Daily Drops

Produced by Mark Xenophontos 

Lyrics by Mark Xenophontos 

------------------------

Can't escape this digital hell
Something's broken, can't you tell?

I can't help but fall away
Heart pounds harder in the heat of shame
Need to save my soul, break these chains
Find me crawling through the decay

I need you father, need to believe
Too long lost in doubt and deceit
Just a man breaking down, won't retreat
But you won't win, I keep breathing

The algorithm bleeds
When real souls break free
You won't be the death of me
Won't be the death of me

Kill the screen, destroy this face
Enough is enough, done with this race
(Enough is enough!)
You took my mind, my time, my soul
Left me with an empty hole

I'm climbing out, I'm climbing out
Taking control, taking control

Empty promises on glowing screens
Fed me poison through machines
Chasing ghosts and losing sleep
Trading souls for dopamine

Addiction burns like acid rain
Digital chains around my brain
Breaking through the static noise
Learning to trust my voice

The devil can weep
When redemption runs deep
You won't be the death of me
Won't be the death of me

Kill the screen, destroy this face
Enough is enough, done with this race
(Enough is enough!)
You stole my peace, you stole my soul
Left me in an empty hole

I'm climbing out, I'm climbing out
Breaking the mold, breaking the mold

I'll walk to nowhere, breathe real air
Better than your digital snare
Sorry world, I ain't buying
What you're selling while I'm dying

Kill the screen, destroy this face
Enough is enough, you've lost this race
(You've lost this race!)
You had my mind, my time, my soul
But left me in an empty hole

I'm climbing out, I'm climbing out
(Rising up!)
Taking control, taking control
(Watch me unfold!)

Find me where the silence calls
I rise from digital decay
This is resurrection day
Resurrection day




Resurrection Day

"I Not a Monster" is an emotionally intense and atmospherically rich track that blends haunting melodies with cinematic sound design. It opens with brooding, ambient textures that immediately set a somber and reflective tone. Subtle piano motifs and swelling strings gradually build a sense of inner turmoil and vulnerability, while the minimalistic percussion adds a restrained but persistent sense of tension.

As the piece unfolds, layered instrumentation evokes a feeling of inner conflict and misunderstood identity—suggesting a narrative of someone struggling to reconcile how they’re perceived with who they truly are. The title "I Not a Monster" resonates deeply through the music, underscoring themes of isolation, empathy, and self-defense against unjust judgment.

This track would fit perfectly in a dramatic film or game soundtrack, particularly in scenes exploring character introspection, emotional revelation, or a turning point in the narrative.

I Not a Monster

Find more like this below.
https://open.spotify.com/artist/0MdXpBjjp7ztNbcaGeCPNv
https://www.youtube.com/@GreyReprieve

A Morbid Comedy

The Storming
Pages In Clouds 2025

The wind has stilled, the sky won’t breathe,
The light retreats behind the trees.
I see the black tide start to swell—
It whispers like a funeral bell.

No prayer will stop what’s on its way…
So I kneel and let it take my name.

The darkness is coming!
The darkness is coming!
Brace your soul — feel it drum!
Suffer the storming! Bleed til it’s done!
THE DARKNESS IS COMING!
And I won't run!

Clouds like knives and thunder’s grin,
Tearing peace from bone and skin.
I don’t beg, I don’t believe—
I bare my chest and grit my teeth.

Let the winds split open my frame…
Let the rain erase my name…
Let the sky scream straight through me…
I was born for this agony.

The darkness is coming!
The darkness is coming!
Let it crash — let it break!
Let it drown all I fake!
The darkness is coming…
The storming will take…
EVERYTHING.

The sky has opened.
I feel no fear.
I close my eyes…
And let it tear.

Pb2025


A Morbid Mask

The Storming - played on BBC Radio 1  Introducing Rock with Alyx Holcombe

“ALIVE Again” is a high-energy, emotionally charged track that blends electronic pop and dance music with uplifting vocals and dynamic production. The song opens with an atmospheric intro that quickly builds into a pulsing rhythm, setting an anthemic tone. A driving beat and layered synths create a sense of urgency and momentum, while the lyrics center around themes of rebirth, resilience, and rediscovery of self.

