What a magnificent listen! So many beautiful textures -awesome work!

"Everything Visible is Empty" - Toshio Matsumoto

Ambient, 4th world & melancholic landscapes for this one.
Drifting thru India, Brasil, China, Japan, Taïwan, Bolivia and more.

LYL Radio ☽ Tales From The Far East ☾ Episode 11 w/ Uwë Bolg [250521]

❊ Recorded and mixed by AIR LQD in the shadow at Barbès
❊ Mastering by Ernest Bergez (Sourdure)
❊ Artwork by Josué Confort ©

B3 - AIR LQD - Us Plus Them Equals We

2021 comes to a close with a special show featuring Chaperone and Glyn Maier (who runs the incredible enmossed label). These two diverse artists continually collaborate and release experimental music that sets the bar higher each time for us all. With elements from manipulated bossa nova records, new age cassette collage, and synthesizer wind chime ambience, you’ll hear material that will soon be released as Dubbed To Brasil Vol 3 on Jungle Gym Records.

IG: @_chaperone @enmossed

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

Bright Patterns presents Desafiniado with Glyn Maier & Chaperone @ The Lot Radio 12 - 09 - 2021

Mix by @dean-de-benedictis(Surface 10)
Friends & Collaborators Ambient Mix
Check out his music here >> https://www.deandebenedictis.com

tracklist:
1. Niture (intro) - “circling overland”
2. Thomas Ronkin - “Ambrosia”
3. Steve Roach - “The Ritual Continues” mixed with “Cloud Motion” mixed with “Light Sound”
4. Mr. Soon - “Echo Canyon” mixed with “Low Mountain”
5. A Produce - “A Smooth Surface” mixed with “Within Reach”
6. Loren Nerell - “Dark Horizon” mixed with “Slow Dream”
7. The Stratos Ensemble (Trio) (Surface 10 Remix)
8. D’Von Charley & Dean De Benedictis - “Windy Ridge 2010”
9. Vic Hennegan & Dean De Benedictis- “Live At The Gatherings 2008”
10. Desensitized - “Ecumenicus Orato (The Umbilical Center)”
11. Niture - “xylophagous”
12. Kronodigger - “The Piano is Dreaming”
13. Abiogenesis - “Animation”
13. Dean De Benedictis - “Flight Back to LA 2015”
14. Ian Boddy - “Underhill” and “Glade”
15. Robert Rich - “Somnium” and “Dendritic”
16. 1000 Hectares & Surface 10 - “Last Light”
17. Zimar Manigold & Mr. Soon
18. The Stratos Ensemble - “Ode To Everyone”
19. D’Von Charley & Dean De Benedictis - “Untitled Storm”
20. Vic Hennegan - “Between The Spaces”
21. Ombient & Chuck Van Zyl -mixed with- Deborah Martin
22. Darren McLure - Remix of "ASMR Tragedy Lines" by Dean De Benedictis
23. Phxezen - "One Can Only Alone"
24. Victoria Lucas - Remix of "VOC Transit" by Surface 10
25. Cavestar - "Aurora"
26. Tony Gerber - "AD DimensionalSlip"
27. Robot Koch - "Crystal Grid"
28. David Helpling & Jon Jenkins - "The Same Sky"
29. David Wright - "Alpha"
30. Steve Hillman - "Stratum"
31. Craig Padilla & Howard Givens - “Being Of Light” -mixed with- "Surface Vespers And Cessnas (Abiogenesis remixing Surface 10)"
32. Bernhard Wöstheinrich - “Wishes Follow - Mandolino Mandelmann”
33. The Stratos Ensemble - “Team Hack”
34. Zenland - “Song”
36. Mike Zentner & Dean De Benedictis - “Warm Torn Zennest”
37. Fred Becker & Jeff Filbert (Enterphase) - “Altarian Meadow”
38. Steve Roach - “Atmosphere For Dreaming”
39. Surface 10 (Dean De Benedictis) - “NeoVoid+”
40. Thomas Ronkin - “Immanent”

Surface10 >>

INDEx Mix #23 - Surface10 - Friends & Collaborators Ambient Mix

Here is the mysterious and playful sound-world of obscure Belgian multi-instrumentalist and library music composer Joël Vandroogenbroeck. The man could play flute, sitar, harp, keyboard instruments and was interested in various kind of exotic percussion. Vandroogenbroeck is also famous for being a synth player in a cult Swiss psychedelic and space rock outfit Brainticket in the 1970s.

This show explores Joël’s vast library music output and focuses primarily on his records for German label Coloursound. The establishment was set up in 1979 by jazz musician and lawyer Gunter Greffenius and released all sort of amazing wacky music in a vast array of genres covering all sorts of soundtrack-appropriate stuff, various types of classical /jazz music(s), but also frequently venturing out into electronica, ambient, new age and experimental oddness.

