🖤 BRΛND NEW SONG FROM THE METΛL POWER DUO C E L Λ V I 🖤

STREΛM/BUY: http://bit.ly/STAINCELAVI
BΛNDCΛMP: https://celavimusic.bandcamp.com/trac... 

https://wearecelavi.com

C E L Λ V I - S T Λ I N

NEW SONGS NOW UNDERWAY! (soon as I can manage-ish)

Formed in 1980, 'FoH' (pronounced as initials "F.O.H.") or Fear of Humans initially comprised four people (Danny Hopcroft - drums, Rik Player - bass, Mark Wernham - lead guitar / synths / songwriting / backing vocal, and me (Mark Saunders) - synths / songwriting / lead vocal). We recorded two "albums": Prayers For the Human Race (1980) and Reality (1981). When we "broke up" in 1981 (we left school and moved apart), I went on to record on my own in 1982 under the FoH name (The name comes from one of the first songs I ever wrote back in 1980, which seemed to fit the band's musical style, and has a double meaning that appeals to me of either "being afraid of humans" or "what humans fear", both of which is represented in my songs). Mark Wernham and I had one reunion recording session in 1987 which gleaned a few more songs, but with living in different parts of the country that was it for the original band. Since then, I've continued to record - the epitome of the "bedroom musician"! - writing dozens of songs, all recorded very poorly onto what I'm sure people would now regard as ancient technology! I.e multiple cassette deck overplay for my very early solo stuff back in 1980 (so hissy you can barely hear the music!), and later a four-track cassette deck - which is what most of these songs were recorded on (a Tascam Porta-One, which you can still find for sale on ebay!). I tended to record songs usually in one evening, having already got the lyrics sorted out, working out the various "layers" and building them up one at a time, so these songs and instrumentals are mostly effectively only of "demo" quality. 

I was inspired to write songs after hearing "Are 'Friends' Electric?" by Gary Numan/Tubeway Army back in 1979. It was so unlike anything I'd ever heard before (using synthesisers in a rock form and being so dark and downbeat lyrically), and resonated with me massively as it summed up my teenage angst perfectly. I couldn't get enough Numan, so I decided to try to do something electronic and eclectic myself.

I hadn't recorded any new songs since about 1996, but I started again in 2017 with some better recording equipment. After 1996 all I'd really done music wise was record some of the old cassette recordings on to CD and convert them into MP3, which makes quite a difference in terms of reducing hiss etc! I did add a few new parts to Forbin in 2011 to create a hybrid version recorded over a period of 25 years! Most tracks currently here are a selection of my recordings mostly between about 1982 and 1996 (the production side of things varies a lot as I was sometimes too impatient to correct errors that crept in, so I apologise for the differences in performance and recording quality!  Most notably, the balance is wrong. The way I recorded the songs - vocal quite early on amongst several layers of instruments - tended to mean that my voice was pushed back too far in the mix, so sometimes you can barely hear what I'm singing! (which is why I include the lyrics on each song write-up - if you can't hear them, you can at least see them!). Most tracks sound better under headphones).

C E L Λ V I are a fierce, genre-defying duo from Bangor, North Wales - Gwion and Sarah - armed with an explosive take on nu-metal that blends the raw power of metal, goth, emo, industrial, electro, and rock into an anthemic, boundary-pushing sound. They’re rewriting the rules and bringing a fierce new energy to the scene, with their unapologetic and empowering anthems.

Wales’ first bilingual nu-metal band are already making waves with support from Metal Hammer, BBC Radio 1, BBC 6 Music, BBC Introducing in Wales, BBC Radio Cymru, and BBC Radio Cymru 2. On top of that, they’ve been featured on Amazon Music’s ‘Breakthrough Rock’ and ‘Best New Bands’ Editorial Playlists, solidifying their place as one of the most exciting acts to watch in the rock and metal scene.

C E L Λ V I made history by reaching Number 1 on Rhys Mwyn’s ‘Siart Amgen 2024’ (Alternative Chart 2024) on BBC Radio Cymru, the prestigious national Welsh language radio station. Their explosive Welsh-language nu-metal anthem, ‘COFIA’R ENW’ (REMEMBER THE NAME), is the first-ever track by a Welsh-language nu-metal band to claim the top spot, marking a monumental achievement in both the alternative and Welsh music scenes. 

They've also recently been selected as a PPL Momentum Wales Artist and been awarded with a PPL Momentum / Sbardun Accelerator Fund grant by PRS Foundation, PPL and Arts Council of Wales to work with Grammy-nominated producer Romesh Dodangoda (Bring Me The Horizon, Nova Twins, Holding Absence) on their new EP. 

🖤 www.wearecelavi.com 🖤

Communicator, Communicator, Wine Connoisseur, Apropos of Nothing, Papercut Survivor. I live inside Niki's ass.

silently i await the return of my robot friend
alternate account for radiophobicsherkpop

AI is sh*t and I do not want my music used to train it.
There is a clarification to the TOS but the damage has been done. I am seeking non-corporate alternatives.
my mind is going dave, i can feel it.
albums Bedsit Lofi Diy and Dream Themes on Bandcamp: https://radiophobicsherkpop.bandcamp.com
listen to https://theindiebeat.fm/
https://radiofreefedi.net/
mastodon: https://ravenation.club/@radiophobicsherkpop
pixelfed: https://pixey.org/i/web/profile/785643817201703981
https://www.twitch.tv/radiophobicsherkpop
genrefluid, but: I make cheesy retro synth, noise, and electroxotica, with a hint of lounge and easy

Old stuff on DaveTheSlain: https://soundcloud.com/tempww#:~:text=https%3A//soundcloud.com/tempww%3Futm_source%3Dclipboard%26utm_medium%3Dtext%26utm_campaign%3Dsocial_sharing

C E L Λ V I - S T Λ I N

C E L Λ V I (Keh-La-Vee)