[slowed motions]

Art remember

Spotify: https://open.spotify.com/track/41IFWwfQmazoGRI0Uok0Fl?si=388814988411445d
Apple Music: https://music.apple.com/us/album/lifetime-impression-instrumental/1585999527?i=1585999528

Instrumental for: https://soundcloud.com/tapeheadloops/lifetime-impression

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums weight. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

Peace!

Lifetime Impression (Instrumental)

Japanese Hip Hop beat
Check out my Spotify! : https://open.spotify.com/artist/7CIy8DJbftLyQQo8yVQF8a
And my Instagram : https://open.spotify.com/artist/7CIy8DJbftLyQQo8yVQF8a

Fuji

Presenting High By The Window! A four track Boom-Bap Hitter, check out the guys below!

01 Smogzz & Mr Treez - H a y d a y 
02 Infinite T & Mr Treez - H i l l t o p s
03 Smogzz & Mr Treez - Y o u n g  L a d y 
04 Smogzz & Mr Treez - F u z z y

https://soundcloud.com/smogzz
https://soundcloud.com/mrtreezuk
https://soundcloud.com/infinite-t-music

Previous post: https://soundcloud.com/wakefulstaterecords/bumps-flips-vol2

High By The Window (Prod by Smogzz, Mr TrEEz & Infinite T)

Spotify : https://open.spotify.com/artist/7CIy8DJbftLyQQo8yVQF8a

YouTube : https://www.youtube.com/channel/UCS8i13zy65sUVltMpA2KbGQ/videos

Instagram : https://www.instagram.com/smogzz.prod/

shining Sea

Shining Sea

Great artwork by OPAS https://soundcloud.com/jesus-ander

spotify

cruisin' ep

💰 Purchase/free download this beat: https://traktrain.com/t/1498603

GRISELDA TYPE BEAT "BUSINESS"
BPM: 72
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Mail: 13track.prod@gmail.com
Instagram: _13track

Terms of Use

Usage: You can use this beat and keep 100% of the profit on youtube and Soundcloud but you must give me credit (prod.13track). You must purchase a lease to distribute your music on streaming platforms like Apple music or Spotify

(FREE) GRISELDA TYPE BEAT "BUSINESS"

HearingThatSound

_UPTHEBLOCK_HRVTSKA

wun 4 u

WakefulStateRecords was founded in 2020, Our aim is to produce & promote that fresh Hip-hop sound and we want to give artists the chance to receive more exposure and to connect with like minded people.

Be sure to check out the links below and hit follow, we hope you enjoy the music & thank you for listening

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https://soundcloud.com/infinite-t-music
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