taken from
https://bffmusicbffmusic.bandcamp.com/album/trik-2-3

—

☞ i’ve been talking with P. Wojtaszek* about this note for quite a while. P. Wojtaszek has been hesitant about me speaking on their behalf. P. Wojtaszek said they'd rather let the music speak for itself.
and i get that. i really do. so here’s a Fact:
this Album is an Epos.

i say that because i really want 'Trik 2​→​3'** to be a Story, and stories are the only certain thing we REALLY have. I'm not even being sentimental here. This is Science, Man.


::

* P. Wojtaszek (FKA Faxada) — a producer, a persona.
Their 2016 and 2019 albums, released via Darling Recordings, are my personal cult classics. Crispy sparkling, paranoidly dazzling, bubbly stretching, texturally textured, and most of all: sonically prophetic.

** Trik 2​→​3 — an album, an epos. Conceived between 2018 and 2025, later released by BFF Music.
The tension only growing, the narrative never looking back, the angelic noisiness transmitting comforting anxiety. With it's noisy, piling guitars, sweet indie crumbling drums, and innocently splayed-out vocals - It’s the kind of thing I'd swear ants made

::

🦇 🪨 2️⃣ ➡️ 3️⃣

::

〉directed by P. Wojtaszek
linktr.ee/wojtaszek

〉artwork by Jędrzej Sierpiński
www.instagram.com/jedrzejsierpinski/

♫°010


— Additional Credits —

Tracks 1, 5, 6, 7, 8, 9, 10, 11, 12 written and produced by P. Wojtaszek
Tracks 2, 3, 4 written and produced by P. Wojtaszek and Typol
Track 13 originally written by Eugeniusz Nowik

P. Wojtaszek : work, composition (1-12), arrangements, production, mixing, mastering, lyrics (1, 3-5, 8-12), recordings, vocals, objects, woodwinds (1-4, 7, 10, 12, 13), acoustic guitar (4, 6, 11), electric guitar (5, 12), streamer manipulation (9), drums (10-12), singing saw (13)

Typol : composition (2-4), production (2-4), mixing assistance (3, 12)

Filip Wajszczuk : electric guitar (5, 10, 11), acoustic guitar (13), vocals (13)

Mikołaj Janeczko : recordings (7), vocals (13)

Piotr Chęcki : baritone saxophone (8)

David Garczynski : cymbals (8)

Marek Pospieszalski : tenor saxophone (8)

Jeremy Jones : viola (12)

Kacper Wiśny : electric guitar (12), bass (12)

Eugeniusz Nowik : original composition (13)

#Buy

Ogrom

Duty Free

Pitch Perfect

From 'Right on Time', out on Body Motion.
YOU ARE BUYING: bodymotionlabel.bandcamp.com

@lux18 💡
@bodymotion 🤓

Learning how to live. Learning how to love. Learning how to labiate and legistlate and crush rocks to dust using fists (yours). Learning how to perch. Learning how to forage. Learning how to divert hubris and flights of fancy. Learning of Lux18's 'I hope I'll never lose these precious keys', out on Body Motion and premiered by Madjestic Kasual. Learning to listen, like, repost, share widely, repeatedly, persistently, relentlessly. Learning is complete. You're ready.

you are buying

Lux18 - I hope I'll never lose these precious keys [MK PREMIERE]

I'm a Problem

mix series with music i feel at the moment and demo stuff that i’m currently working on 

vyaliyy - superstarr
veroonica major - 03 –
a. g. cook - overheim
flaty - softwear
tiesto - i will be here (wolfgang gartner remix)
smerz - dreams
xaviersobased - skippin class (feat. juggn)
vyaliyy - nio
john beltran - anticipation
lorenzo senni - trapped in oil painting - vyaliyy acrylic edit-
rustie - black ice mudra
sir soylok - liminal
vyaliyy - in and out of love, ww3

- diaryy scribbles - 060825

Paradise Music Remixed

Preda Rossa (olé Remix)

REAL TRAP SHIT!!!! from legendary dj YTEM, one of the best to ever do it. Ytem has also made arguably the best song ever made, the remix of Varg and Bladee by Escha and Ytem. fucking wild one this episode

ONE WINGED ANGEL featuring YTEM, THEGN, MATT TECSON

The third installment of our Songs From The Gutter series comes as a mini-EP featuring two tracks! It's a baffling 2-tracker, consisting of mangled synthlines and slammed breaks by Brussels' producer Tristan Bründler. These distorted sounds are conceived as environments where intensity reigns supreme.
By blending materials and references drawn from his memories, Tristan seeks to explore the genesis of the musical structures that surround him. Without a fixed plan, he establishes a dialogue between his ear and the sonic matter, intertwining contrasting concepts: gentleness and hostility, primitivity and preciousness, dance and mental trance.
credits

Mastering by Ugo Olivari
Artwork by Laura Conant

Tristan Bründler - Frozen straight-edged knife 6 scratch his thoughts

Clair X - 2 Seconds Dream

december 23rd 2024 live session 09_20_2025_20_28

Terra Silvis Operire 

Step by step I crept upon a greener ground
looked around for urban sights or city lights fight the urge to search for words of hurt familiar words I heard in broken towns that had I found I wondered how the place I left behind had kept a space inside my mind

despite the time, despite that I’m not in the city anymore the door I thought was shut for sure inside my head was cracked instead I nearly turned my back but then a man was standing next me I heard a word as sure as death said with soft sincerity

you’re inside the Forest now so go and feel the forest floor these parts are for the hearts that mourn and grieve, the green for those In need the trees and everything was made specifically to be a place of peace a place pause and a place of calm as you go along you way”

fin-ally my feet were free to run and roam home that now I know a woods he shown where grass was grown and where the wind is only blown a gentle breeze between the trees 
A softer green and subtle glow 
A momentary peace I get to know when I’m in forest


You can feel the air 
Begging for you to stop dead in your tears
It whispers, but you sing 
You can feel the air 
Tearing at the skin of your ears 
Addicted to the sting 

It whispers but you sing 
As you run in forest

Cover all the lands in forest
Cover all I am in forest