When Sandy and I originally started this project, our intention was to get together regularly to write, collaborate, and play music without any other motives. It was clear that we both were looking for something new, a different way to express ourselves creatively. 

	Our only requirement was to create something that excited us both. Something that was not only revitalizing to listen to but also exciting to perform and create in the moment.

	As we explored our shared love for instrumental electronic music, programmed rhythms, acoustic-based compositions and the beautiful imperfections that happen during live creation, we landed on an exciting new concept that gave us life.

	The Pennington Sessions give a glimpse of what’s to come from me and Sandy: a new approach to composition through experimentation, improvisation and live mixing.

PING PONG

PS1 - Full

Paradigm Blue

Interlude

Try Something New

I'm the kind of person who has a really hard time relaxing (as crazy as that sounds). I feel the constant need to be doing something... all the time! Over the past decade of my life, I feel as though I've tried my best to work really hard at what I love, but I have the tendency to fall into an "all or nothing" style of thinking which has resulted in me burning out... a couple times.

"Take a Minute" is a reminder to myself to seek balance in my life, slow down, and accept the fact that sometimes, it's really just time to let things go and move on to the next chapter of our lives. The song represents the blissful and hopeful feelings of coming to the realization that it's time to make a change, and rather than looking upon the past as a bad thing (regardless of what happened), understanding that it was ultimately a catalyst for growth that has brought us to where we are today. And in that, holding hope for the future and gratitude for everything that has happened ("good" and "bad").

LYRICS

I think it’s time to move on,
Let that sunshine glow,
Lay it out on the lawn,
Let your hair down,
We could live somewhere,
We could live up in the trees,
Take it out on a branch,
Shootin’ nothing but breeze,

Take a minute and slow.

I think it’s time to move on,
Let that green grass grow,
I’ve been waiting so long,
Just to heal out on my own,
We could live somewhere,
We could live up in the air,
I can see it right now,
It ain’t that far away,

Take a minute and slow.

I think it’s time to calm down,
I think it’s time to let go,
There’s no right or wrong,
Just patience,
We could live anywhere,
We could float out on the sea,
Catch a wave back home,
Overcome anything,

If we take a minute and slow.

Garden Street: The Upside

Take a Minute

“Settle in the space between, It’s where the flowers like to grow.”

In a world so divided, where everyone seems to think they know the answer to everything, "I Don't Know" speaks to the idea that maybe the best place to start is from a place of curiosity and seeking to understand rather than to be understood. 

If there happened to be a theme song for "Garden Street: The Upside", this would be it. 

Just give it time and the chance to grow. The more I learn, the less I know.

Exploring the complexity of life choices, Warren Thomas Fenzi challenges any clear line between generalities, inner truth and self doubt. Suspended, he peers into a looking glass, exploring the possibility that what we believe to be legitimate and authentic, may not be so. While inviting his listeners on a journey of introspection, Fenzi fosters an ongoing curiosity and examination of the emotional disunion we often find ourselves in with “Garden Street,” his new, upcoming dual-album release.

Taking the listener one step farther along a pictorial musical path that explores the duality of life, Fenzi reaches for the rich fabric of diversity, dissonance, harmony and the thin line we all walk between The Upside and The Downside. With each song from both projects being released singularly, Fenzi underscores his distinct style of songwriting. As a multi-instrumentalist, he continues his explorations in sound and songwriting with what has become his unique approach to cinematic, musical storytelling.

LYRICS

Settle in,
The space between,
It’s where the flowers like to grow,

Dole it out,
Reel it in,
‘Couple things that I don’t know,

Just give it time and the chance to grow,
It seems the truth’s on holiday,
The more I learn the less I know,
Of cat and mouse, this fickle game,

Waking up,
Sleeping in,
Living on the breath of the day,

It’s all of us,
Just be a friend,
There’s too much talk with nothing to say,

Just give it time and the chance to grow,
It seems the truth’s on holiday,
The more I learn the less I know,
“Holier-than-thou”, this righteous game,

Just give it time and the chance to rearrange,
Haven’t seen the truth all day,
At the worst we stay the same,
At the least, we make a change…

I Don't Know

“Honey” tells the story through the eyes of an individual caught up in a toxic relationship with someone in the grips of their alcoholism/addiction. Staying up, late nights, waiting for their lover to come home, only to be met by a drunken, stumbling mess, pushes our narrator to the brink.

LYRICS

Loosen your grip on me honey,
And leave me with something to own,
You’re “living it up” in the city,
And stumbling your way on home,

You snuck back in in the morning,
But it followed you right through the door,
You’re slick, sly, fake and deceiving,
But you’re thinking you’re out on a roll,

So come on and say it like you mean it,
I know you’ve been lying to me,
I want to take it on down to the river,
And send it on out now…
Send it on out to the sea.

Now I’m not saying I’m perfect,
No, I’m just trying to do,
What anyone would with a person,
Who’s set on trying to lose,

So come on and say it like you mean it!
I know you’ve been lying to me,
I want to take you on down to the river,
And send you on out now…
Send you on out to the sea.