Find more episodes at: https://snowsovgethen.com/

Tracklist:
Joel Vandroogenbroeck "Meditation 02"
Joel Vandroogenbroeck "Chipland Liquids"
Eric Vann "Alien Cityship"
Joel Vandroogenbroeck "Energetics"
Joel Vandroogenbroeck "Cascades"
Joel Vandroogenbroeck "Mutation"
Eric Vann "Slap Chap"
Joel Vandroogenbroeck "Software Jungle"
Joel Vandroogenbroeck "In Praise Of Ra"
Joel Vandroogenbroeck "Wayang"
Eric Vann "Gulfstream"
Joel Vandroogenbroeck "Prelude A L'Aube"
Joel Vandroogenbroeck "El Camino Real"
Joel Vandroogenbroeck "Scoop The Pool"
Joel Vandroogenbroeck "Crazy Flute"
Joel Vandroogenbroeck "Mouse Runner"
Joel Vandroogenbroeck "Sunrise In Cairo"
Joel Vandroogenbroeck "Assembly Room"
Joel Vandroogenbroeck "Genetic Manipulation"
Joel Vandroogenbroeck "Hobbits"
Joel Vandroogenbroeck "Lost Continent"
Joel Vandroogenbroeck "Sensazione Fisiologica"
Joel Vandroogenbroeck "Sand 'n' Wind"
Joel Vandroogenbroeck "Icon"
Joel Vandroogenbroeck "Land And Sea"
Joel Vandroogenbroeck "Campanes"
Joel Vandroogenbroeck "Technoforce"
Joel Vandroogenbroeck "Dancing Electrons"

Hermetic Journals : Coloursound Library • Joel Vandoogenbroeck Special(July 2022) Live @ IPR

MATTHIAS PUECH, Mt. Hadamard National Park, LP

Release date: 31 January 2023
Catalogue nr. - HG2302
Format: Vinyl / digital
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1. Mt. Hadamard National Park     (22:48)
2. Suspension     (3:57)
3. Imperceptible Life     (14:57)

Credits:
Composed, recorded and mixed by Matthias Puech
Mastered by Giuseppe Ielasi
Photo by Caroline Schöbi
Drawings by Matthias Puech
Artwork by Laurin Huber
Thanks to Gustave Evrard

///

“Mt. Hadamard National Park” is the Hallow Ground debut by composer, programmer, and instrument designer Matthias Puech. Informed by mathematical and artistic approaches that aim to both contemplate on and control complexity, the eponymous five-part composition explores natural and mystical forces through what he calls “audio-naturalist noise”. The composition is complemented by two further pieces: “Suspension” emulates the chemical phenomenon of the same name, while “Imperceptible Life” hinges on the musical possibilities of stridulation. Over the course of the entire album, Puech’s singular take on electro-acoustic and electronic music creates unique sonic spaces as much as it pays its dues to the unpredictability of the world that we inhabit.

Jacques Hadamard was a pioneer among physicists and mathematicians who, in the early 20th century, were puzzled by processes that are deterministic but hard to predict. While researching the history of Chaos theory, Puech also felt drawn to an artistic movement from the mid-19th century, the so-called Hudson River school of painting, whose rise coincided with the gradual taming of the sites of Northern American wilderness it chose as its source of inspiration and subject. Fascinated by both attempts to contemplate on and control complexity, Puech wondered what would happen if those were to meet. “Mt. Hadamard National Park” offers thus in Puech’s words “an audio-naturalist noise meandering through an invented space that is subject to the arbitrariness of natural and mystical forces.” The sounds, arranged in sweeping and tense dynamics, serve as multiple agents within a complex system. The synthetic flora and fauna feels uncannily familiar or even disturbingly hostile at times. “Mt. Hadamard National Park” is an artistic expression of natural phenomena, but also a meditation on the imprint those leave on the psyche of the people who encounter them.

The short piece “Suspension” picks up on a similar idea. “In chemistry, a suspension is a mixture of small solid particles inside a liquid,” Puech explains. This process is mirrored in aquatic yet tangible sounds as well as dynamics that slowly converge towards density before the composition ends on a quiet note. The 14-minute-long “Imperceptible Life” is based on a live performance first conceived as a full-scale test drive of some new electronic equipment Puech was designing at that time. It explores the musical potential of stridulation, the act of creating sounds by rubbing together certain body parts—in the insect world, a common means of communication. Again, Puech’s approach is neither purely naturalistic nor only mimetic. Rather, “Imperceptible Life” offers yet another artistic reflection on the theme of chaos and order, and how human perception and emotion relate to it.

As a whole, “Mt. Hadamard National Park” thus not merely mirrors natural phenomena but transforms them in ways that are emotionally evocative: the complexity and apparent arbitrariness of Puech’s compositions reveal an underlying beauty that is equal parts haunting and comforting.

