Carry On

For What It's Worth (Mono) [2013 Remaster] (Mono; 2013 Remaster)

Dress me up wear me down
Paint a smile on my frown
I don't care as long you're dead
Turn me on turn me up
Until I can't get enough
And then you laugh
Say you don't care
-------------
It's dark
my heart comes crawling back
Don't tell me how to live my life
Each time my mind goes drifting back
To you baby I keep saying
---------------
Get me fuckin' out of here
Killing me slowly it's what I want
Somebody get me out of here
She's killing me slowly
And I can't stop
--------------
I've tried to run tried to hide
Tried to compromise
Changed my name a hundred times
But he won't stop he won't quit
Or even take the hint
When I say go away
------------
When it's dark
You start crawling right back
To come tell me how you live your life
And each time you try
Coming right back to me baby
I keep praying
------------
Get me fuckin' out of here
Killing me slowly it's what he wants
Somebody get me out of here
He's killing me slowly
And he won't stop
--------------
Somebody show him the door
---------------
Get me fuckin' out of here
Killing me slowly and he won't stop
Somebody get me out of here
She's killing me slowly
And I can't stop
--------------
Get me fuckin' out of here
Somebody get me out of here
______________________________________________
Written and performed by Tom Halfpenny
Guitar solo and vocals Wayne Halfpenny

Get Me out of Here!

Bobby...bass (U.S.A)
Roberto...guitars (Chile)
holycrapitskur..vocals (U.S.A)
Rob...background vocals(U.S.A)
Jeff...Drums (U.S.A)


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With his caustic wit and literate intensity, Warren Zevon stood apart from his friends and peers in the West Coast rock community, many of whom were signed to Elektra/Asylum. The classically trained, Chicago-born pianist cut his self-titled Asylum debut album in 1976, with his good friend Jackson Browne producing. Warren Zevon was an unqualified masterpiece, with songs like “The French Inhaler” and “Carmelita” exploring the dark, drug-fueled underbelly of the El Lay scene (ably represented on the album by such guests as Don Henley, Glenn Frey, Stevie Nicks, Lindsey Buckingham, and Bonnie Raitt). The album’s splenetic edge kept it from mainstream commercial success, though three of its songs were later covered by labelmate Linda Ronstadt, including her 1977 Top 40 hit, “Poor Poor Pitiful Me.”
Zevon’s popular breakthrough deservedly came with 1978’s Excitable Boy. The album – again helmed by Browne – made it to the top 10 on the Billboard 200 and earned RIAA platinum status on the strength of brilliantly macabre and sardonic rock ‘n’ roll tales like “Roland The Headless Thompson Gunner,” “Lawyers, Guns and Money,” and the all-time classic “Werewolves of London.” 1980’s Bad Luck Streak In Dancing School followed, further displaying Zevon’s tender heart and barbed humor on classics like “Jeannie Needs A Shooter” (co-written by longtime fan Bruce Springsteen) and “Gorilla, You’re A Desperado,” famously penned as a playful swipe at his pals, The Eagles, four of whom appear on the album.

Stand In The Fire, a ferocious live document, was followed by 1982’s The Envoy, the last album of Zevon’s long relationship with Asylum. Though it underperformed in its time, the powerfully cathartic collection eventually came to be appreciated as a lost classic and one of the finest of Zevon’s career.

Zevon, who had long battled alcoholism, then took a five-year hiatus from which he returned sober and reenergized, releasing a new series of acclaimed albums. In 2002, he was diagnosed with inoperable mesothelioma. However, he refused treatment and set to work on what would be his final album, 2003’s Grammy Award-winning The Wind. Warren Zevon died at his home in Los Angeles on September 7, 2003; he was 56.

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