narasimha-kavacham vakshye
prahladenoditam pura
sarva-raksha-karam punyam
sarvopadrava-nashanam

sarva-sampat-karam chaiva
svarga-moksha-pradayakam
dhyatva narasimham devesham
hema-simhasana-sthitam

vivrtasyam tri-nayanam
sharad-indu-sama-prabham
lakshmyalingita-vamangam
vibhutibhir upashritam

catur-bhujam komalangam
svarna-kundala-shobhitam
saroja-shobitoraskam
ratna-keyura-mudritam

tapta-kancana-sankasham
pita-nirmala-vasasam
indradi-sura-maulishthah
sphuran manikya-diptibhih
virajita-pada-dvandvam
shankha-chakradi-hetibhih
garutmata cha vinayat
stuyamanam mudanvitam

sva-hrt-kamala-samvasam
krtva tu kavacham pathet
nrsimho me shirah patu
loka-rakshartha-sambhavah

sarvago ’pi stambha-vasah
phalam me rakshatu dhvanim
nrsimho me drshau patu
soma-suryagni-lochanah

smrtam me patu naraharih
muni-varya-stuti-priyah
nasam me simha-nashas tu
mukham lakshmi-mukha-priyah

sarva-vidyadhipah patu
nrsimho rasanam mama
vaktram patv indu-vadanam
sada prahlada-vanditah

narasimhah patu me kantham
skandhau bhu-bhrd ananta-krt
divyastra-shobhita-bhujah
narasimhah patu me bhujau

karau me deva-varado
narasimhah patu sarvatah
hrdayam yogi-sadhyash cha
nivasam patu me harih

madhyam patu hiranyaksha-
vakshah-kukshi-vidaranah
nabhim me patu naraharih
sva-nabhi-brahma-samstutah

brahmanda-kotayah katyam
yasyasau patu me katim
guhyam me patu guhyanam
mantranam guhya-rupa-drk

uru manobhavah patu
januni nara-rupa-drk
janghe patu dhara-bhara-
harta yo ’sau nr-keshari

sura-rajya-pradah patu
padau me nrharishvarah
sahasra-shirsha-purushah
patu me sarvashas tanum

manograh purvatah patu
maha-viragrajo ’gnitah
maha-vishnur dakshine tu
maha-jvalas tu nairrtah

pashchime patu sarvesho
dishi me sarvatomukhah
narasimhah patu vayavyam
saumyam bhushana-vigrahah

ishanyam patu bhadro me
sarva-mangala-dayakah
samsara-bhayatah patu
mrtyor mrtyur nr-keshari


idam narasimha-kavacham
prahlada-mukha-manditam
bhaktiman yah pathenaityam
sarva-papaih pramucyate

putravan dhanavan loke
dirghayur upajayate
yam yam kamayate kamam
tam tam prapnoty asamshayam

sarvatra jayam apnoti
sarvatra vijayi bhavet
bhumy antariksha-divyanam
grahanam vinivaranam

vrshchikoraga-sambhuta-
vishapaharanam param
brahma-rakshasa-yakshanam
durotsarana-karanam

bhuje va tala-patre va
kavacam likhitam shubham
kara-mule dhrtam yena
sidhyeyuh karma-siddhayah

devasura-manushyeshu
svam svam eva jayam labhet
eka-sandhyam tri-sandhyam va
yah pathen niyato narah

sarva-mangala-mangalyam
bhuktim muktim cha vindati
dva-trimshati-sahasrani
pathet shuddhatmanam nrnam

kavachasyasya mantrasya
mantra-siddhih prajayate
anena mantra-rajena
krtva bhasmabhir mantranam

tilakam bibhriyad yas tu
tasya graha-bhayam haret
tri-varam japamanas tu
dattam varyabhimantrya ca

prasayed yo naro mantram
narasimha-dhyanam acharet
tasya rogah pranashyanti
ye cha syuh kukshi-sambhavah

kimatra bahunoktena
narasimha sadrsho bhavet
manasa chintitam yattu 
sa tacchapnotya samshayam

garjantam garjayantam nija-bhuja-patalam sphotayantam hatantam
dipyantam tapayantam divi bhuvi ditijam kshepayantam kshipantam
krandantam roshayantam dishi dishi satatam samharantam bharantam
vikshantam purnayantam kara-nikara-shatair divya-simham namami

iti shri-brahmanda-purane prahladoktam shri-narasimha-kavacam sampurnam

Sri Narasimha Kavacam

For American born lead singer Gaura Mani, the love affair with kirtan began at a very young age.

“When I was two years old, living at the Detroit Devasadan Mandir, my mother would play tapes of Srila Prabhupada’s kirtan while she cooked,” Gaura Mani recalls.

From the early 1980s to mid 1990s, while she went to gurukula schools in Detroit, Los Angeles, and North Carolina, Gaura Mani would start singing kirtan at 4:00am every day, with the traditional mangala arati prayers. And from the age of six, she and her sister would play mridanga and harmonium at Krishna conscious home programs their parents held on weekends.

All this kirtan, coupled with visits every few years to Vrindavana, the land of Lord Krishna’s birth, left Gaura Mani deeply attached to the mischievous cowherd boy.
During one later visit to Vrindavana, Gaura Mani met her husband-to-be Param Dasa, who had moved there from Punjab with his family, and had joined ISKCON at seventeen.

“The first time I met him, he was singing kirtan in the temple, as he did every evening,” she says. “I just couldn’t get enough of his kirtan. Every time he sang it just melted my heart. We were formally introduced in front of my parents, and began to spend time with each other by doing kirtan together!” India, when we perform, audiences are attracted because we have a slightly Western style of kirtan,” she says. “They come for the Western feel, and then realize that they’re chanting Hare Krishna, calling out the Lord! The crowd goes completely wild, and their energy bounces back to me. It’s very real, very uplifting. I go into another dimension, like I’m not even in this world anymore.”

Developing their devotion and working on their craft through live performances, The Vrajavadhus finally released their first album “Take Me Home” An incredible 35,000 people, including members of the press, attended to chant and dance along as The Vrajavadhus played their album in full. “I feel like there’s nothing greater than to sing for Krishna,” Gaura Mani says. “Being united with Him in that way gives me the highest feeling of ecstasy. I pray to be constantly engaged in this service, and I never want it to end. Kirtan forever!”


Dedication
The Vrajavadhus Kirtanwali dedicate their humble service to the Founder Acarya of the International Society of Krishna Consciousness, His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada. We pray for his blessings in spreading the movement of Sri Caitanya Mahaprabhu throughout the world.

 


where the good tunes at? feel free to let me know

music is life without music there would be no life

Sri Narasimha Kavacam

Gaura Mani Devi