After bursting onto the House Music scene in 2016, Ayeja have been perfecting their melodic brand of ethereal dance music that touches all the right points in an industry in search of songs of sublime beauty. 

As with many artists during the pandemic, they retreated within themselves and are now coming back in 2023 with four extraordinary tracks that will drive festivals and dancefloors to the edge of ecstasy and beyond.

Inspired by the glory days of House in the early 2000s by labels such as Hedkandi and Subliminal, they have also incorporated the sounds of funk/disco and jazz fusion from the 1970s, including bands such as Earth Wind & Fire and Weather Report. Classical composers such as Debussy, Stravinsky and Shostakovich have also allowed them to develop a rich tapestry of musical soundscapes that adds much vitality to their work.

Their music is beyond the sample driven mash-ups of many of today’s dance tracks. With sumptuous keys, soaring vocals, rounded bass and those ever-present addictive beats, they are producing songs
that will work with any audience, in any environment. As 2023 rolls around, Ayeja plans to take their show on the road with their two new singles Can’t Get Over It and On My Own plus many more to come.

Discover the world of Ayeja as they turn nectar into honey.

Rob Armus was born in Liverpool, England, 1966 to an English mother and American father, grew up in Canada where he learned saxophone in school band, briefly studied jazz at Vancouver community college but mostly a self taught musician. Played jazz and blues saxophone in bars and nightclubs in and around Vancouver until moving to Amsterdam in 1992 where he had a  career as a jazz musician and composer. In 2005 he moved to Paris where he reinvented himself as a singer/songwriter/guitarist as well as playing jazz sax. Rob has recorded many albums as a leader and appears on many recordings as a sideman, his latest album Back to Belleville is available for download at https://realrob.bandcamp.com/

Richard Horowitz is known for creating a unique sonic language by fusing together his roots in classical, jazz and electronic music with the intensity of the trance music he first experienced in Morocco at the age of nineteen. 
He plays keyboards, percussion and various woodwinds, including the ney, an obliquely blown reed flute. 
It is one of the oldest human wind instruments. 
He combines a trance inducing circular breathing technique he learned from snake charmers with classical and folk modes known as maquam. 
Since the late sixties Horowitz’s compositions have been inspired by the ritual drama of ancient music. 
He is interested in the microtonal motifs and subtle shadings produced by the overtones of instruments and voices from the worlds oldest cultures. 
His compositions are translations that morph ancient sources into the full spectrum resonance of the surround sound present. Listen to Majoun his collaboration with Sussan Deyhim released by Sony Classical. 

RH credits include: Golden Globe and Los Angeles Film Critics awards for The Sheltering Sky, directed by Bernardo Bertolucci, based on the novel by Paul Bowles. 
He performed the film music live on François Mitterrand’s television special Etoile Palace in Paris. 
Oliver Stone’s Any Given Sunday (BMI Award), Three Seasons directed by Tony Bui, produced by Jason Kliot, Joanna Vincente and Harvey Keitel (Sundance Jury and Audience awards), Tobruk (Czech Lion Music Award) ,Lakota Woman directed by Frank Pierson produced by Jane Fonda and Intersections directed by David Marconi produced by Luc Besson.


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