c'è in giro da tempo una nuova 'musica assoluta', astratta, che sta fra la cosiddetta 'ambient music' e la 'drone music', nei pressi dei cosiddetti 'soundscape' o, meglio ancora, degli 'innerscape' .. a volte ha tratti più 'cameristici', o addirittura per strumento solista, a volte è più 'sinfonica' .. a volte usa solo sonorità 'sintetiche', a volte invece anche strumenti 'tradizionali' .. ha antecedenti illustri, sia nella cosiddetta musica 'classica', diciamo storica, sia nella 'popular music' e nel jazz .. a quella soprattutto io guardo

https://www.facebook.com/notes/marco-lucchi/musica-assoluta/10155811583217624/

I wish to dedicate this collection to Paul Minns (Third Ear Band)

"musica assoluta" (ottobre 2020)

My October Favs

The infinity around

Cours danse contemporaine

Experimental

Mars_Perseverance

The Exploration_ Begins

Tensione Alta

Solarity

CAPSIZE RECOVERY takes the listener on a ride through a very dark universe of gloomy sounds and atmospheres.

the eight rather longish tracks of the album are characterized by senking‘s epic signature sounds - creepy hovering bass lines, clean and slowed down drums, paired with oscillating and sometimes fierce synth melodies and shots.

with his extremely deep and dubby arrangements that explore the depths and abysses of bass heavy music, he again is able to create soundscapes that convey a subtle sense of unease or even fear, as if they were the soundtrack to a mysterious and disturbing film.

already the opener „chainsawfish“ reflects this perfectly. a minimalistic composition of droning basses and synth pad sounds is decorated by scary voice snippets that seem to be taken from a horror movie, which eventually evokes the uncanny feeling of being haunted.

the track „tiefenstop“ - a truly telling title - is a continuation of this theme and can be seen as the lowest point of the journey where the bass is reaching ever deeper spheres. again, voice snippets are used that intensify the hectic and stressful impression of the track, but here they are juxtaposed with rather positive and balancing melody lines.

besides the omnipresent mysterious atmosphere, the overall sound of jens massel‘s new record is organic and possesses a certain live character that can also be discovered in the last track. senking, by the way, is also one of the few artists who creates his music without the use of a computer.

„enduro bones“ starts with a monotone beat to which single elements like echoes, synth sounds, and fragments of melodies are added. by means of repetitions and extensions, the track is gradually becoming more dense and complex, and therefore it seems to be a song that is being created at this very moment.

senking‘s new record is an excursion to the depths of the human psyche. it‘s like the record is reflecting a difficult situation one can get into, as well as the struggle of getting out of it again - hence the title CAPSIZE RECOVERY.

senking. shading (excerpt). taken from senking. capsizerecovery

senking. tiefenstop (excerpt). taken from senking. capsizerecovery

Midnight Resonance

Album: Trial (2000)
 
No copyright infringement intended. 

Senking - Lift

1. Senking - Speed Bubbles 
2. Retina.it - Progetto Gettato 
3. PixFoil - Monkey Chant
4. Plaster - Trasducer

C H O N

C H O N : Senking, Retina.it, PixFoil, Plaster

NOW ON SPOTIFY: https://open.spotify.com/album/4N98606krePLJQ1O7XGukl

<3 luh u
Full EP for free: https://rudemanners.bandcamp.com/album/rain-ep

SPOTIFY

Holding Hands

h e a r t

composed, arranged and perfomed by andrea veltroni 2008

Album

schizocrazia (2008)

andrea veltroni - bass and vocals; cristiano riccardi - guitar; fausto casara - drums. This is PITBULL POWER TRIO LIVE IN 2001

30 years

medley live 2001- misirlou\break on through\war pigs\moby dick\aneurysm

A travel into the magical words of Shoom's spirits
by @tomanka

Shroomlands

Tomanka - Shroomlands

Please don’t hesitate to comment, like and repost. We can all use more feedback, comments, and plays. Enjoy the production.

