This week, traditional Irish musician, songwriter and multi-instrumentalist Seamus Egan recorded live at Ozark Folk Center State Park.  Also, an interview with Seamus.

“It’s hard to think of an artist in traditional Irish music more influential than Seamus Egan.  From his beginnings as a teen prodigy, to his groundbreaking solo work with Shanachie Records, to his founding of Irish-American powerhouse band Solas, to his current work as one of the leading composers and interpreters of the tradition, Egan has inspired multiple generations of musicians and helped define the sound of Irish music today.  As a multi-instrumentalist, he’s put his mark on the sound of the Irish flute, tenor banjo, guitar, mandolin, tin whistle, and low whistle, among others.  As a composer, he was behind the soundtrack for the award-winning film The Brothers McMullen, co-wrote Sarah McLachlan’s breakout hit, ‘Weep Not for the Memories,’ and has scored numerous documentaries and indie films since.  As a bandleader, Solas has been the pre-eminent Irish-American band of their generation for the past 20 years, continuously renewing Irish music with fresh ideas, including a collaboration with Rhiannon Giddens on their 2015 album.  As a performer, few others can make so many instruments or such wickedly complex ornaments seem so effortless.” - https://seamuseganproject.com/about 

Seamus is joined in this performance by Owen Marshall.  “Vogue magazine calls musician Owen Marshall ‘A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot’ (Vogue 2009). With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. In addition to touring with acts such as The Press Gang, Copley Street, Haas, Marshall, Walsh, and dance band Riptide, Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music.” - www.owenmarshallmusic.com

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Bob & Melissa Atchison performing the traditional tune “Miss Miranda” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores shape note singing and the haunting “Abolitionists Hymn.”

Ozark Highlands Radio

OHR Presents: Seamus Egan

I have the privilege of participating in a Blues Workshop presented by Bing Futch at the Ohio Valley Gathering 2015.  Bing and I are playing an example of 12-Bar Blues.

Blues With Bing

From my new album "Unresolved Blues", this tune was inspired by no-one in particular, but we all know them well.

Listen Closely Mama - Mountain Dulcimer Blues

From my 2013 album "Dive!", this song deals with the walls that we put up to protect ourselves.

I Keep My Distance - Alternative Mountain Dulcimer

Fallen Angel - EDM Native American Flute

Earth Mother - Native American Flute

The Last Of The Mohicans - Mountain Dulcimer

New Year's Night - Mountain Dulcimer

Lutung bingung is one of repertoar music degung classic that adapting from "Lutung Kasarung" story, part of the story taken when Guruminda become a Lutung down to earth, and when he (lutung) come to earth, like confused about that a new place.

In this song, Parahyena is not alone. We are assisted by a guitarist who usually plays classic degung tones, namely Agus Rukmana. He has been exploring, developing and making innovative classic Sundanese tones on classical guitars. Agus Rukmana has also made a recording of souvenirs to 120 countries at the 50th Asia-Africa Summit, at this moment he is devising a method of learning 'ngadegung ku guitar' (playing degung by guitar) and making recordings. 

The playing patterns of music performed by Parahyena and Agus Rukmana, Lutung Bingung song are transformed from pelog and gamelan patterns, but the fingering style technique uses modulation to western conventional chord. In practice, the song is cultivated and recorded live. Audio and visual capture is important, so in this song selected live session for the launch of Parahyena’s new single. 

Lutung Bingung is a collaboration of various types of art that we feel interesting to combine, as for the wayang (Dalang), Arts Dance, and mapping. Great hope this song is acceptable to all circles, especially people outside tatar sunda. Parahyena and Agus Rukmana want to introduce this technique as a Sunda tone game, and this technique can be applied to any musical instrument. 

New single "Lutung Bingung" already be enjoyed on Parahyena Youtube Channel www.youtube.com/parahyena

Lutung Bingung Feat. Agus Roekmana

All instruments and vocals by Winter Walker. This was a total blast.

FUTURE TENSE (cover)

Winter Singing Pop Medley

Ozark Highlands Radio is a weekly radio program that features live music and interviews, recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas.  In addition to the music, our “Feature Host” segments take listeners on a musical journey with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.

OHR Presents: Seamus Egan

Ozark Highlands Radio

Related tracks