Energy and persistence conquers all things. That has certainly been the case with the UK’s Matt Nash, a DJ and producer whose passion and determination have enabled him to rise from his local London scene to forge his own space amongst the global landscape of electronic music.
 
Deeply immersed in London’s thriving and diverse music scene from the age of fifteen, Matt has grown exponentially as an artist over the subsequent years. Self-assured and full of drive from the very start, he applied a keen ear and thirst for self-development to those around him in order to grow and mature as both a DJ and producer. This hard work has spawned an artist who today, now based in Amsterdam, is both a standout DJ and highly adept producer. Whilst behind the decks in a club, Nash is a natural performer who utilizes encyclopaedic knowledge of house to strengthen an already innate connection with his dancefloors and light up the atmosphere at places like the Revealed stage at Creamfields and Ushuaia in Ibiza. As a producer, he combines a remarkable ear for melody with an instinctive ability to infuse his music with energy, personality and attitude.
 
His tracks made fast inroads into electronic music culture courtesy of releases on a plethora of dance music mainstays, from Axwell’s Axtone to Hardwell’s Revealed. Probing the tips of the big room, electro and progressive house trends but keeping the roots solid, he has enticed fellow DJ’s and genre specific fans. Highlights so far include a track on Tiesto’s album, ‘Starlight’ with Don Diablo released on Axtone and ‘Till The End’ featuring Tara McDonald on Marcus Schossows’ label Code Red. ‘Fire Higher' with Sebjak featuring Eric Turner came on Ultra with the premiere on Proximity receiving over 150k plays in 48 hours.
 
Added to that, further success looks to follow for Nash with a track finished with AN21 coming on Size Records and currently being hammered by Steve Angello, plus 'Heartbeats' coming on Kryders ‘Sosumi’ label which has been getting played and supported by the likes of Steve Angello, Kryder, Tom Staar to name a select few.
 
With a smooth approach to the sound he delivers, the house music advocate is in a league of his own, dominating one beat to the next. The coming days are your cue to tune into the electric Matt Nash noise.


www.mattnashofficial.com
www.soundcloud.com/mattnashmusic
www.twitter.com/mattnashmusic

Europe & Africa: Jos Ijntema jos@dedicatedbookings.nl

N.America, South America & Canada: 
Alex Chaykin
achaykin@apanewyork.com 

India: Arjun Shah
arjun.shah@sharkandink.com

John Christian's imprint, giving artists the possibility to express themselves in their own free way. 
Submit your Demo: demo@freewayrecordings.com

Feenixpawl are Aden Forté and Josh Soon. Two of Australia’s most prominent house DJs/Producers. With numerous world tours, more than 2 billion streams, multiple awards including an ARIA, and even a Grammy nomination, the duo has cemented themselves as respected tastemakers across the electronic music culture. 

After a breakout year in 2012 with the release of “In My Mind”, a Pete Tong championed Essential New Tune, the duo stormed onto the dance music scene and established their presence as two of Australia’s most prominent exports. Their timeless hit single, released on Axwell’s iconic Axtone Records, shot straight to number one on Beatport, held the number one spot on the ARIA Club charts for a record twelve weeks, and culminated in a Grammy nomination. Following the monumental success of the smash single, the duo has gone on to remix the likes of Rihanna, Nervo, Jess Glynne, Kaskade, Kiiara, Fitz and The Tantrums, and many more. 

Their follow up singles “Ghosts”, “Blue Sky”, “Quicksand” and “Neon Sky” have also had enormous success across US radio and around the world including multiple US Dance Radio number ones. This was followed in 2019 by their first foray into the trance world, collaborating with fellow Aussie MaRLo to bring the world “Lighter Than Air”. The track shot straight to number one on the Beatport Trance Charts and became the eventual ASOT Tune of the Year for 2019. It then went on to be included in the ASOT1000 best trance tracks of all time. 

With even more huge tracks and collaborations on the way, the future is only looking brighter for the Aussie duo.

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