Top track. Loving the 32nd notes in the percussion. FIRE! <3<3<3<3<3

This one feels like sunlight on skin and rhythm in your bones ☀️💃 The groove is pure bounce, vintage tinged but fresh, like a retro convertible blasting smooth funk down a coastal highway. The bassline struts, the keys shimmer, and everything’s just… cool. Like chilled lemonade with attitude 🍋😎 It’s the kind of track that doesn’t just play, it lifts. The toaster put on sunglasses and said, “I’m a vibe now.” 🕶️🍞 The fridge turned the thermostat up and swayed like it was back in its disco days 🧊🪩 And the whisk just spun in circles yelling “Smooooooth!” 🥄✨ This is summer bottled and shaken with a grin. Love it.

interesting - good sounding mix - end a bit unexpected/ Keep it up!

beat muy bonito pa poner de fondo y jugar fort

Minimal tracks series no. 122

20 tracks is the goal.

created: 2025/01/04

hk_minimal_tracks_122

Mistral Gagnant (piano cover)

lowhop

Reason to

Crumble Away

Garageish nation

#viral
#drums
#bass
#upbeat
#trending

summer Swing

dvaNdva

Embrace the Storm (2025) – Facing new beginnings
Embrace the Storm is a powerful symphonic metal song about facing changes. Driven by heavy riffs, soaring choirs and operatic vocals, this song captures the raw chaos of transformation like staring into the heart of a storm, a sense of something breaking apart to make way for something new. Are you ready to cast off the weight of the past and give yourself into the storm?

You can find this song on all streaming portals and Bandcamp:
https://too.fm/ndm-embrace-the-storm
https://nadinedemacedo.bandcamp.com/album/embrace-the-storm

Nadine de Macedo: composition, arrangement, piano, synthesizer, programming, production
Gabrielle Gold: lyrics
Nadia Selvaggi: vocals
Sebastien Jean: electric guitar, acoustic guitar, lead guitar, bass

Where to find us:
https://soundcloud.com/nadinedemacedo
https://elirahscross.bandcamp.com
https://soundcloud.com/nadiaselvaggi

Embrace the Storm

Embrace the Storm (feat. Nadia Selvaggi)

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/iluso-de-mi-version-original-ver-texto
Para escuchar la versión con MV  https://soundcloud.com/juan-fco-bueno/iluso-de-mi-feat-mv
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/iluso-de-mi-instrumental

Iluso de mí.

Ya ha pasado bastante tiempo
desde que fui tu pasatiempo
hoy no quiero ni siquiera recordar
los días vividos en aquel lugar.

Creo que no me querías
y aunque lo presentía,
no sé por qué te adoraba;
creo me despreciabas
pero si me mirabas
todo se me olvidaba.

¡Ay, qué iluso que fui!
pensé que lo importante
de esta vida era amarse
pero esto no así
porque hay muchas más cosas
que todo lo condicionan
y hay que hacerlas porque sí.

Yo creía que era tu amigo
y no pasé de conocido
pues muy pronto tu orgullo afloró
y con él ¡cómo no! tu reputación.

Creo que te divertías
sin duda a costa mía
junto a tus buenas amigas;
creo también que sufrías
porque sé que era envidia
lo que muy dentro sentías.

¡Ay, qué iluso que fui!
envidia de mi mundo
tan diferente al tuyo
tan presente para mí
que impidió que me saliera
por unas cuantas monedas
con su ayuda te vencí.

Fool that I was.

It's been a long time
since I was your hobby
today I don't even want to remember
the days we lived in that place.

I think you didn't love me
and although I sensed it,
I don't know why I adored you;
I think you despised me
but if you looked at me
I forgot everything.

Oh, how foolish I was!
I thought the important thing
in this life was to love each other
but not so
because there are many more things
that determine everything
and you have to do them just because.

I thought I was your friend
and I didn't go beyond being an acquaintance
because very soon your pride surfaced
and with it, of course! your reputation.

I think you were having fun
no doubt at my expense
with your good friends;
I also think you were suffering
because I know it was envy
that you felt deep inside.

Oh, how foolish I was!
Envy of my world
so different from yours
so present to me
that it prevented me from leaving
for a few coins
with its help I defeated you.

Iluso de mí AC (Feat. MV)

"Si mal, animal" est une chanson intimiste, dédiée à Titus mon berger belge, qui a partagé dix ans de ma vie.
Une simple chanson, dans laquelle pas mal d'entre nous peuvent se reconnaitre, je pense.
https://www.youtube.com/watch?v=Dfl5-QtvEQQ
Paroles:
Y à ces silences, qu'il me faut vivre,
Et ton absence malgré les livres.
Y à ces frissons malgré l'été, 
Et tout ce temps à te chercher.
Y à ces soirées, y à ces hivers,
Et cette flamme dans ton regard,
Quand je saisissais d'un revers,
Ta laisse en haut de ce placard.

