all hail nai palm her voice is from heaven 

The Fre$h Mince of Clap-Snare

In association with DJ Amir and 180 Proof Records, BBE Music proudly presents ‘Strata Records – The Sound of Detroit – Reimagined by Jazzanova’, a brand new celebration of the iconic imprint.

Jazzanova - Joy Road

Overdub instrument at Home Recording - 4/26/2024
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Gonna make it right  -  Vocal n Drums.wav

Vocalist Akua Allrich presents her cover of "Can't Stand the Rain," by Ann Peebles, featuring the amazing Nicholas Payton on trumpet and keyboards. They're joined by Kris Funn on bass and Corey Fonville on drums. This is the first single to be released from Allrich's forthcoming album, to be released later in 2015.

Akua Allrich, feat. Nicholas Payton - "Can't Stand the Rain"

JAZZ RE:FRESHED LIVE VOLUME ONE is FREE and is attached to the front cover of the first edition of our publication - the jazz re:freshed scrapbook 2003-2014.

All tracks were recorded live at the jazz re:freshed weekly residency at Mau Mau Bar. 
Featuring:
Cory Henry // www.coryhenry.com
Emmanuel Franklyn Adelabu // soundcloud.com/emmafranade
Myriad forest // @myriadforest
Zara McFarlane // www.zaramcfarlane.com
TURTL // @turtlmusic
Dominic J Marshall // www.dominicjmarshall.com
Femi Temowo // www.femiguitar.com
Peter Edwards Trio // www.peteredwardsmusic.co.uk
Astral travel // www.facebook.com/astraltravelmusic
JD73's Electrio // www.jd73.co.uk
Resolution 88 // www.resolution88.com
Abdul Shyllon // @abdulshyllon 
Thousand Kings // 
Moses Boyd Exodus // www.mosesboyd.bandcamp.com

To buy a copy of the jazz re:freshed scrapbook and get this album free please head to https://jazzrefreshed.bandcamp.com/merch/jazz-re-freshed-scrapbook-2003-2014

JAZZRE:FRESHED LIVE VOL ONE - SAMPLER

Wax & Wane
BRANDEE YOUNGER
Featuring Anne Drummond

Brandee Younger, harp
Anne Drummond, flute
Dezron Douglas, electric bass
Mark Whitfield, guitar
Dana Hawkins, drums
Chelsea Baratz, tenor sax
Chargaux, violin & viola

Recorded at the Breeding Ground Recording Studio by Tariq Khan

Produced by Casey Benjamin
Co-Produced by Tariq Khan

Presented by Revive Music and B. Alexis Music

MusicFunky


Brandee Younger "Soul Vibrations"

Elder cousin to Mo Kolours, Reginald Omas Mamode IV and Jeen Bassa with his debut solo release. A blend of jazz, hip-hop, soul and broken beat with deep outernational flavours. Out on 22a.

Read more & buy: http://www.stampthewax.com/2018/04/26/premiere-james-creole-thomas-earth/
Listen on Youtube: http://bit.ly/creole-earth

Listen on Youtube

James 'Creole' Thomas - Earth (STW Premiere)

When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

There has also been a breakout project from drummer Jonny Drop - the album Sub Plot gained massive support and love from BBC Radio 6 Music’s Lauren Laverne. While keys-man Dave Koor has been busy playing shows with Gilles Peterson favourite Hector Plimmer, Shaun Escoffery, and Ego Ella May, improvising with Yussef Dayes (Yussef Kamaal) and Nubya Garcia, releasing music as Deoke and collaborating with label-mate Scrimshire on their Modified Man exploration. 

But always, The Expansions has remained a central focus and the true home of these four jazz and soul lovers, with occasional trips out to the country to form ideas and practice new music for the eventual album. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Murmuration

Cannonball

Wax Poetics Presents "Tawk Takeout: Tawk Tomahawk Remixed" by Melbourne, Australia soul group Hiatus Kaiyote.


When Queen of Just About Everything, Ms. Erykah Badu, delivers knowledge, you open yourself to receive. Which is why when she devoted 140 characters or less to Australian band Hiatus Kaiyote—her exact words were "Okay. I'm done. In love,"—it confirmed our strong sense that these guys were exceptionally special.

In a country where balls-to-the-floor AC/DC rock boasts a much fuller history than soulfully futuristic stylings, this seven-piece from the east coast city of Melbourne is an anomaly. Hiatus Kaiyote’s uniqueness comes not only from their surroundings, but also their capacity for a sound rich in its understanding of soul, R&amp;B, and jazz.

Lead singer/songwriter Nai Palm was raised on the sincerity of artists like Wonder and Franklin, which she funnels into one of the most naturally arresting voices we’ve heard (check this <a href="http://youtu.be/FwLU_PXheuo" target="_blank">cover of "My Cherie Amor"</a> from her NYC debut over the weekend). Her current U.S. trip as ambassador for the band has gained Hiatus Kaiyote a luminary list of new fans and friends including the Roots, Miguel Atwood-Ferguson, Jean Grae, Pharoahe Monch, the Brainfeeder crew, and more.

Word of Hiatus Kaiyote has found its way to the U.K. as well. Right now the band is enjoying the attention of Gilles Peterson, who selected their self-released EP Tawk Tomahawk as his Album of the Week. The timing has worked well for us too, as Wax Poetics cordially presents the accompanying remix album, Tawk Takeout.

Twelve producers tackle Hiatus Kaiyote originals, grappling with the stems and unfolding them into various forms. Mark de Clive-Lowe contributes a wonderfully spirited version of "Malika," which sits beside interpretations by Shafiq Husayn, KCRW’s Anthony Valadez, and more.

Listen to the album in full below, and <a href="http://hiatuskaiyote.bandcamp.com/" target="_blank">download it for free</a> via Hiatus Kaiyote’s Bandcamp  page.

Hiatus Kaiyote - Tawk Takeout - 02 Mobius Streak (Anthony Valadez Remix feat. Miles Bonny)

Hiatus Kaiyote - Tawk Takeout - 09 Malika (Mark de Clive-Lowe Remix)

The first release of Eclectic Beats Music is from Portuguese artist and record label owner Fradinho! Find out more here:

http://www.musicamacondo.com/2020/09/premiere-fradinho-a-bright-future-karmasound-remix/

Premiere: Fradinho - A Bright Future (Karmasound Remix)

DISCOVER OUR STORE AND LATEST DROPS:
https://store.waxpoetics.com/

Hiatus Kaiyote - Tawk Takeout - 09 Malika (Mark de Clive-Lowe Remix)

Wax Poetics

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