUSTRALIA / NEW ZEALAND
June 21 - Perth @
June 27 - Wellington@Puppies
June 28 Auckland@Cassette # 9
June 29 Melbourne@The Liberty Social
June 30 Brisbane@Alhambra Lounge

USA Again

July 5 Miami@Gramps
July 6 Atlanta@529
July 18 Dallas@Dada
July 19 Austin@Empire Control Room

Mouchette

Played by the famous group Plaid on their tours and countless other Dj's around the world this was really  a great record for Electro pushing  and developing a new style in the process. Just checkout the Boomkat review if you dont beleive me. some people just dont get Electro but this one rocked the planet. 
"Our favourite New York label, at the forefront of the electro scene 2003, gears up for its autumn onslaught with this four track bass-heavy beat cutter from E.M.S. E.M.S. builds his machines from the transistors up, drums and modular synths sounding distinct from the sound of a thousand lesser talents. 'Colonized' dominates the a side, an acid inflected electro stinger, burning modular synths and a morphing sound which just guarantees floor action. There's a useful drum-a-pella break to wrap up the side, then prepare for two further excursions of quality on the flip. 'Rythmus Machine' will challenge bassbins, the melodies are seductive and again the influence of prime acid strokes makes a welcome contribution to the tune. 'Pit + Lounge' ties it off, with a slightly more downbeat approach, floating vocoder across bassy surges and splendid 
rhythms, wicked track. " Boomkat
Tatum (Mr Velcro Fastener) – “The most inspiring electro record for a long time, really liked the PLT+LOUNGE_EUR track – fast but still pure electro, no drum & bass feel at all!  DDDDDDD was also cool, could’ve been a bit longer though…top quality!” 

Dave Mothersole (Kiss100) – “B1 and B2 are great – will play on radio and give B1 a chance out when I’m feeling brave.  Keep me posted with this label.” 

Scape One (Electrix) – “Another cool slice of analogue action from NYC’s premier electro label!” (Charted #4)

Will Saul (Simple/Fabric) – “Wow!!  This is some of the best electro I’ve heard in years. Totally awesome.  This got a great reaction at the weekend and will stay in my box for many months.” (Charted #3)

Dan Moore (Superconductor) – “Excellent stuff, great sounds, deep and energetic all round.  Definitely a top label – keep ‘em coming.” 

Fink (Ninja Tune/Solid Steel) – “Played A2 on the radio as a soundbed – the rest just falls short for me – epic maybe, but the pressing 
 sounds so sonically dull.” 

Scott McGill (T-Funkshun) – “Rythmus Machine, my favourite cut, sounds good on both speeds!  Prefer it at 33RPM where you can take in 
 its lush atmospheric electro sounds.  Last track is great for Aux88 fans.” 

Dan Bean (Passion FM) – “Good, solid release – nothing particularly crazy going on (or am I missing something?), but a good groove, 
 particularly on the title track, which I played on the show last week.” 

Percy X (Soma) – “Got this from Andy when I was in NY – I’ve been playing the first track on the EMS ever since.”

Phil Kieran (Shine/Bugged Out!) – “Fuckin’ brilliant – really, really good.  I think I’m playing B1, the big sub woofer job, perfect 
 for dropping between techno tracks…more, please more!  Best so far that I have heard from this label.” 

Rennie Pilgrim (TCR) – “Very pleasant electro tracks.” 

A1 People (Hydrogen Dukebox) – “This record kicks ass and I will be playing it in all my sets for the near future!”  

Mat Carter (Dedbeat/Haywire) – “Straight to B2 for me here, nice floaty analogue sounding electro.  Just how I like it.” 

Rick Hopkins (Haywire) – “As you’d expect from Satamile, a deep pulsating beast of a monster.  Top stuff!!” (Will Chart)

Reverand Milo Speedwagon (Kiss100) – “Rythmus Machine has the acid lurking nicely.  Colonized builds really well with a few skittery 
 bits flying around to lighten up the mood – good stuff.” (Charted #20)

Paula Temple (Virtual FM) – “Another great release – will give lots of support.” (Charted #7)  








Colonized

Volsoc is an American electronica project, consisting of Justin Maxwell and Jean-Paul Bondy. The project formed after a series of collaborative live performances in the Southern California rave scene in 1999-2000. Combining their individual monikers, Stupid Octave Cat ("soc") and Volum, the two first recorded under this name for the 2001 Abduction Productions compilation, "SCR.COMP.002". They were originally approached for further releases for Exzakt's Monotone USA label, but released their first 12" on Germany's World Electric. This debut vinyl release earned them immediate international recognition in the Electro and Breakbeat communities, and the title tracks, the slightly electroclash "Compuphonic Intelligence" and minimal "Shout Out" became two of the most popular electro tracks of 2002-2003. This EP, as well as their subsequent one on breakbeat producer Si Begg's label Noodles Institute of Technology, serves as an archetypical release for the nu skool electro genre.

Volsoc ceased further songwriting in 2003 upon Bondy's departure for Berlin and Maxwell's relocation to San Francisco.