J'ai si mal, animal,
A chercher ton regard ,
Dans les brumes du soir.
J'ai si mal, animal,
A retrouver tes traces,
Que les saisons effacent,
J'ai si mal, si mal, animal.

Y à la tendresse de ton regard,
Et ta laisse au fond du tiroir,
Y à cette route de pierres blanches,
Que nous courions tous les dimanches.
Et ces grands arbres, platanes ou hêtres,
Sur lesquels tu aboyais,
Ton grand museau à la fenêtre, 
Ma Renault seize s'en offusquait.

J'ai si mal, animal,
A chercher ton regard ,
Dans les brumes du soir.
J'ai si mal, animal,
A retrouver tes traces,
Que les saisons effacent,
J'ai si mal, si mal, animal.

On en a passé des années,
Toi et moi sur la même route,
Titus, t'es mon pote à jamais,
De doux moments et de déroutes.

Christian PERUTI

"If Bad, Animal" is an intimate song dedicated to Titus, my Belgian shepherd who shared ten years of my life and whom I miss today.
Lyrics:

And to these silences, that I must endure,
And your absence despite the books.
And to these shivers despite the summer,
And all this time searching for you.
And to these evenings, and to these winters,
And this flame in your gaze,
When I grabbed it with a swipe,
Your leash at the top of that cupboard.


I hurt so much, animal,
Searching for your gaze,
In the mists of the evening.
I hurt so much, animal,

Trying to find your traces,
That the seasons erase,
I hurt so much, so much, animal.


And to the tenderness of your gaze,
And your leash at the bottom of the drawer,
And to this road of white stones,
That we ran along every Sunday.
And those great trees, 
Plane trees or beeches,
On which you would bark,
Your big snout at the window,
My Renault sixteen took offense.


I hurt so much, animal,
Searching for your gaze,
In the mists of the evening.
I hurt so much, animal,
Trying to find your traces,
That the seasons erase,
I hurt so much, so much, animal.

We've spent years,
 you and me on the same road, 
Titus, you're my buddy forever,
Sweet moments and detours.

Christian PERUTI

"Au fil du temps"

Si mal, animal

2025

timeblind

This song is an arrangement of sdmk's Departure.
Thank you for listening.
Already registered on each distribution site
Instrumental Arrangement,Lyricist, Mastering / sdmk&shiradow

night ends

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/quiero-ir-a-alaskaversion-original-ver-texto

Quiero ir a Alaska

Era un día después de puente
y se oía gritar a Vicente:
venga chavales, menos hablar
que ya es lunes y hay que trabajar.

En una mesa Chupito a Juan
le comentaba la gran novedad:
hay que ir a Alaska a reglar un rodillo 
y quieren que vaya con el abuelito.
Ilusionado el joven Chupito 
cantaba así.

Estribillo

Quiero ir a Alaska con Abraham
Quiero ir a Alaska con el Herrera
Quiero ir a Alaska con el Aznar
Quiero ir a Alaska con el que sea.

Quiero ir a Alaska con el Ramón
Quiero ir a Alaska con el Fortea
Quiero ir a Alaska con Pasamón 
Quiero ir a Alaska con el que sea.


-----------   

Chupito soñaba con ese viaje
y le pedía el permiso a su padre
que extrañado, antes de dar
el visto bueno, se fue a comprobar.

Ya en la empresa osó preguntar
¿es fantasía o realidad?
no había viaje ni había rodillo
sólo la broma de un listillo.
Desilusionado el pobre Chupito
clamaba así.

Estribillo 

I Want to Go to Alaska

It was the day after a long weekend
and Vicente could be heard shouting:
Come on, kids, stop talking
because it's Monday and we have to work.

At a table, Chupito was telling Juan
the big news:
we have to go to Alaska to fix a rolling pin
and they want me to go with Grandpa.
Excited, young Chupito
sang like this.

Chorus

I want to go to Alaska with Abraham
I want to go to Alaska with Herrera
I want to go to Alaska with Aznar
I want to go to Alaska with whoever.

I want to go to Alaska with Ramón
I want to go to Alaska with Fortea
I want to go to Alaska with Pasamón
I want to go to Alaska with whoever.

-----------

Chupito dreamed of that trip
and asked his father for permission
who, surprised, went to check before giving
the go-ahead.

Once at the company, he dared to ask
Is it fantasy or reality?
There was no trip, nor was there a rolling pin,
just a clever kid's joke.
Disillusioned, poor Chupito
cried out like this.

Chorus

Quiero ir a Alaska

Original: Calibre & High Contrast – Mr. Majestic

Mistwist - Mr. Majestic (Jump up version)

abru - L I E
Produced by abru
Composed and mixed by Andre Baruch Estevez.

L I E

Just started out as a music producer, show some support big things to come!

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

summer Swing

Wavous Davus

Recent comments

NumberOne

Lyns

AKA Mudlark ^

Babún

Related tracks