MATTHIAS PUECH – Mt. Hadamard National Park (Part 1) (HG2302)

TRACKLISTING / INFO:
http://www.self-titledmag.com/2016/11/04/ne205-andrew-peklers-newxotica-mix/

NE205: Andrew Pekler's '(N)E(W)XOTICA' Mix

Release Date : 17 February 2019
Format :	Digital
Support & Buy : http://bit.ly/2IlFJVh
----------	
Label on Facebook :	https://www.facebook.com/kornarionrecords/
Label on Soundcloud :	https://soundcloud.com/kornarion
	
Artist on Facebook : 	https://www.facebook.com/owlfromdeepspace/
Artist on Soundcloud : 	https://soundcloud.com/owlfromdeepspace
----------

Support & Buy

Owl - Meridian Lands [Kornarion]

Fridge (empire espresso), coins and cash register (Raf Reza) and voice (Cucina Povera)

20190617 194325

Megan Mitchell composes unsettling, ethereal music under the alias, Cruel Diagonals. A jazz and classically trained vocalist, Mitchell performs and creates in numerous capacities. Mitchell has released albums with Drawing Room Records and Longform Editions, which have been met with critical acclaim. crueldiagonals.com

This piece is comprised of various works in progress and unreleased compositions utilizing a blend of voice, field recordings, Eurorack, granular synthesis, and digital processes. While earlier Cruel Diagonals releases hinted at decay and discomfort, this performance faces those themes head-on, with an unfaltering acceptance of the duality of pain and transcendence. It represents a shift into the domain of more intentional psychoacoustics, exploring noisier and harsher territories in the process.

(Photo: Marylène Mey)

Wayward in LImbo #9 – Cruel Diagonals

Prior to the 20th century, and the emergent dominance of equal temperament, the association of emotions with particular musical keys was common practice. 

The Black Glass Ensemble recently revisited this historical alignment of sound and emotion to offer a brief ‘embrace’ in B Minor - the key associated with patience. 

The initial embrace, featuring the 8 musicians of the Black Glass Ensemble and guest Colin Potter, with whom they had been due to perform prior to the Covid19 lockdown, was well received. Consequently, Black Glass sought to widen the reach of their embrace to other musicians to make a more comprehensive piece of work.

The response was unprecedented. 104 musicians returned 247 individual musical tracks to be mixed into this present arrangement.

The full 38’ 50” minute work, “Be Mine in Patience: an Embrace in B minor” is made freely available in the sole hope that this extended embrace may help in some small way to nurture strength, fortitude and comfort.

Black Glass Ensemble and Friends
Be Mine in Patience: an Embrace in B minor
Arranged and produced by Michael Begg

Cover Image by Ben Ponton, used by permission of Sue Cannon

The Black Glass Ensemble:
Michael Begg
Douglas Caskie
Jen Cuthbertson
Neil Cuthbertson
Clea Friend
Julia Lungu
Aisling O'Dea
Ben Ponton

Contributors:
Tommy Aashildrød
The Alaska None
David Allison
Christopher Alvarado
Mkl Anderson
Carsten Aniksdal
Artificial Memory Trace
Matt Atkins
Nigel Ayers
Simon Balestrazzi
Stephen Bishop
Sergey Bulychev
Matt Burnett
Dave Burraston
Ed Carter
Kim Cascone
Don Clemenza
cl0v3n
Chris Connelly
Dane Law
Thomas Dimuzio
Pablo Diserens
Anthony Donovan
John Duncan
Kate Ellis
Steve Fors
Clive Graham
Scot Jenerik
Jean Johnson
Dan Joseph
Evan Henderson
Robert Henke
May Haliburton
Mark Hand
Jim Haynes
Liz Helman
Jack Hertz
Kathy Hinde
Marc Hurtado
France Jobin
Andreas Karperyd
Katpis Tapes
Fergus Kelly
Julia Kent
Jon Lee
Edvard Graham Lewis
Andrew Liles
Malcolm Lindsay
Marco Lucchi
Patrick Tubin McGinley
Grey Malkin
Robert Mazrim
Radboud Mens
Emmanuel Mieville
Abul Mogard
James Murray
Philippe Neau
Adi Newton
B J Nilsen
Mike Nolan
nula,cc
Aisling O’Dea
Orphax
Mike Orr
Chris Osborne
Daniel O’Sullivan
Ivy O’Sullivan
p_fish_mani
Filippo Panichi
Lee Paterson
PBK
Ben Ponton
Colin Potter
Nicola Quiriconi
Audrey Redpath
Ivan Ristić
Carla Santana
Paul sawford
Janek Schaefer
Second Harmonic Generation
Simon Šerc
Tim Shaw
Chandra Shukla
Clodagh Simonds
Steven R. Smith
Jos Smolders
sp3ct3rs
Julia Spooner
Mayor Stubbs
Bill Thompson
VIVIB
Frans de Waard
Warm Digits
Simon Whetham
Gary Wilkinson
Pete Woodhead
James Wyness
Zach Zinn

Be Mine in Patience: an Embrace in B minor

Each month, Nonsequitur and a community of like-minded organizations and artists present ten concerts of adventurous and experimental music in the Chapel Performance Space at the Good Shepherd Center in Seattle: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics.

With the Chapel closed indefinitely due to the COVID-19 pandemic, the Wayward Series moves from the concert hall to the living room. In place of our usual ten monthly concerts, Nonsequitur is commissioning ten Seattle artists each month to create a series of streaming audio sessions of previously unreleased material.

Wayward in LImbo #9 – Cruel Diagonals

Wayward Music Series

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