taken from "oneiric" [OOH-031] 
https://ooh-sounds.bandcamp.com/album/more-eaze-oneiric

exxxtremely excited to announce our next release with @moreeaze new album “oneiric” out early April.

featuring emo ambient cohort @clairerousay and the devastating Philadelphia-based musician Lucy Liyou, "oneiric" is fantasy without the irony - it’s a portrait of an artist excavating her own desires while navigating the ontologically real. 

the song “we don’t talk about it” is now on streaming platforms too, to celebrate mari’s birthday, which is literally today:)))

“oneiric” is up for pre-order on our bandcamp page in an extra limited edition hand-cut vinyl and cassette.

after struggling with the idea of sharing the news in the midst of these sad days, we came to the conclusion that cultural action—once again—can be the most effective weapon against all this patriarchal and anachronistic idiocy.

mastered by Giuseppe Ielasi
art and layout by @incepboy
words by Jordan Reyes

oneiric

we don't talk about it

more eaze - we don't talk about it [OOH-031]

On the long-awaited Exaptations, Toronto-based composer Nick Storring presents two highly textural, side-long pieces. On “Field Lines”, originally composed for Yvonne NG Peck Wan‘s dance piece, Magnetic Fields, a certain fragmented, uncertain openness is conveyed: a series of brief, dreamlike clearings are vignetted by pregnant silences or various levels of waking or sleeping states. Storring plays with a variety of tonal instruments that swell and tumble along while being nipped at by expressive percussion. Organic clusters develop within event-based sequences, stretching attention across multiple timbres and rhythms. On “Yield Criteria”, shifting drones move about like independent layers of ice on a lake in the dead of winter, slowing crumbling, sliding, and cracking in perfect harmony. Storring has written for dance and other interdisciplinary settings, and here he brings the delicate resourcefulness of a skilled accompanist, as well as a narrative sense that belatedly, profoundly blossoms.

---

Field Lines:

Composed and recorded October 2013 - May 2014 for Yvonne Ng's dance piece, Magnetic Fields, which premiered in May 2014.

Nick Storring / various percussion and found objects, vibraphone, glockenspiel, balafon, chimes, hand bells, toy pianos, thumb pianos, voice/whistling, electric (NS Designs NXT4) and acoustic cellos, electric bass, electric mandola, violin, hammered dulcimer, Hohner Pianet T, Yamaha CP60M, Hohner Clavinet D6, flutes, harpsicle, strumstick, guitalele, steel pan, harmonica, melodica, pitch pipes, hulosi

Special thanks to Yvonne, Marie-Josée Chartier, Mairead Filgate, Luke Garwood, Christopher Willes. Thank you to Germaine Liu for the use of her vibraphone, and John Farah for the use of his Pianet.

Yield Criteria:

Composed and recorded February - June 2014.

Nick Storring / NS Designs NXT4 electric cello, electric bass, electric mandola, thunder tubes, Yamaha CP60M, toy piano, harmonica, duck call, voice, hand bells, glockenspiel

Elements were used in Eva Kolcze's film, All That Is Solid. Thank you to Eva, Spencer Barclay, Jason Doell, Brandon Valdivia, and Bryan Bray.

Processing and manipulation performed on the above sound sources (and the sound of a blank, chemically-treated 16mm film sound-strip) using combinations of the following: transducer speakers on various resonant chambers, instruments and surfaces; talkbox; spring reverb; recordable cassette walkman; various speakers; (contact) microphones.

Special thanks to Nicole Cultraro for her violin and kalimba, her support and inspiration, and patience with my process. Thanks also to Andrew Zukerman.

Gratitude also to all who listened and offered feedback.

Artwork and layout by E. Lindorff-Ellery
Printed by John Fitzgerald at Fitzgerald Letterpress, New Orleans

NTR042 - Nick Storring - Exaptations "Field Lines"

Every time at the garden gate
Wind-free scent
Flinty and heavy this morning

Serene garden
Bare feet see no trace
Into a land of sand
In a land with no grasses
A sultry kicks burns out without a trace

The bones turn yellow
On the beams of oblique stream
   Samum,
   Blinding me,
Louder than my ceaseless dream
Another life - not mine, carved under a cliff

Where is the house - And a stepping foot
Faded in the garden - Rays of amber
Revelry of unhurried weed.

Concrete Fantasies - Cities & Memory

release on 11 March 2022
Dimer are :
Fabian Adams: @fabian-adams-968514271 // Jan-Einar Groh : @mopped

The Leipzig duo Dimer is composed of Fabian Adams on saxophone and Jan-Einar Groh on drums. On this album, each track is built from succinct elements. Whether it is melody, timbre or rhythm, each one is introduced with care and then blossoms in the long run.

Dimer - Setting 2_1

A mix by Manoir Molle, musician and visual artist from Marseille, France.

