As of today, it's been exactly ten years since I first started a co-writing partnership with my friend Liam, and today we finished our latest composition. The composition is named in honor of the free software Finale Notepad, which Liam and I used to use for all of our co-writing. Finale's being phased out, perhaps due to the popularity of Musescore. We wrote this one in Finale, like in the old days, as a farewell to the software we got started with.

Written by exchanging a file by email, with each of us writing eight measures at a time. Hope you enjoy!

Liam's profile: https://soundcloud.com/liam-hynes-tawa

Archive of our prior compositions: https://soundcloud.com/liamhynestawawalkingears

Finale

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

So happy you found me here♪

My goal is to create grand original songs with an atmosphere similar to rock or metal, layered with piano and strings.
The main themes of the songs are emotional themes such as love and dreams, as well as natural themes such as the universe, the world, the sky, and the sea.

I recorded the guitar, bass, piano and drums myself, although I'm not very good at them. 
This track features vocals by Koharu Rikka (小春六花), a singing voice synthesizer.
Some elements like certain string parts, ambient sounds, and subtle adjustments were programmed using MIDI — although some of the string sounds were also played and recorded using an electric piano.

In particular, I love and cherish the structure of the songs, including the piano playing, the powerful and beautiful melodies, and the worldview created by the strings.

Please note that I don’t use Messages. Feel free to leave a comment instead.

I hope my original songs reach your heart.
Thank you for listening.

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

No AI is used in the making of my music or art. Creating something from nothing is one of the true joys of life.

Please help support ALL types of new Classical music by following this page.  The greater the following the more exposure reposts of new music in the genre receive including any reposts of yours. There are very few if any pages  dedicated to reposting new classical music.  So please support the cause by following.

Once you FOLLOW this page, you can send a message of a track you would like to be added to this moderated Classical Music Repost.  This can be either your own work or a track of another composer you'd like reposted.  Upon acceptance, your track will be reposted.  Feel free to send additional tracks in the future too, but space sending them out by a few days or more.  Thank you  so much.

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

At home producer of electronic tracks in varying styles - I really enjoy experimenting with melding different genres. 
Been writing songs since the mid 70's whilst playing bass & drums in various bands (the first one was a punk band) and digitally writing since 2006. Retired now, so much more time for having fun with music :) It's just a hobby for me these days; Soundcloud is just a great place to share music & connect with people who have the same interests.  All my recent music is free to download - if you want to download any that don't have a download link, just let me know :)
I appreciate - and love to listen to - all genres, from orchestral through to metal. 

Thank you for reading, and hope you enjoy the music.
Fiona x

Collaborative compositions by Liam Hynes-Tawa and Walking Ears, written by emailing Finale (or Musescoure) sheet music files back and forth and building them up together. We ran out of space on this account and will be uploading collaborations on Walking Ears's pro account from now on, but this page will remain active as an archive of our collaborations.

RhuneStar 3 write, record & produce their own music. Having been inspired by a diverse range of bands & artistes over the years, their music has resulted in an eclectic & sometimes interesting mix of styles & genres.  
 
RhuneStar 3 are :
*** *** *** *** *** 
Bev    
Vocals*Guitars*Keys 
Mick   
Guitars*Bass*Drums*Mandolin*Keys*Backing Vocals 
Martin  
Gibson Guitars*Backing Vocals 

(Check us out on Facebook/Youtube/Spotify/I-Tunes/Amazon)
  ** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***

*** Welcome to The RhuneStar 3 Galaxy ***
Our favourite selection of stars across SoundCloud and beyond!  
Please visit us on our main RhuneStar 3 Soundcloud page and via the following links for more songs and videos by RhuneStar 3  :)

Finale

WalkingEars