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Artist :Fat Yayo , ProjectBabyTez, LosDaGoat

HOME!  Nightmare on E Street 2 - June 9th

Booking: fatgleeshbookings@gmail.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Mark Morrison was the most successful British R&B singer of the mid-90s. His breakthrough single, RETURN OF THE MACK became a Top Ten hit worldwide in 1996, and opened the US market for him the following year. Although he became a commercial success overnight, his career was plagued by run-ins with the law that prevented him from consolidating his position as a superstar.

Born in Hanover, Germany, to Barbadian parentage, Morrison lived in Leicester, before moving to Florida, US, at a young age, where he discovered his love for music.

In mid 1995 he released his debut single CRAZY, which became a Top-20 hit in the UK, and LET’S GET DOWN, the swing beat summer jam, entering the Top-40. They were followed in the spring of 1996 by the aforementioned RETURN OF THE MACK, which became a smash hit worldwide, spending two weeks at number one in the UK charts. Morrison became the first black male solo artist to reach number one in the 90s.

His debut album, also titled RETURN OF THE MACK followed, and became a multi-platinum success. It reached number four in the UK chart, and sold 3 million albums worldwide. It spun off several more hit singles over the next year. CRAZY (RE-MIX), TRIPPIN, HORNY and MOAN & GROAN would all reach the UK Top-10, making him the first artist in British pop history to have five Top-10s from their debut album.

Although his career was going well, Morrison was constantly in trouble with the law. In 1997 he was imprisoned, the same year (coincidently) he received four Brit nominations, a Mercury Music Prize nomination, an MTV Europe award nomination and 5 MOBO nominations (including winning best R&B), as RETURN OF THE MACK began to climb its way to number two on the American Billboard charts receiving platinum status en-route. It stayed on the Billboard charts for an incredible 25 weeks.

Mark’s post-prison release WHO’S THE MACK?, also hit the Top-20 in September 1997, and another single entered the Top-40 in 1999, BEST FRIEND, which saw Mark team up with UK soul queen Gabrielle and soul star Connor Reeves.

In 2006, Morrison made a return with an independent album INNOCENT MAN. It featured collaborations with industry heavyweights DMX, Elephant Man, and Alexander O’Neal. The single INNOCENT MAN featuring DMX, also appeared in sample form on INNOCENT (MISUNDERSTOOD) by Cassidy, which reached 3 on Billboard's Bubbling Under R&B/Hip-Hop Singles chart in November 2007.

The long-awaited return of the King of UK R&B is here, with the eagerly anticipated new EP entitled I AM WHAT I AM available now, and a worldwide tour scheduled this fall.

Vonte Smith 2 is following