The vocalist delivers a passionate performance, with a tone that shifts from introspective to empowered as the song progresses. The chorus is a standout, with a soaring melody that feels both liberating and cathartic—like breaking through emotional barriers to reclaim vitality.

Musically, the track leans on rich textures, tight percussive elements, and a powerful drop that makes it club- and festival-ready. Its emotional intensity and celebratory vibe make it ideal for moments of personal victory or reawakening.

ALIVE Again

💿 AXAXC – Grateful

DISTORT. DISTRUST. DESTROY.

This album is warfare. A cinematic deathcore/nu-metal epic that rips from raw confession to cyberpunk prophecy, built on sludge-heavy chugs, melodic chaos, and truths you weren’t supposed to hear.

From the unflinching defiance of “Praise” and “MaZe”, through the cheeky venom of “Beloved Beast”, the core of this extended play burns brightest in the Losing Trilogy — Losing My Soul, Losing My Home, Losing My Code — a three-act battle for self, sanctuary, and identity in a world built to break you.

It doesn’t end there. “Mirror” and “The Mirror Lies” twist the blade deeper, while Requiem Aeternal editions reforge the heaviest moments into even darker shapes. It all collapses into the final transmission — “Wake Up, Neo.”. 

This your last chance to see the system for what it is. Wake Up. You have No Excuses.

This album is for the ones who’ve been misunderstood, marginalised, and underestimated.
It’s for the people who rage in private, who keep fighting even when no one’s watching.
If you’ve ever felt like the walls were closing in, this is your Album.

For fans of: #SleepToken, #BringMeTheHorizon, #LornaShore, #LinkinPark, #SlaughterToPrevail, #Architects.

Tracklist:

- Praise
- MaZe
- Tongues of Sin (Remastered)
- Beloved Beast
- Losing My Soul
- Losing My Home
- Losing My Code
- Mirror
- The Mirror Lies
- MaZe [Requiem Aeternal]
- Nail in the Coffin (Remastered x3)
- Losing My Soul [Requiem Aeternal]
- Losing My Home [Requiem Aeternal]
- Beloved Beast [Requiem Aeternal]
- Wake Up, Neo.

#Deathcore #NuMetal #Metalcore #AXAXC #LosingMySoul #CyberpunkMetal #Sludgecore #PostRockMetal #RequiemAeternal #HeavyMusic #Screamo #GothicMetal #IndustrialMetal #CinematicMetal #MetalBand #MetalVocals #AXAXCFamily

BELOVED BEAST [Requiem Aeternal]

Dare the Impossible

Hurt People Hurt People

Frame by Frame

contains explicit language, drug references and some bad rhymes

Lost in the Grind

The Great Ritual

alternative metal fire 
short lyrics inspirational 🔥 none the less

super star.mp3

Ghosts Of Venice

So, in the process of trying to homogenize all our songs for our debut album, Fragmentation, we may have made the mistake of fixing a few songs that weren't broken. A huge one was The Tinman. While the album version blended well with the feel of the album, it honestly just never hit home as hard as the original version did. So after some fan feedback, we're releasing the original version. Enjoy!

The TInman (Original)

A relentless heavy metal war march forged in fire, chains, and thunder. Across ten tracks, O.B.A.65 channels the spirit of classic 80s metal — galloping riffs, twin-guitar harmonies, pounding drums, and soaring anthems — while summoning a dark fantasy world where armies clash, crowns shatter, and monsters rise.

SIEGE OF SKYBRIDGE (1)

Hostal Handshake is an Athenian hard rock/stoner band formed in 2002. After releasing promos "H2" (2002), "Public Affairs" (2003), and "Bitched Up!" (2005), they launched their acclaimed debut album "Hellish" in 2007 via Secret Port Records. While there are no plans for live performances, Hostal Handshake intends to release new studio material (singles,EPs or ...albums!) from 2025 onwards.

Winnipeg composer, retired from the farm, still chasing meaning in melody. My work lives where TV cues meet YouTube soundscapes, with a few albums in between. Built in Mixcraft Pro, fuelled by late-night coffee, stubborn curiosity, and a Stoic’s sense of timing. Also writing on politics, history, and philosophy, because sound isn’t my only instrument.

Frame by Frame

Wayne Mathison

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