Manoir Molle [07.03.2022]

Anderson Chimutu is a first generation Malawian American who resides in the city of South Bend, Indiana. Growing up near Chicago and Detroit, Chimutu was exposed to many legends of the regional music scene. This influenced him to get involved with various instrumental bands and djing. Now he focuses on solo productions, which integrate the use of granular sound processors and drum machines. This new approach, coupled with the desire to represent his African heritage, has given birth to Fumbata Phiri. His first offering as Fumbata Phiri came in the form of 2020's "Decoherence", released on the Hungarian label Exiles. He followed that up with "Equipoise", released on UK label Hard Return, "Actuation" on released on Eternal Search in 2021, and now in 2022, "Liminal Space" releasing on Chicago label, Reserve Matinee ran by Michael Stumpf (FAITHFUL) and John Daniel (Forest Management). Chimutu wants to challenge the narrative surrounding African influenced music, and does so by creating what comes naturally to him. Putting forth an extension toward the future, while being cognizant of the history that has brought him to this point.

Justin Tripp and Brian Close as GEORGIA (OOH Sounds) - Story Scene 0:00
Evil Medvéd - (0_0) 4:56
Noémi Büchi - Battering Times 6:38
Joane Skyler - wink 9:37
Hiro Kone - Malady of Duration 11:27
William Fields - riveru 15:57
NZFE - FENZ_pict_test4 20:24
Fumbata Phiri - Pios Plurality 23:57
Daphne X - I can see right through me 34:24
FRKTL — Locations For An Immaterial Essence 36:28
Klpflrtr - Random 44:35
Alley Catss - chew 46:21
Yokai Kai - phonktech 48:40
Justin Tripp and Brian Close as GEORGIA (OOH Sounds) - Story Scene - Zipf's Code 50:52
ISSHU - Under the Pink Sky 54:40
Blood Room - Sun Pulse 58:23

https://soundcloud.com/fumbataphiri

♥ 32 - Fumbata Phiri - Absolute Elsewhere

Après une pause d'un mois, DJ Foulart reprend du service pour 90 minutes. Du neuf, du vieux, du rapide, du lent, et tout ce qui se trouve dans les interstices.

1. Karima Walker - Reconstellated
2. Damian Dalla Torre - Where To Go
3. sea oleena - Will I Know	
4. Aerial Ruin - Where Sky Lays Buried
5. Gato Barbieri - Vidala Triste
6. Pharoah Sanders - Greetings to Saud (Brother McCoy Tyner)	
7. Oneness Of Juju - Breezin'
8. Sandy Bull - Memphis, Tennessee
9. Ping Pong - You and me 
10. Altamont - The tell tale heart
11. The Colours That Rise - Polo 1.2 (Live)
12. Oneohtrix Point Never - I Don't Love Me Anymore
13. Poison Anna - WASTE
14. sea oleena - On Possession
15. Ö - Good Things on the Way
16. Lewis CanCut - The Wizard
17. Knxwledge. - krossing
18. Escaflowne - I bet chu(2 step mix)
19. Jwles - Uzine (prod. by Mad Rey & V900)

https://soundcloud.com/foulart9000

DJ Foulart ~ 23.03.2022

Released September 19th, 2022

Originally released on CD by Consumer Waste, 2016
https://consumerwaste.bandcamp.com

Giovanni Lami, Bias

from the forthcoming cassette "Toward Zero Death" by Karl Raymar

A sentient chill passes through and awakens a resting body in the cathedral. Faintly heard in its wake are repurposed tape-looped fragments of commercial Halloween kitsch that excavate earliest memories of the season. The sound is eventually lent an atemporal quality by an overlaying of chorused strings, occasional voice, chilly electronic tones, possible magnetic tape EVP. Karl Raymar brings you this personal soundtrack of the season where, as years pass, we more deeply contemplate and celebrate the shift of natural cycles, acknowledge that Death is inevitable but also part of the process in which new things grow; where, with joyful and serious intent, we pay tribute to those we were fortunate to know in the brief window of our lives, an understanding of impermanence to deepen our appreciation of the present moment. Time collapses in the glow of static, leaves redden and decay, souls march through the woods, we light a candle and ring a bell.

Karl Raymar - First Day of Fall

Lost In Ether | P R E M I E R E | Bride - Brittle Winds Coming [Post Hoc]

taken from: PH004
release date: 041022
shops links: https://post-hoc.bandcamp.com/album/v-a-summers-end-vol-2-ph004

explore more:
https://soundcloud.com/posth0c
https://www.facebook.com/p0sthoc/
https://soundcloud.com/posth0c
https://www.instagram.com/p0sthoc/

Lost In Ether | P R E M I E R E | Bride - Brittle Winds Coming [Post Hoc]

’tis no mere trick; here’s is a treat for you: a new Sequences release! 
‘Hypnagogia’, a 13 track collection of horror vacuum pieces. 
Discarded and strewn about, forgotten, dusty and old. 
They are presented here, together & hermetically sealed, instead of being eternally lost in the ether. 
A hommage to all things haunted. A candle for our ghosts of the past.
Footprints in a boundless terrain.

Guitar processed through cassette tapes and eurorack modular system.
Recorded & mixed May - October 2022.

Released on All Hallows’ Eve 2022.

Hypnagogia

In The Shine Of The Lamp

cassette label . . . all kinds of music . . .
transient creations looking for balance in uncommon spaces.
demos welcome : wabisabi(dot)tapes(at)gmail(dot)com

artworks : 
Yann Rambaud (WBSB001 > WBSB008)
Coline Llobet (WBSB009 > WBSB014)
Mona Chancogne (WBSB015>WBSB020)
mastering : Adrien Lambert

Dimer - Setting 2_1

wabi-sabi tapes

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