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Multi platinum selling, grammy nominated country duo Thompson Square's first podcast episode. In this episode Keifer and Shawna give a little back story to how they got started and introduce themselves to those who might not know who they are.

Silvio Luz, born in Queluz, Portugal, and now based in the Netherlands, has been a driving force in the music scene for over 15 years. After moving to the Netherlands at age 8, he was influenced by the rich music cultures of both his homeland and his new surroundings, shaping his unique identity as a DJ and producer.

Inspired by his older brother, a DJ in the 90s, Silvio's passion for music sparked early. Over the years, he honed his craft, experimenting and evolving to find his distinct voice. Today, he is known for his expertise in Afro House, where he masterfully blends melodic grooves with percussive beats and emotive chords.

"For me, it's all about mood and a feel-good, hypnotic groove," says Silvio. His sets are a journey through sound, where infectious rhythms and hypnotic melodies create an atmosphere that is both energizing and soulful.

With nearly a decade of production experience, Silvio Luz has carved out a niche in the Afro House scene.
Silvio continues to push the boundaries of his sound, constantly evolving and expanding his musical palette. His passion for music, combined with his extensive experience, makes him a standout artist in today’s electronic music landscape.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

It’s gonna be a long summer. July 12. #TipOfMyTongue

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