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That's Not An Edit Vol.14

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It's Walter (Frankee More Edit)

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All I Need (feat. iogi)

Imagine growing up near Berlin, getting into dance music, going to Berghain for the first time and getting your mind blown by techno. Then, ten years later, you become a resident DJ at the fabled club. Not many people—any people?—can claim this story, but for Fadi Mohem, what would be so many DJs' dreams became a reality. After getting his 2017 debut 12-inch Reckless in the hands of all the right people in Berlin, Mohem established a bold, bouncy techno sound with releases on Modeselektor's Seilscheibenpfeiler, Ben Klock's Klockworks and FJAAK's SPANDAU20, pretty much the cream of the crop of modern techno.

Now, this year, he's becoming one of Berghain's newest residents, alongside other exciting names like Sedef Adasï and Naty Seres (and Lakuti upstairs at Panorama Bar). As heard on his recent collaborative with Ben Klock, Mohem has modern techno down to a science, thanks to a combination of reverence for the old-school and clever rhythmic touches, like the irresistible snare pattern on "Prefix." His RA Podcast sounds like what you might expect from a new generation of Berghain resident: aerodynamic, heavy and, honestly a little midtempo compared to a lot of other young techno DJs. It's the sound the club has made world-famous, with cuts from Reeko, Heiko Laux and Truncate, plus some special moments from aya, DJ Deeon and Petar Dundov. It takes a certain kind of DJ to get to this hallowed place, and Fadi Mohem deserves it.

@fadimohem

Read more: https://ra.co/podcast/842

RA podcast

RA.842 Fadi Mohem

VERSE : 1

Dirty fucking SYSTEM
let my people FREE

motherfucka open the DOOR
who got the KEY

SLAVE is something you DONT need to be

Ai technology is the ENEMY

im the DEAD man bitch im here to bring the PAIN

Everyday I feel FUCKEDUP
maybe im IN$ANE

Bitch you better fucking STAY in your LANE

never sell your SOUL
for the motherfucking FAME

STUPID bitch
come and suck my dick

most people I$ fucking full of $hitt
Please let me FUCK the WORLD I am fucking Pi$$ED

I will fuck your motherfucking PU$$Y with the FIST
DEAD
EVERYDAY
WE GONNA
GO TO HELL
ANYWAY

in the motherfucking darkne$$ let me stay
life is a GAME bitch I dont want to PLAY ….

HOOK :

NEVER FUCKINGG TE$T ME

YEAH
THIS WORLD I$ FUCKING
EVIL

PUSSY
NEVER EVA fucking TESTME
BITCH SLUT
THIS WORLD I$ MOTHERFUCKING
EVIL

VERSE : 2

Something FUCKING with my MIND

I am going BLIND
I feel so fucking lO$T

ALL THE FUCKING TIME

something crawling under my SKIN

you motherfucking GARBAGE
we all gonna DIE so FUCK IT

I will slaughter the $uccubu$

nobody I can fucking TRUST
FAKE will never be one of US

from the DIRT and the fucking DU$T
fuck the GREED and fuck the LUST

I will never be like $uperman
im the fucking $KELETON

YEAH
the Cemetery MAN
Bitch you can SUCK MY….

HOOK :

NEVER FUCKINGG TE$T ME

YEAH
THIS WORLD I$ FUCKING
EVIL

PUSSY
NEVER EVA fucking TESTME
BITCH SLUT
THIS WORLD I$ MOTHERFUCKING
EVIL

DEAD - 𝒫𝒰$$𝒴 𝐻♡𝐸 2025

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

1999 rework

Many thanks to Rose Field for this mix of the best modern day tracks which continue the smooth traditions of the golden age of '70s and '80s yacht rock and soul. Track list coming soon at: http://www.aordisco.com

Neo Yacht Volume 1 by Rose Field

Many thanks to https://soundcloud.com/thebenz for this remix which taken from Re-Loves Volume 3 which is out in July.

Video Games (Mojo Filter Swingin' Whoopin' Re-Love)- Lana Del Rey

First featured on our best of Kenny Dickenson mix a couple of months ago this new take on Steve Nick's classic 1981 collaboration with Tom Petty and The Heartbreakers shows once again that Kenny is one of the most outstanding remixers around. Download coming shortly at: https://www.aordisco.com

Best of Kenny Dickinson mix at: https://www.aordisco.com/2020/05/best-of-kenny-dickenson-mix-for-aor.html

Stop Draggin' My Heart Around - Steve Nicks with Tom Petty (RedKen Remix)

We do low run stereo lathe hot cuts. Good luck finding them.

1999 rework

The Wave Collapse Record Company

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