From IKEA tape released on Da ! Heard it Records.
https://www.daheardit-records.net/en/discography/dhr-54#release

[D!HR-54] Ikea

MALSJÖ

Taken from the album 'Cold Reading, out October 27th 2023.

Cold Reading

Flora Yin Wong - All My Dreams Are Nightmares

I'll Get To Hiding

release on 17 May 2024 : www.wabi-sabi-tapes.bandcamp.com
@melodieblaison

Mélodie Blaison is a French artist currently based in Brussels. Her work is a space for experimentation, combining modular sculptures, immersive installations and sound objects.

Mélodie Blaison - Pluie + Pluie

16.08.2024

Get it on Bandcamp🎶👉

Floats

Cassettes on Bandcamp: https://tomleclerc.bandcamp.com/album/parc-naturel-pour-synth-tiseurs

Streaming Links: https://lnk.dmsmusic.co/tomleclerc_parcnaturelpoursynthtiseurs

'Parc Naturel pour Synthétiseurs' was composed and recorded using self-sustained energy with my modular synthesizers in Auvergne, France, as part of a residency called "Le Récit du Silence" (The Tale of Silence), centered around autonomous in situ performances. During this time of creation, I used batteries and solar panels to power the entire small studio that I had installed to be able to play in open nature.

This project is the most ambitious endeavor I have undertaken so far. It aims to take the audience on an auditory journey through diverse microcosms, resembling a real natural park. For this project, I used my modular synthesizer that I was able to take everywhere.

Composing with nature is not such an easy thing, as you have to learn to let go. In times of capitalist anxiety, the mere search for calm becomes difficult. And when we finally find it, we already think about finding it again.

In these places, the natural and ephemeral orchestra is alive. It can invite us to compose with it.

I seek to bear witness to these moments to offer the world these new imaginations. And there are these moments, at the bend of a mountain contour where the music comes to life and offers us a "natural park of sounds". - TL

Recorded in Auvergne, France
Written, performed and produced by Tom Leclerc
Pictures by Joséphine Leroux
Visuals and art by Nathankylosaure

Tom Leclerc - Hike For Two

First release from CAF? with the work of Flammkuch, ARIS 1201, Tissu, FSS, lks, Morizio Lemano, 909 Hz, Mystic V, lks & Tissu.

IR-90

Tissu - how many guns do you own

Pre-order available now. Color copies exclusively available for Important Records mailorder customers. 

Multivocal is a polyphonic maze that unfolds to both the body and the mind. A generative take on rhythm and spacial perception, it presents the same events in different configurations. 

The two pieces of the album, "Solid of Revolution" and "Never Odd or Even", mirror each other with the same principle in different musical scales: steady pulses with one millisecond difference in tempo start beating together, then slowly phase organically and progress into ever-changing rhythmic patterns until they finally return to unison. 

Multivocal emphasizes shifts of attention in the listener’s experience and plays with the expectations that frame it. Originally conceived for quadraphonic sound, the pieces reveal the many different aspects and modes of perception that can arise within the same sequence of notes. In this way Multivocal is influenced by concepts of gestalt psychology such as multistable perception - a term describing ambiguous patterns that offer multiple interpretations at once. The minimalism and repetitive quality of the music also refers to trance-inducing and collective music practices, driven by the strong bodily affects induced through the use of rhythms.

Those two compositions were recorded live during Ars Electronica 2018 at the occasion of the sleeping event « Sonatas for Sleep/less », curated by multimedia artist Shu Lea Cheang and cultural theorist Matthew Fuller.

Jessica Ekomane - Multivocal - LP - PRE-ORDER

With Contemplative Figuration we see Broshuda pushing his amorphous, impossible-to-pin-down music in exciting new directions. Stitched together in various European cities over the last few years, it is the artist’s most dynamic and ambitious release thus far, drawing equally from musique concrete, beat research, ambient, tape collage, and spoken word. Episodic in nature, the collection functions well as a sort of impressionistic travelogue, with romantic, hazy atmospheres coaxed from borrowed equipment, serendipitous recording sessions with old friends, and even a drum sequence programmed with Mario Paint, among other curios and sleights of hand. Broshuda deftly wrings bonafide cohesion and balance from these disparate source materials, tools, and locations, as on opener “Kakigori,” which allows a snaking harmonic drone the space to evolve before exploding it into a sort of seething, dubbed out pointillism. Later, “Lied Fuer Hase” concocts a potent, humid atmosphere of beautifully evolving acoustic piano loops and elegant narration. Taken as a whole, Contemplative Figuration is a weightless, transportive record, one that is bursting at the seams with ideas, mischief, and a restless spirit. 

Mastered by Helmut Erler at D&M
Artwork by Alex McCullough and Niall Wynne Lewis

Available 09/25/20 via sodagong.com / sodagong.bandcamp.com

Broshuda - "Obj. Contraire (feat. Elen Huynh)"

Tape loops are a closed path, a cyclic river, a ring around a far planet. They’re similar to our memory, continuously reenacting an artefact that belongs to a precise point in time, brought back in a process of recall where that artifact slightly and slowly becomes imprecise and shifted. An unrested repetition carved into an old pavement, in a city where every generation leaves a new mark, a new incision and maintains an endless process of birth and deterioration. Sonus Ruinae’s synthesizers sounds are gently laid on that closed path, put in a locked repetition and engaged into that eternal dance.
While growing up with computer music influences, ranging from glitch to the new century Roman electronic scene, Marta De Pascalis developed her musician skills under the spell of the Italian sound labs sphere, from Gruppo di Improvvisazione to Battiato and other masters that influenced the global movement of sound designers. Her earliest Live performances already showed a special character of improvisation and structure, reduced slowly to become essence, made of synthesis and magnetic tape. Her album Sonus Ruinae is a canvas of harmonics and a sublime place where things are whole, where your first listen is engraved just like that ancient city’s pavement, and Marta endlessly writes beauty on top of it, layer after layer.

All music by Marta De Pascalis
Recorded at WORM Sound Studios in Rotterdam, artist's studio and Big Snuff Studio in Berlin, between 2019 and 2020. Mastered by Giuseppe Ielasi. Artwork by Lorenzo Mazon Studio.
All rights reserved to the respective owners.
doser039LP 
© + ℗ Morphine Records 2020.

Marta De Pascalis - Sonus Ruinae Part 1

Track from the upcoming DE NOR 2020 compilation LP/DL, out on January 11, 2021!

Aaron Dilloway & Lucrecia Dalt : The Monster Of Yesa

cassette label . . . all kinds of music . . .
transient creations looking for balance in uncommon spaces.
demos welcome : wabisabi(dot)tapes(at)gmail(dot)com

artworks : 
Yann Rambaud (WBSB001 > WBSB008)
Coline Llobet (WBSB009 > WBSB014)
Mona Chancogne (WBSB015>WBSB020)
mastering : Adrien Lambert

Mélodie Blaison - Pluie + Pluie

wabi-sabi tapes

Recent comments

jo.app

Related tracks