More on this 484th weekly Disquiet Junto project — A Movable Heart (The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location) — at: https://disquiet.com/0484/

More on Chris Kallmyer at: chriskallmyer.com.

Major thanks to Alex Hawthorn for support: alexhawthorn.com

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Chris Kallmyer, used with his permission.

A Movable Heart - disquiet0484

(m)Egoless [version]

Collaboration between Tube Tentacles and Garazi Gorostiaga for Hyperesthesia y Necropapiloscopía
https://hyperesthesia.bandcamp.com/

GABA - Tube Tentacles & Garazi Gorostiaga - Gritos En La Noche

Sympathetic Resonance

DR0000 0158

Henrik Meierkord : cello, hurdy-gurdy, violin, fx and electronics
Marco Lucchi : analog synth, tape and mix down

music by Henrik Meierkord and Marco Lucchi

* based on "Średniowiecze II" by Henrik Meierkord
https://soundcloud.com/enrikeierkord/sredniowiecze-ii

4 febbraio 2020

Henrik Meierkord & Marco Lucchi - Totentanz I

Cylinder

A new 5 track mini album released on Whitelabrecs.
https://whitelabrecs.bandcamp.com/album/home-diaries-021

"Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. An interview with each artist is included as a bonus PDF with the download."

blochemy - Home Diaries 021 (Whitelabrecs) Sampler

Mastered By exm
Artwork & Design by Grid Pattern (www.gridpattern.co.uk)
Photo by Matthew Hampshire (www.matthewhampshire.com)
Music By Keiss

TR606 
released August 14, 2020
(c) Touched Revolutions

Buy Vinyl, CD, Digital

Any Thing

Marco Lucchi : piano

18 settembre 2020

***

A morte é a curva da estrada,
Morrer é só não ser visto.
Se escuto, eu te oiço a passada
Existir como eu existo.
A terra é feita de céu.
A mentira não tem ninho.
Nunca ninguém se perdeu.
Tudo é verdade e caminho.

Fernando Pessoa

piano patterns no 4

Woozy Spellz

Composer, Guitarist and Professor at Conservatory of Music in Sassari, Italy.

Born in Tagliacozzo, Italy (1978) Walter Cianciusi graduated in guitar from the Conservatory Alfredo Casella - L'Aquila and in law from La Sapienza University - Rome. 
He also graduated summa cum laude in electronic music under the guidance of Michelangelo Lupone, attending specialization courses taught by Henri Pousseur, Sylvano Bussotti, Mauricio Kagel, James Dashow and Curtis Roads.

Cianciusi's compositions have been performed in several locations around the world, including Cardiff (UK), Manchester (UK), Portland (Oregon - US), New York (US), Austin (Texas - US), Baltimore (Maryland - US), Cuernavaca (Mexico), Rome (Italy), Zurich (Switzerland), Regensburg (Germany), Miami (Florida - US), L’Aquila (Italy).

His work is mainly published by Bèrben Edition, nowadays distributed by Edizioni Curci, Milano.

As interpreter Cianciusi produced the electronics for several contemporary compositions, including the world première of the piece Texture by Aldo Clementi (Rome, Musica-Scienza 2005) as well as the algorithms for the installation Musica In Forma by Michelangelo Lupone (Belgrade 2008).

In 2005 Cianciusi was selected to publish an essay as one of eleven other contemporary "New Fluxus" artists who are seen to 'inhabit the site of Fluxus, developing and interpreting the Fluxus tradition in a new way' in a special double issue of the journal Visible Language on Fluxus. The double issue was developed by Owen Smith and Ken Friedman and published through the Rhode Island School of Design. 

Cianciusi contributed to the production of many music and art events, including performances by Riccardo Muti, Ennio Morricone, Andrea Bocelli, Lang Lang, Salvatore Sciarrino, Peter Bosch & Simone Simons, Georges Aperghis, Mario Bertoncini, Dieter Schnebel, Larry Austin and many others.

Sympathetic Resonance

Walter Cianciusi

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Eric Jovet

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