All contact details and tour dates: www.eelkekleijn.nl

Born and raised amidst the enchanting landscapes of Italy, Mark Di Meo has embarked on a remarkable journey that has led him to the bustling creative hub of Los Angeles. In recent years, his trajectory through the world of music has solidified his status as one of the most promising and dynamic DJs and Producers in the industry.

Mark Di Meo's magnetic presence is felt across a diverse spectrum of House and Tech House labels, where he crafts sonic wonders that leave listeners entranced. His name resonates with venerable institutions such as Defected, Make The Girls Dance Records, NONSTOP Rec., MoBlack Records, UNION Records, Quantize Recordings, and a constellation of others. Notably, his singles have repeatedly ascended the ranks on Traxsource and Beatport House and Tech House charts, where they have gleamed for extended periods, a testament to his enduring influence.

Mark's original compositions and remixes have elicited rapturous applause from industry luminaries, embraced by the likes of Hugel, Jamie Jones, John Summit, Paco Osuna, Claptone, Chris Lake, Gordon City, Piero Pirupa, Dombresky, Andruss, Marco Faraone, Cedric Gervais, and an illustrious cadre of others. It's a testament to his undeniable talent and unyielding dedication to his craft.

On a global stage, Mark Di Meo has graced renowned venues with his electrifying sets, weaving a sonic tapestry that transcends borders. From the sultry nights of Circle Club in Milan, Italy, to the vibrant energy of Blinq in Amsterdam, Holland. Mark's sonic wizardry has resonated with diverse audiences. He's left his indelible mark at legendary venues such as Zeus Club in London, UK, Sushi Samba in Miami Beach, USA, Metro Gallery and Le Poisson Rouge in NYC, USA, Drop in Los Angeles, USA, Hawthorn Club in San Francisco, USA, Qbara in Dubai, 8ctavo in San Jose, Costa Rica, Liv Club in Playa del Carmen, Mexico, Armani Privè in Hong Kong, Catch Club and Carpe Diem Beach Club in Phuket, Thailand, Ce’ La Vie in Singapore, and Fai Aoyama Club in Tokyo, Japan.

Sharing the stage with luminaries like Hugel, Jonas Blue, Piero Pirupa, Andruss, Jude & Frank, Raffa FL, Kerri Chandler, Louie Vega, David Morales, and an array of other illustrious artists, Mark Di Meo has seamlessly melded his musical prowess with the world's finest.

Moreover, Mark is a visionary force behind the creation of the House Of Vibes, a series of electrifying music parties that have surged in popularity, not only in his native Italy but also across the globe.
Mark Di Meo's journey is an unfolding symphony of creativity and passion, a testament to the indomitable spirit of an artist who continues to captivate hearts and souls, taking his place as a beacon of musical innovation in the international scene.

Music label, based in The Hague.

BAKK then, now Plafond.

Australian DJ, beat-maker, keyboardist, & riddim specialist. 

Loves the Caribbean. Worships the bassline.

ALBUM OUT NOW: http://www.bornaking.com/

Send us your demos for Friends & Family Records! fandfdemos@gmail.com

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Rudy Razz is following