@naviar-records Hello, first contribution!

love the way the timbres fall and roll over themselves

This is really beautiful. I love the contrasts between the changing sounds and the overall evolution.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

all submissions

haiku #554: In the light of the lamp / I can see the wind - / snowy night

In the light of the lamp
I can see the wind -
snowy night

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.
 
Haiku by Ōshima Ryōta (tr. by Grzegorz Sionkowski): https://www.thepoetryhour.com/poets/oshima-ryota

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF liT [naviarhaiku554]

HAIKU MUSIC CHALLENGE

Naviarhaiku 554

In the light of the lamp
I can see the wind -
snowy night

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.
 

Haiku by Ōshima Ryōta (tr. by Grzegorz Sionkowski)

Picture by Ilias Gainutdinov

Submission deadline: 21st August 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Snowy Night

Snowy Night (naviarhaiku554)

This track was created for the Naviar Haiku group.
554
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

2024-08-16

In The Light Of The Lamp(Naviarhaiku 554)

Arcturus (naviarhaiku 554)

See the Wind (naviarhaiku554)

My submission for Naviar Haiku Challenge #554.
Messing about with GForce OB-1 and Aparillo.

Night Light

Night Light - Naviarhaiku554

ashore
Feature-reel: https://www.instagram.com/p/C-42e8yOfF1/

in the light of the lamp
I can see the wind –
snowy night

Ōshima Ryōta (tr. by Grzegorz Sionkowski)
1718 – 1787

First contribution for naviarrecords:
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

Enjoy!

ashore (naviarhaiku554)

20Aug24

My naviarhaiku554 submission;
https://naviarlab.tumblr.com/post/758802826436739072/naviarhaiku554-in-the-light-of-the-lamp
:D

in the light of the lamp [naviarhaiku554]

just a quick sketch „on the road“ with my iPad.

Inspired by Naviar Haiku 554
https://www.naviarrecords.com/naviarhaiku554-in-the-light-of-the-lamp/

Sample:
2008-08-19-normandie.mp3 by klankschap -- https://freesound.org/s/59216/ -- License: Attribution NonCommercial 4.0

in the light of a lamp - naviarhaiku554

they spoke no words
 the visitor, the host 
and the white chrysanthemum
Ōshima Ryōta 1718 – 1787

A picture of leaving the energies of grieve – together.
Have a look at my feature-reel: https://www.instagram.com/reel/C_FSdv4g4wu/

Contribution for naviarrecords:
https://www.naviarrecords.com/naviarhaiku555-they-spoke-no-words/

Enjoy!

corolla (naviarhaiku555)

Created on my iPad while travelling.

Inspired by Naviar Haiku 556:
https://www.naviarrecords.com/naviarhaiku556-heaven-and-earth/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

heaven and earth - Naviarhaiku556

Recorded, mixed & mastered 31 Mar 2018, 12 Jul 2008, 10 Oct 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

©2024 Jim Lemanowicz

Process notes -
I started in Reason, using a xylophone sound and two arpeggiated synths. I did two different versions. I brought the entirety of the second longer version plus some of the first into Ableton Live 12.1. Here, I added some alto sax from 2018 and a bit of a manipulated guitar recording from 2008.

Tools used - 
Reason, NN-XT, Europa, Ableton Live, Granulator III, alto sax, Cort Zenox, native Live & Reason effects, iZotope Nectar & Ozone. 

Artwork/Photography -
Manhattan, NYC, NY 21 Oct 2020

---

This original version of “Mister, Have You Seen My Dog?” was submitted as part of Disquiet Junto Project 0667: Neighbor of the Beast. The Assignment: What’s it sound like when the devil lives across the street?

More on the Disquiet Junto at: disquiet.com/junto/

More on the 667th weekly Disquiet Junto project, Neighbor of the Beast — The Assignment: What’s it sound like when the devil lives across the street? — at https://disquiet.com/0667/

Mister, Have You Seen My Dog?  (disquiet0667)

2024-11-15

Is Everything Really Explained. ?

"The Final Chapter" unfolds over 4 minutes and 16 seconds of serene, immersive ambience. Soft, evolving textures drift like mist through a quiet soundscape, building a gentle sense of closure and reflection. Layers of airy pads and subtle drones create a warm yet spacious atmosphere, perfect for moments of meditation, focus, or emotional release. With its delicate dynamics and cinematic undertone, this piece feels like the last page of a long journey, both tranquil and bittersweet.

The final chapter

Ambient Session №31

needed you

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

ashore (naviarhaiku554)

Wanja Olten

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