Released: 6/6/20

Turn me up play me loud here’s another countdown 
3–2–1 love the sound Call it Lou’s Motown 
Underground more inbound totally spellbound 
if you want to hang follow me because I get around
Come on baby fast or slow I’m here to rock the tempo 
get down let’s go stay open- feel the vibe though
I’m on fire I suggest my haters try to stay low 
the Beats gonna move ya cause the track is pure dinero
￼
That unexpected reason to go harder than I’ve gone before 
push the limit keep it real but everybody is wanting more 
let’s go it all depends on me because it’s time to soar￼
Gotta hustle harder not the only one that’s keeping score￼
Input output nobodies been this close before 
long days short nights I’m my own competitor 
stay calm focus why should there be an uproar 
so many changes going down it’s time for me to explore 
one thing in my favor is that I was born a Warrior
one thing in my favor is that I was born a Warrior

Step it up keep it epic hot and hype still legit 
On top on exhibit I hit it right then transmit 
won’t stop wont quit I keep on going till it’s lit 
murder Mayham on the track my haters getting desperate￼

Patients trending no rules of engagement 
stations tuned in providing entertainment 

payments- cool I’m thrilled keep providing statements
hope ya-listening underground don’t mean my basement
I do for love the response is pure amazement￼


I got a little something left -so act like you know bro
I’m packing so much heat —to back it up—they call me pyro
Oh no —-let’s go —-I think of words—- and ink flow
I’m mer keep you vibing to this track —until tomorrow
Yo bro—-if so——it’s so dope you gotta know
I’m mer keep on spitting flames —like I was s a volcano
You know—words flow like lava—-track is fire tho
I’m mer drop the facts and —-paint a picture like Picasso

Simple Insights

Senking - Black Ice

I have reworked this old classic from Cecilia and myself and as always when you rework something it is getting very different from the original.
If you feel at the end that you hear George Zamfir - it´s not him, it´s all guitar :-)
I hope you like the track and enjoy this new fresh version.

@spacialcecilia Vocals and Lyrics
myself: guitar, bass, drum programming, keyboards and mix and mastering

Mysteries Part 1 2020 Reissue feat. Special Cecilia

Mysteries Part 1 2020 Reissue | Special Cecilia & N.o.b.S.

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Louise Bock - "Flummox"

Félicia Atkinson - "Sequoia"

Nick Malkin - "An Hour Pulled Lengthwise"

From the forthcoming live album 'Figures In Open Air' out 6th November on Late Music.

Pre-order the double CD edition now → https://latemusic.ffm.to/figuresinopenair

Sarah Davachi - Diaphonia Basilica (Version)

Im very happy to share a collab with my friend Lea-Mona. She is a talented multi aspects artist (painting, sculptures, poetry and much more) and her mother tongue is german so here is a poetry she wrote and says on my music and some vocal ambient, for our first collab :

Tiefe:

In Steintreppen geschrieben
Geschichten aus alter Zeit
Geschichten von Beton und Stein, Gips
die ineinander verlaufen
Man kann immer wieder Phantasien entwickeln
die dem Stein entspiringen
In ihm und auf ihm stehend, heruntersehend - ein Abgrund - ein Stein.
Fuss auf dem Boden - pieds sur le sol
Treppen steigen, Treppen gehen, 
so wie im Leben, nach oben, nach unten
Mich immer wieder zusammenreissen um die Anstrengung
 zu überwinden - ständige Motivation - 
anstrengend wenn man nicht nach oben kommt 
und sich sagen kann
Ja, Ich hab's geschafft! oben auzukommen
Ausser Puste, aber doch.
Jeden Tag versuche ich mich auf Neues zu motivieren 
um endlich etwas zusammenzustellen
das mein Leben bedeutet
Im Leben zu stehen, mit beiden Füssen
im Gleichgewicht auf dem Boden
in ihm - auf ihm - hinein 
Vereint mit meinem Körper

Collabs 2020

Tiefe

Tiefe Feat. Lea-Mona

violin / metronom, trumpet: matthias boss

metroduett

Encelado _ Approach

Electronic Visionary Music.
Contact: wa.fini@me.com

Encelado _ Approach

Walter Fini