+Tech+

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Ben Klock - Subzero (Original Mix)

dZb 1000 - Ramon Padin - Tiwanaku (Original Mix).

Embassy Red

Pan-Pot - The Other Remixes [SNDST015]

1. Pan-Pot - Riot (Carl Cox Remix)
2. Pan-Pot - Fugitives (Joseph Capriati Remix)
3. Pan-Pot - Your Attention (Nicole Moudaber Remix)
4. Pan-Pot - Optimistic Grey (Extrawelt Dub)
5. Pan-Pot - Riot (Paul Ritch Remix)
6. Pan-Pot - Sleepless (Stephan Bodzin Remix)
7. Pan-Pot - 808 Nirvana (Ray Kajioka Remix)
8. Pan-Pot - Broken Engine (Wigbert Deeper Remix)
9. Pan-Pot - Punxsutawney (Alan Fitzpatrick Remix)
10. Pan-Pot - Get In (Kevin Knapp‛s ME First Remix)

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@stephanbodzin

VINYL PRE-ORDER

Pan-Pot - Sleepless (Stephan Bodzin Remix)

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.
‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Climax - Drumcode - DC154

Amelie Lens – Let It Go EP [SNDST020]

Beatport: btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Released by:
Second State Audio
Release date:
19 August 2016

The Finest Hour

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Porcelain (Luca Agnelli remix) - Drumcode - DC164

Available here:
https://monumentalmen.bandcamp.com/track/hypnotica
www.facebook.com/monumentalmen
www.instagram.com/monumentalmen

For booking, general information, please contact:
monumentalmen@gmail.com

Artwork: Denise Häberli

Hypnotica

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - Capsule - Drumcode - DC171

Full Premiere: http://www.wearesoundspace.com/premiere-andre-crom-mind-control
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Purchase: http://classic.beatport.com/release/mind-control-ep/2244766

Andre Crom
https://soundcloud.com/andre-crom
https://www.facebook.com/DJ.AndreCrom

Sleaze Records
https://soundcloud.com/sleazerecords
https://www.facebook.com/sleazerecords

Mind Control EP

Full Premiere

Premiere: Andre Crom - Mind Control [Sleaze Records]

VEERUS - Heavy (Preview)

Sam Paganini - Astro / Pulse (JAM008)
Out November 19, 2018 
Vinyl & Digital.

Sam Paganini - Pulse (Preview)

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

https://WeAreTheBrave.lnk.to/ThisIsIt

We Are The Brave stormed onto the scene in 2016, and has since released some truly epic dancefloor bangers from both the established and fresh faced talents the industry has to offer. Alan featuring some of his biggest tracks on the label, as well as inviting Reset Robot, Gary Beck, Skream, Darius Syrossian, and Sasha to be a part of their ever-growing family. 2019 is set to be the biggest year yet, with Alan Fitzpatrick’s Day just around the corner and more planned label showcases than ever before.

‘Poison’ was a vocal smash hit last year from Croydons finest – Skream. He’s teamed up with a UK duo who are already regulars on his imprint, as well as Dense & Pika’s Kneaded Pains – Melody’s Enemy.

‘This Is It’ the lead track, has a story. On a flight to play a festival in Germany, the guys decided on a concept to record Ollie, get a recording that showed a slice of who he really is, what he's all about. “We did wonder if he'd go for it actually, and we sprung it on him unawares on the day he came to our studio - but true to form, he was up for it in an instant!” adds Melody’s Enemy.

A full-on futuristic acid hook, with a driving energetic bassline sitting alongside Ollie’s spoken words which weave in and out between the synth and groove. This is MEGA!

Given the title, ‘5am’ is a bit more of a straight up banger, with its low end kicks and tight punctuation, pads glide through the track along the main rave inspired synth. “Ollie sent us a hook and parts from something he'd been working on. And we went to town on it. The motive here was maximum dance damage’.



https://www.facebook.com/MelodysEnemy
https://soundcloud.com/melodysenemy
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
https://soundcloud.com/wearethebraveofficial

Melody's Enemy vs Skream - This Is It

Mark Reeve - Distance DRUMCODE

http://www.wearesoundspace.com

Independent music site since 2013.

Email: kyle@wearesoundspace.co.uk
Repost: https://wearesoundspace.com/submit-your-repost

Premiere: Andre Crom - Mind Control [Sleaze Records]

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