Deep track very well mastered in a difficult genre. Very soothing actually.

A Mid Summer Nights Drone 2022

I had the pleasure of making this track for the Naviar Haiku challenge for the haiku below.

This was recorded in preparation for the https://soundcloud.com/naviar-records curated Naviar Haiku Fest at Cafe Oto, London, on 7 December.
More details here: https://www.cafeoto.co.uk/events/naviar-haiku-fest/

Music inspired by this haiku:

The spring sea:
all day long
undulating, undulating.

One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

Haiku by Yosa Buson www.poetryfoundation.org/poets/yosa-buson

More about the Naviar Haiku: https://www.naviarrecords.com/about/naviar-haiku/

The Spring Sea [Naviarhaiku456]

Carnaval secret  🌹

Full Album: https://soundcloud.com/adrezonar/sets/walhalla

most sounds are self-recorded and absolutely no syntheziser sounds are used....
including didgeridoo, Jaw's harp, ukulele, drum, rattles, jingles, field recordings, my voice, etc.

Also used: Renoise 3.4, Behringer Uphoria UM2, Aokeo A8 mic.

---Walhalla--- 

1. Yggdrasil *02.01.2023*
2.Bärenstein *06.01.2023*
3. Walhalla *14.01.2023*
4.Feenwiese *06.01.2023*
5.Zauberquell *09.01.2023*
6. Schwert & Carnyx *11.01.2023*
7.Raun *08.01.2023*

90% aller Töne sind selbst aufgenommen und es werden absolut keine Syntheziser Töne verwendet...
ua Didgeridoo, Maultrommel, Ukulele, Trommel, Rasseln, Schellen, Feldaufnahmen, meine Stimme usw.

Ausserdem verwendet: Renoise 3.4, Behringer Uphoria UM2, Aokeo A8 Mikro

Walhalla

Yggdrasil

Bandcamp

It Was Always You - Beck & Fini

the first excerpt from a home session

original composition by 
Marco Lucchi : piano and synthesizers
with contributions from 
Henrik Meierkord : cello

luglio 2023

The Meierkord family came by to say hello to us in this month of July. Henrik and I took the opportunity to play something together. Nothing demanding: a sort of 'warm up', which has become a 'session' in my small living room. We mostly used some 'loops' I had on my JamMan, improvising over them, or even more freely. The recordings are quite 'lo-fi', mainly coming from a dictaphone placed in the center of the room, but we believe they are a good testimony of our musical and human entente and of the pleasure of meeting each other in person. See you soon !!

The Living Room [w/ Henrik Meierkord] first excerpt

Oranges

To accompany the release of a highline walking documentary, Sweden’s Jannik Jivung delivers a cinematic soundtrack across the six-track ‘Above The Ground’ EP.

Liminal Shapes: ‘’In the summer of 2022 the athletes of the Squamish Highliner community of British Columbia came together to rig B.C.'s longest highlines. Jannik Jivung provides Inbound with a cinematic 6 track EP to complement the stunning scenes and majestic moments of their documentary film with an epic soundscape. Above The Ground' marks Jivung’s debut release and invites the listener to get familiar with his signature sound which blends analogue and digital vintage synthesizers with acoustic instruments resulting in organic textures and evolving soundscapes. All tracks where composed and produced by Jivung with additional composition by Guillaume Richards, Johannes Wehrle and Marc-Andre Beauchemin, and mixed by him and his long-time collaborator and studio partner Per Hammar.’’

‘Mountain Calling Us’ leads the release, perfectly setting the tone with a subtly nuanced drone intertwined with ethereal pad textures before ‘Coming Home’ shifts focus to elongated sub bass tones, shimmering plucked strings and cinematic leads. ‘Sunset Walk/Northern Lights’ then edges further into the modern classical world via emotive piano melodies, unfurling synth pads and haunting atmospherics.
‘Focus’ follows, introducing the first rhythmic component of the project with a sturdy 4/4 rhythm flowing in combination with metallic drum tones and delicate chimes. The aptly titled ‘Adrenaline Rush’ comes next, starting off with a tension building drone before building to a crescendo of arpeggio bass and crisp drums. The ‘Liminal (Synth Only Mix)’ then rounds out the release, diving back into deeper realms with crackling synth flutters, ever shifting synth tones and a dynamic atmosphere throughout.

https://www.traxsource.com/title/2252200/coming-home

https://linktr.ee/jannikjivung

Jannik Jivung - Above The Ground

PREMIERE: Jannik Jivung - Coming Home [Liminal Shapes Records]

Garbled tapes, space echos, portastudios and Sanyo Voice Activated Recording system feedbacking through MS10 and KM-60. 

Main samples from my recording of Morten Michelsen at the Kværner Iron Foundry - https://soundcloud.com/locomofon/sets/crane-room-recordings

As flesh is harnessed onto tape (Take 3)

Searching For The Spark

It's not over

Electronic Visionary Music.
Contact: wa.fini@me.com

It Was Always You - Beck & Fini

Walter Fini

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