COMPOSER Soundtrack & Synths  for: Film, Commercial, New Media, Song. Genres: Dark / Drama / Thriller / Horror / SCi-FI / Electro

∎ Denis Delcroix (Aka BSM) from Bordeaux, France, is an experienced composer and music producer for films, video games, luxury brands and commercials across various different media. He is particularly well versed in genres such as Thriller and Horror as well as Sci-Fi and Drama.

∎ Trained in classical harmony and contemporary composition with Michel Fusté-Lambezat at the National Conservatoire of Bordeaux.

∎ Expertise covers a wide range of soundtracks, ranging from contemporary classical to hybrid electronic sounds and 80’s vintage synths.

▶ License Music for: Advertising, Film, TV, Documentary, Games, Non-Profit. (please contact me)

▶ Synths & 80’s 90’s Vintage

▶ Label: RadialWave

▶ Band: PsycheDiscoDelic

▶ SACEM & SPPF Member

From his early years, Fabio has always been immersed in music. His father was a musician and he passed his passion for music onto his son. As these passions grew, so did his preferences and tastes, where he started to lean towards electronic music, and would spend all his money on tapes and vinyls.

Regular visits to Take5, a notable club in Switzerland would follow, where he would take in legends of the scene such as Masters at Work, Laurent Garnier, Jeff Mills, Kerri Chandler, Frankie Feliciano, Tiefschwarz, Terry Hunter, Erick Morillo, Harry “ChooChoo“ Romero, and many others.

In 2007, from his base in Switzerland, he bought his first music software and his musical journey started to see its first glimpses of light. In Three years later he started the record label “ShadesAtNight” with a group of friends. They put out standout releases such as Jazzy Shades' (2001 A Space Odyssey EP), Mosvana & Kandi (l’Afrique Electronique EP), Takamaki, and Tekamaki (Tekamaki EP). On a personal level, in 2013 he collaborated with Yass (Defected Records) and Alexandre Destrez (pianist of Saint Germain) to realise one of his dreams when he had started out. They released two tracks on the legendary NYC record label King Street Sounds: 'Z Tribute' and 'Popovka Morning’.

Further releases followed like “Raw Kiss” on miniMarket and “Night Call” on Swiss imprint Hive Audio, before last year his track “Yini’ was released on SABB’s label Radiant, and immediately found success whilst going to #1 in the Beatport charts. It featured three notable remixes from Serge Devant, Frederick Stone and Italian duo Armonica, and was heavily backed by BBC R1 tastemaker Pete Tong, whilst also featured strong support all summer from the likes of Black Coffee. It finished the year by being announced as one of Mixmag’s top 100 tunes.

Fabio has followed that success up with the strong release “ Hideout” on Nervous Records, and has releases to come in early 2020 on Radiant again. An exciting artist with his finger on the pulse and a production career to inspire, be sure to keep an eye on him over the coming months for his next big moves.

Music producer based in Paris, France
Mgmt: 
contact@clydep.com

Bookings:
marie@clydep.com

Promo goes to 👉🏼 clydep.promo@gmail.com

Tropical & Chill-Out music diffuser.

Contact me for any promotion

Eat da Fracking beat!!

Watch our new <a href="http://bit.ly/112QQjp" target="blank" >Video Clip</a>
<hr>
Watch our <a href="http://www.dailymotion.com/video/xv2x4e_the-frackers-broza_music" target="blank" >Broza Video Clip</a>
<hr>
lt was a beautifull autumn day in a public dump in Palavas les Flots.

Searching in the rubbish, looking for the rare pearl, Phat finally finds a magnificent SH101 in perfect condition.
There was a problem though, he was not alone.
Keuss, a little gnarling person, watching and envious of the scene suddenly jumped to grab the coveted object out of his hands, but Phat would'nt let him.
Phat literally shook Keuss hung to the faders, trying to make him let go, but in vain.
Tired, the SH101 in his hand, Phat left the dump, dragging Keus who was still holding tightly onto the object of desire.
Phat progressively walked home, still dragging Keus behind him.

Once he got to the entrance of his squat, Phat gave it a last try, to get rid of Keuss, but it was without counting on his determination.
Resigned, he drags Keus inside.
Days go by and moved by so much obstination, he decides to feed him.

After three cookies and a glass of milk, Keuss finally decides to let go and frees the object.
Phat can now plug the analog beast to his studio.
Since then, The Frackers duet is born.
Producing energetic, percussive music in the aim of drowning dance floors with Electro Hip Hop and Techno sounds.

This inseparable buddies are united for the better and the worse, by the sacred digital, analogical and cookie bond.

warham is following