The Missing

Cryo Drift

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

When corrupted judge betray your case, what you gonna do? You sign-off from your motel, you throw your badge to the garbage and with an illegal gun full of death you go unleash hell against the cartel ruling the city. You become an angel of revenge, one last redemption for your murdered love. This night, come what may...

Crime Of Justice

"Let's Try Again" - Edeltraud Trncik feat. Viktor Trncik

A song about second chances, originally written in 2010, 
now remastered and reimagined in 2025 with full orchestral arrangement.

When a singer-songwriter and an engineer-musician create together,
magic happens. This is our invitation: Let's Try Again.

🎹 Piano, Strings, Guitar, Bass, Drums
⏱️ 3:14
📍 Freiburg, Germany
💙 For everyone who believes in second chances

Lyrics:
How do I know that I've loved you all this time
Does it surprise you all that we turn around and smile
And I've been waiting for an invitation to your life
I've said what's now in this note that I leave on your pillow
So why don't we try again
Why don't we try again

And if they could see us
They might say what you said last year
And if we could change them
We'd be lovers again not friends
Well I've been waiting for an invitation to your love
I said in this note I left on your pillow
What now
Why don't we try again
Why don't we try again

Yes tonight I can hear you whisper
The words you would say if we were honest
Tonight I could feel it when you were next to me
And baby it's so clear to me that we can go back
And I've been waiting for an invitation to your life
So why don't we try again
Why don't we try again
Darling take my hand I promise you it won't be like before
But darling baby we can try again

And just pretend nothing happened
Let me look into your eyes
Then we'll kiss and take it slow
But I always knew that I love you

Let's Try Again

Your Soul

Moondance
Primal beats ignite the ground, and the song awakens beneath the blood red moonlit sky. Moondance fuses tribal energy with Valkyrian shades dancing around the fire, while ravens circle above and wolves howl in the distance.
Guided by Phuse’s hypnotic arpeggios, the track becomes a ritual – a union of ancient power and cosmic flow.

Moondance

House Catz

My earliest musical memories are of a small home on Williams Street, where my family moved when I was three. After dinner, my father would play hymns on his Conn organ, and I would sing along. That simple, shared ritual was my first introduction to music.

Our time at the organ came to an end a couple of years later when we moved, and my father's schedule became busier with teaching, pastoring, and graduate studies. I soon moved on to singing along to albums of musicals, and eventually, my mother became my first piano teacher. But I'll always remember that it was my father who first gave me a love for music. This piece is in his memory of him.

On Williams Street

Thracian Myth - Θρακικός Μύθος

This is the last one of a series of tracks that I did some time ago.

The Waves Whisper Your Name

Mostly I make ambient/melancholic electronic music. Or I play the piano. 
Sometimes there will be faster songs. And sporadically I will do something different. 

Thanks to everyone who takes time to listen to my tracks, or likes them, or reposts them... much appreciated <3

Also check out my synth pop project with the lovely @annie-smart-1: 
Passion Arcade - https://soundcloud.com/user-949559825

The Waves Whisper Your Name

Wane of Summer