CREDITS

Written and arranged by Warren Thomas Fenzi
Produced by Warren Thomas Fenzi and 
Colin Loynachan
Engineered and mixed by Colin Loynachan at 
“The Swamp” in Minneapolis, MN
Mastered by Eric Martin
Photographed by Josh Hild
Illustrations by Anabel Johnson
Designed by Alex Munro

Warren Thomas Fenzi: electric guitar 
and vocals
Colin Loynachan: organ
Leng Moua: bass guitar
Brett Bjornrud: drums
Jillian Rae: back-up vocals
Kenneth Wilson: pedal steele

Honey

Sometimes we hold onto things that no longer serve us, far longer than we should...

Exploring the complexity of life choices, Warren Thomas Fenzi challenges any clear line between generalities, inner truth and self doubt. Suspended, he peers into a looking glass, exploring the possibility that what we believe to be legitimate and authentic, may not be so. While inviting his listeners on a journey of introspection, Fenzi fosters an ongoing curiosity and examination of the emotional disunion we often find ourselves in with “Garden Street,” his new, upcoming dual-album release.

Taking the listener one step farther along a pictorial musical path that explores the duality of life, Fenzi reaches for the rich fabric of diversity, dissonance, harmony and the thin line we all walk between The Upside and The Downside. With each song from both projects being released singularly, Fenzi underscores his distinct style of songwriting. As a multi-instrumentalist, he continues his explorations in sound and songwriting with what has become his unique approach to cinematic, musical storytelling.

LYRICS

Peace,
For me,
In my mind,
It’s running all the time,

I thought it’s what I wanted,
But I’m not really sure,
It’s something that I’ve needed,
Longer than you know,
I turn my porch light on it,
Release the hounds again,
Impersonating calm,
Longer than you know…

Seek,
Me,
Out,
From beneath,

I thought it’s what I wanted,
But I’m not really sure,
It’s something that I’ve needed,
Longer than you know,
I piece it all together, 
Bring back my holidays,
Sit quietly and ponder,
Longer than you know…

Breathe,
Release,
Breathe,
It happens all the time,

I thought its what I wanted, 
But now I’m really sure,
No more back-handed questions,
Show them how you’ve grown,
I speak my truth in all the,
Ways they can hear me in,
Get what I really wanted,
Longer than you know…

Longer Than You Know

Caught somewhere in between romanticizing the past, self-doubt and an unwillingness to accept the truth behind a dwindling relationship, “Bad Mood” echo’s with nostalgia, regrets and the bitter-sweet gratitude that emerges upon recognition, investigation and the learning that comes from one's mistakes.

“Settle in the space between, It’s where the flowers like to grow.”

Exploring the complexity of life choices, Warren Thomas Fenzi challenges any clear line between generalities, inner truth and self doubt. Suspended, he peers into a looking glass, exploring the possibility that what we believe to be legitimate and authentic, may not be so. While inviting his listeners on a journey of introspection, Fenzi fosters an ongoing curiosity and examination of the emotional disunion we often find ourselves in with “Garden Street,” his new, upcoming dual-album release.

Taking the listener one step farther along a pictorial musical path that explores the duality of life, Fenzi reaches for the rich fabric of diversity, dissonance, harmony and the thin line we all walk between The Upside and The Downside. With each song from both projects being released singularly, Fenzi underscores his distinct style of songwriting. As a multi-instrumentalist, he continues his explorations in sound and songwriting with what has become his unique approach to cinematic, musical storytelling.

LYRICS

I can’t erase you,
But you could release me,
Now I’m in a bad mood,
You feel it? I feel it.
Live on the fast track,
I’m leaving it fast I know,

I could live with all my mistakes,
We could stay up all night long,
But I’ve been losing sleep in the daylight hours,
Just hoping sometime you might call,

I could embrace you,
And you could believe me,
But I’m gonna crack soon,
You feel it? I feel it.
I am the bad man,
The spirit of swine,
No home,

I couldn’t face you,
But you didn’t see me,
So I took the back route,
You feel it? I feel it.
No use in the details,
The figment of mind I’ve blown,

I could live with all our mistakes,
We could stay up all night long,
But I’ve been losing sleep in the daylight hours,
Just hoping sometime you might call,

You feel it’s weight on the way in,
We leave our city home,
And race across the bay bridge,
We’re rolling hard out to the coast,
I’m missing the spaces,
That we used to fill with love,
We’ve been moving our places,
The past is on the run…

CREDITS

Written and arranged by Warren Thomas Fenzi
Produced by Warren Thomas Fenzi and Colin Loynachan
Engineered and mixed by Colin Loynachan at “The Swamp” in Minneapolis, MN
Mastered by Eric Martin
Photographed by Josh Hild
Illustrations by Anabel Johnson
Designed by Alex Munro

Warren Thomas Fenzi: electric guitar, acoustic guitar, vocals and percussion
Colin Loynachan: electric guitar
Leng Moua: bass guitar and percussion
Brett Bjornrud: drums, percussion and SPD-SX
Jillian Rae: Violin and Viola

Bad Mood

Available Now at oasismusiclibrary.com

Beat 1 by Contour (Khari Lucas)
Beat 2 by Thelonious Martin
Beat 3 by Sam Aether
Beat 4 by Nikobeats & Dreamlife

Layers (Demo)

Hailing from the Southwest of the United States, Warren Thomas Fenzi is a songwriter and multi-instrumentalist focused on the exploration of storytelling through music. With Warren’s work maintaining a curiosity and exploration of sound, he continues to evolve his art with an unyielding earnestness that is undeniable.

Bad Mood

Warren Thomas Fenzi (oms)

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