DJ mix for Resident Advisor's podcast series.
For more information: http://www.residentadvisor.net/podcast-episode.aspx?id=246

Tracklisting:
1. Barnt - What Is A Number, That A Man May Know It?
2. Daphni - Yes, I Know
3. The Jellies - Jive Baby On A Saturday Night
4. Hounds of Hate - Purple Stuff
5. Daphni - Deep Blue
6. Colored Mushroom & The Medicine Rocks - The Route To The Medicine Rocks
7. Daphni - Buck Dance
8. Harmonious Thelonious - Verwobene Muziek
9. Harmonious Thelonious - Mokambo
10. Bakey Ustl - A Tender Place
11. Daphni - Scratch
12. DJ Elmoe - Whea Yo Ghost At, Whea Yo Dead Man
13. Daphni - Ye Ye
14. Kingdom - Fogs
15. [Voyager overdubs]
16. Lone - Angel Brain (Original Mix)
17. Ricardo Villalobos - Peculiar
18. Charanjit Singh - Raga Malkauns
19. DJ Clap Pina - Unakunukulpan
20. Thomas Mapfumo - Shumba (Daphni Edit)
21. Edward Larry Gordon - All Pervading

Resident Advisor Podcast RA 246

Toronto's Cindy Li, AKA Ciel, has a knack for balancing warmth and pressure. Her productions and mixes often feel coated in an iridescent gloss, evoking the trippy stylings of '90s UK tech house and the swung drums of classic New York house. In between that, though, there's lots of vigor via sleek electro, rippling trance, barrelling techno and big, bad breakbeats. Her style may lean towards the atmospheric but it's loaded with moxie, giving her the versatility to close out a main room or kick off the afters.

Her fluid movements between bouncy basslines, spiraling synth patterns and weightless house grooves are just one facet of her impressive rise as a DJ and producer. When she's not behind the decks, presenting radio shows or working on the excellent Parallel Minds label she runs alongside other Toronto acts Yohei S and Daniel 58, Li throws herself into community work. Committed to diverse dance floors, affordable housing and overall equality in the music industry, she's a hard worker in the realest sense of the phrase.

Li's RA mix is a treat. Rolling through scintillating drum work, wonky rhythms and dreamy pads, it feels like quintessential Ciel. In her interview below, she described how she enjoys "the challenge of trying to combine and make cohesive all the diverse styles of music I loved in a DJ set." Judging by this mix alone, it's safe to say that Li succeeded.

Read more: http://ra.co/podcast/832

@ciel_dj

RA podcast

RA.832 Ciel

Spend enough time at (or listening to) The Lot Radio, and chances are all you'll find Gabrielle Kwarteng. Even though she lives in Berlin now, the American DJ wears New York on her sleeve, repping for the station that helped make her name (she won a Mixcloud award for "Best Eclectic Show" pretty early on). Sure, you could call her sound eclectic—she jumps from house to Afrobeat to Jersey club and beyond—but it seems like "intuitive" might be a better word. She has the taste of someone raised by musical parents on a diverse diet of albums, of someone who eats, breathes and sleeps records.

Buoyed by her success in the US, Kwarteng moved to Berlin in 2019, not too long before the pandemic. Like so many other up-and-coming DJs, her momentum almost stalled as a result. But here we are in 2022 and Kwarteng is more successful than ever, with a string of upcoming festival dates highlighting her wide, transatlantic appeal. Her RA Podcast is equally welcoming, with a taste for house music that feels perfectly pitched between the classic and the new. You can hear an old soul, but she also has cutting-edge tracks from the likes of NIkki Nair, and a gutsy, fantastic edit of "Can You Feel It?" by Tom Carruthers. The mix also reflects her recently getting back in touch with her roots, featuring smatterings of East Coast club music and ballroom, all wrapped up with an exquisite finishing touch courtesy of a long Moodymann play-out.

Read more: https://ra.co/podcast/837

RA.837 Gabrielle Kwarteng

Deep intimacy // 120 min // 140 bpm // La trampoline

One hour of resolutely DIY club workouts, from one of the West Coast's most exciting producers. 

If you've been in the club recently, chances are you've heard the work of Julian Edwards, AKA bastiengoat. Maybe it was the standout 2022 track "Tell Me If You Like It," which blends jungle breaks with a slinky sample from Cassie's R&B anthem "Me & U" to create a 130 banger perfect for modern dance floors. The Oakland-based producer has become a go-to name for party cuts that bounce,  favoured by the likes of Bianca Oblivion and fellow Bay Area artist—and frequent back-to-back partner—Bored Lord.

Born and raised in the Bay Area, Edwards is deeply connected to Oakland's underground rave scene. Reflecting on his early experiences, he explained how the region's unique blend of crowds—from "raw hardcore sound to hyphy house parties"—and legacy of DIY warehouse raves has always shaped his music. 

While gentrification in the region has limited opportunities to throw parties in those spaces, Edwards, as part of the label and collective NO BIAS, is carrying that torch for a new generation, pushing jungle, UK garage and all manner of US club variety while maintaining a strong DIY ethos. As dance music grows increasingly global and commercial, Edwards and co offer a refreshing antidote. 

A prolific producer, Edwards is hard to pin down musically. He can apply his distinctive touch to virtually any genre. Take "Slander," where he blends hardcore and electro with Jersey club. Or "at em" a collision of 2-step, bassline and furious breaks. At the core of his work is a transatlantic bass connection, much like fellow West Coast star Introspekt. Both have a serious knack for fusing intricate rhythms with the kind of deep, murky bass weight synonymous with so much UK dance music. 

For RA.990, Edwards jumps between genres with flex and ease—one moment it's grime-like basslines evoking "Pulse X," then aqueous, melancholic club, before twisting into fast and furious breaks. Rough, ready, and rowdy, it’s music that’s equal parts technical showcase and peak-time firework display.

@bastiengoat
Find the interview and tracklist at ra.co/podcast/990

RA.990 bastiengoat

Party starter & dancehall connoisseur Lil C live in session.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/lil-c/episodes/lil-c-8th-august-2025

Pum Pum Power Hour w/ Lil C & Akanbi 080825

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations. Recorded live at fabric last December as part of RA's party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2000). A capture of the Sound Signature boss on the dancefloor is hard to come by.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. It's Theo through and through. Once again, he proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Theo Parrish

RA.1000 continues with the pride of Palestine's techno scene, Sama' Abdulhadi.

What makes the sound of resistance? For Palestinian DJ and producer Sama' Abdulhadi, it's the freedom to explore her artistic expression in all its authenticity and complexity. What stands out in her mix for our 1000th celebration is defiant energy, the kind that galvanises more than just dance floors.

Born in Ramallah but a student of Beirut's underground scene, Abdulhadi plays charging, self-assured techno, as calibrated for basement parties as for conquering festival main stages.

Her sets are powerful journeys through moods, tempos and stimuli, connected by a deep sense of love. A love for the music, the craft, the soil from which Abdulhadi grew. It's a love we've explored in a cover story, a film and now one of our ten RA.1000 mixes.

As Abdulhadi notes in her accompanying interview, her entry to the series forms a link back to another "pride and joy of Palestine," with Bethlehem-descending Nicolás Jaar's entry on RA.500. Yet ten years on, the landscape is altered beyond all recognition.

As we all watch the ongoing destruction of Palestinian land, this mix is an unequivocal reminder that we cannot look away. It continues techno's decades-old lineage as vital resistance music.

@sama_abdulhadi

Find the tracklist and interview at ra.co/podcast/1010. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Sama' Abdulhadi

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

Take Me As I Am (vs the blizzard master remix)

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