Nice Tracks 🔥

fave listenings of June

in the pic : Terry Riley

"musica assoluta" (giugno 2022)

Energy (33)

Sovrastati

KR17

admoto "paratum"

Alla fine delle rose

Alla Fine Delle Rose

A mix of old samples of mine and the Sounscaper app and using BLEASS Slow Machine - all mixed in AUM

Radioland  II (Teufelsberg 394 MHz)

It's all in the question ...
Does the present exist?

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space

Does the Present Exist ?

Does The Present Exist

Splendor Solis ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582.

The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide.

The original of Splendor Solis, which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the then-known planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are clearly of the 16th century.

Splendor Solis

Source sounds: 
A beautiful field recording of a gate in the forest: https://freesound.org/people/DrGoldbach/sounds/590173/

A short excerpt of 'Surabaya Johnny' by Kurt Weill: https://archive.org/details/lp_the-two-worlds-of-kurt-weill_morton-gould-and-his-orchestra/disc1/02.03.+Surabaya+Johnny.mp3 

Image by <a href="https://pixabay.com/users/fotobox_petra0107-52422/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=206898">Petra Söhner</a> from <a href="https://pixabay.com/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=206898">Pixabay</a>

Before Dawn

Blackout nights in my car numbing the pain
Still cannot drink away my mind from me
Strayed lines, distancing, put me in my place
Remnants, a distant voice, screaming at me
-------------------------------------------------------------
Pour it out from the start and mend a broken heart
From the liars and the fools you betrayed
See it all from the lens, the vision fades again
From the higher serotonin thugs at play
-------------------------------------------------------------
Blackout nights in my car numbing the pain
Still cannot drink away my mind from me
Strayed lines, distancing, put me in my place
Remnants, a distant voice, screaming at me
-------------------------------------------------------------
My vision was dim but the stakes were high
And I wasn't fit for this kind of life
For this kind of life, well the streams run dry
And the water that ran, well it turned to ice (x2)
-------------------------------------------------------------
Cauterize from the end, the broken heart won't mend
From the liar and the fool you've become
Cuttin' ties like you said, a twist of fate ahead
From the karma coming back to hunt you down
-------------------------------------------------------------
Blackout nights in my car numbing the pain
Still cannot drink away my mind from me
Strayed lines, distancing, put me in my place
Remnants, a distant voice, screaming at me

Blackout Nights

Lost

© Joe Liberty 2021. All rights reserved

Accompanying video with shots of NYC in the 80s - https://youtu.be/rjKHQfBBA0g 

OneMoreTimeAgain

It’s been a long time
Since I’ve seen your face my friend
Help me to remember just how long it’s been
Since we walked them city streets
You know I thought it never end

Where did the time go
You know I really don’t know
One thing led to another
Really miss you brother
Now all I want to do
Is hang out like we used to

Boy do you remember the times we used to have
Knocking back the rounds one by one
Never had a worry took each day as it comes
Staying up all hours till we see the morning sun

It was a good time
The hardest time I’ve ever known
Working all the live long day
For nothing much to show
When you’re always window shopping
You know that shit get old
Yea it do

Solo

Yea I’m glad to see you’re doing well
As for me you know I’m, just swell
And for all those still here to tell
Of their own private hell

Well well it’s about time
We raise a glass and make a cheer
For all the days gone by may it be a better year
And we’ll walk them city streets and have no need to fear

Boy do you remember the times we used to have
Knocking back the rounds one by one
Never had a worry took each day as it comes
Staying up all hours till we see the morning sun

It’s been a long time
Since I’ve seen your face my friend
Help me to remember just how long it’s been
And we’ll walk them city streets
One more time again
And we’ll walk them city streets
One more time my friend
One more time again

OneMoreTimeAgain

The Morning Hours

Lechtworden

if not when, how?

🕉 Tibetan monks chanting Ohm as part of intro provided under creative commons.

The Way Through

hyperreal

Plasma Mirror + Ambient + Delay Vol.2

At Home Within Yourself

Marco Lucchi : synthesizers and tape

1 giugno 2022

for the Naviar Haiku project
https://www.naviarrecords.com/2022/06/01/naviarhaiku439-tall-trees-gently-wave/

Tall trees gently wave
Sending secret messages
Into the Spring breeze

John Hinks

Marco Lucchi - Secret messages [Naviar Haiku # 439]

This track was created for the Naviar Haiku group.
439  week haiku
https://www.naviarrecords.com/2022/06/01/naviarhaiku439-tall-trees-gently-wave/

2022-06-02

Tall Trees Gently Wave  (Naviarhaiku 439 )

worth±less

a good friend of mine painted a series of images based on descartes' "meditations on first philosophy."

https://www.lowwintersun.org/work/descartes-meditations

i took painting number 6, sliced it into five strips, fed the images into photosounder, the converted the resulting .wav files to MIDI (quantized to 16ths). i used the MIDI clips separately to trigger various samples: kick; snare; low tom; floor tom; hi-hat. i added a steady hi-hat pedal to help navigate the slightly offbeat rhythms.

finally, i layered in a live guitar piece (played through VCV rack, which i first encountered through disquiet junto, many moons ago...)

some possible questions: how can we think about the relationship between something rhythmic (the "beat") and something a-rhythmic (the "ambient" guitar)?
do they feel like two utterly separate streams, or do they somehow inform each other?
also, my track is only one minute long - can something so short be called 'ambient'?
more generally, can such a brief composition claim to establish a mood or atmosphere?

(wittgensteinian thought: i can claim to have felt sad for one minute, but not to have been depressed for one minute. certain moods or states require longer stretches of time to operate.)

all the best, htnc

- - - - - - - -

More on this 544th weekly Disquiet Junto project — Feedback Loop (The Assignment: Share music-in-progress for input from others) — at: https://disquiet.com/0544/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0544-feedback-loop/

[disquiet0544] cartesian drummer

Features english horn, clarinet, bassoon, cello, dulcimer, and double 
bass

Time Has Passed

Dissonant Lights

From the liner notes of our 2-disc Ebo Taylor retrospective, Life Stories:

Ebo acknowledges the influence of US jazz rockers Blood Sweat & Tears and
– less obviously, perhaps – Deep Purple on this easy going mid-tempo
piece, written a few years before it was recorded, when Osibisa and
various ‘blaxploitation’ themes were hip. “I was trying to fuse rock and jazz together with highlife,” Ebo recalls. “This kind of music was ahead of its time – not very popular when we recorded it!”

Life Stories

Peace On Earth

Ebo Taylor- Peace On Earth

Not So Away From This Time

On the old street

145 pbm ,tuned to planet jupiter, live vocals by crystal voice
indian and balkan elements with a kickin psygroove`.Thanks to tuva nordelius for inspiration..boom rasta!
booking:spacetraxrecords@gmail.com
www.facebook.com/spacetraxproductions

Cosmic Vibration "Space Vibe Rasta" (sample)

Bath Of The Inca

Hello My Friends!, Here you have a free track to enjoy from my last release, Please share this free download with your Friends it helps a lot on my music, Keep on Chilling and Good Vibes to All, Namaste
Full Release for 5 eur now on Bandcamp 
https://ashnaia.bandcamp.com/album/sacred-silence

Sacred Silence

Ashnaia Project - Silk And Spices [free download]

A little Politics and a dash of rock n roll.

Walk Around the Moon

WALK AROUND THE MOON

Electronic Visionary Music.
Contact: wa.fini@me.com

Dissonant Lights

Walter Fini