Get the full premiere!: http://www.wearesoundspace.com/premiere-grad_u-geomagnetic-storm/

where can I buy this track in electronic format?

Groovy Journeys

The 4th and final single from Roda com Robots - my collaborative 4-part audiovisual project with Marius Jopen , fusing live jams on the TR-8S with AI-crafted visuals.
Over the past weeks, we’ve released 3 tracks, each pairing raw, groove-driven beats with evolving generative video art. ‘Incal’ brings this journey to a close - a deep, immersive piece where rhythm and visuals flow as one.

Incal

Nadav Dagon, Marius Jopen - Incal

11 Long Deep Decay

Dream Chimney Promo Tracks #24 is jazzy house groover from the new release by @folamour out now on  @noireblanche / @d-licieusemusique-records

http://noire-et-blanche.bandcamp.com/releases

DC Promo Tracks #24: Folamour "Sparkles"

Stream on platforms
➥ smarturl.it/FortBellefleur

Fort Bellefleur EP

Folamour - Lampadaire

https://www.discogs.com/fr/Folamour-Fort-Bellefeur/release/8878991

N&B001 : Folamour - When U Came Into My Life

Ethyène
https://soundcloud.com/ethyene
https://www.facebook.com/Ethyène-188435467852317
https://twitter.com/Ethyenemusic

Moonrise Hill Material
https://soundcloud.com/moonrise-hill-material
https://www.facebook.com/moonrisehillmaterial

PREMIERE : Ethyène - Shine On [Moonrise Hill Material]

Fanshore X AJMW - Toyi-Toyi

Full Premiere: http://www.wearesoundspace.com/premiere-grad_u-geomagnetic-storm/ 
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost/

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

grad_u
https://soundcloud.com/grad_u
https://www.facebook.com/gradlt

Get the full premiere!

Premiere: Grad U - Geomagnetic Storm

Chicago producer Savile returns to his home base, Argot, for his second release of 2016 -- Share Power. Here, Savile skirts the bleeding edge of American dance music, proving without a doubt that he's mastered his own minimal sound. Lean, hypnotic, and syncopated. Share Power is an ode to collaboration, kindness, and making space, distilled through his vision for Midwestern house and techno.	

Share Power is dedicated to two parties Savile played in Ohio during 2015 -- In Training in Cleveland and Midwest Fresh in Columbus. On "Three Hours In The Meat Sink," Savile wrests maximum impact from the barest elements — a sparse, moaning bassline is the track's backbone, upon which rippling synth, hypnotic hi-hats, and a carefully placed call to arms roll out in stride.

Flip the record over for "Effort Won't Betray You," where explosive chord stabs fill a sharp, syncopated skeleton of percussion — that's all there is, and that's all there needs to be.

❝ Share Power ❞ [ARGOT020]
⟶ A. 3 Hours In The Meat Sink
AA. Effort Won't Betray You
AAOutro. We've Still Got A Chance (June 23, 2013)

Share Power

Argot Bandcamp

Savile - 3 Hours In The Meat Sink

Official release note:

This is the beginning of the end and also the beginning of the beginning. The people in the dark damp cellar room couldn’t quite grasp it. But they could grasp the sordined trumpets coming out of the oversized speakers placed right behind them.

Next up is KVK900 with the much sought after track ‘House Music’. A 14 minute long mesmerizing house journey that’s already been included in Ryan Elliotts Panorama Bar 06 mix. On the B-side you'll find 'The Glitch', a psyched out techbomb stuck in the Karlovak machine.

The end of KVK

This release also marks the beginning of the end for this series. The KVK series is coming to an end with KVK1000 being it´s final release. 
Karlovak will live on though, but through KRLVK, the new Karlovak series featuring originals from other artists such as Radio Slave, Ben Sims, DJ Jes alongside Mr. Tophat & Art Alfie

Was created and requested for Ryan Elliott's Panoramabar 06 mix, 2015.

Official release note from Ostgut Ton:

"Mixed and compiled by Ryan Elliott


I first played Panorama Bar on July 7th, 2007 and I have been playing there regularly since. I remember entering the club and feeling all those things everyone feels when they enter Berghain or Panorama Bar for the first time - excitement, joy, tension, fear… almost every emotion. I’m a lot more comfortable playing there now after all that time naturally, but all those emotions are still present in every set.

Panorama Bar has, to me, always stood for quality house music. I still play many of the same records there that I did in the beginning. Of course many new records have come and gone in those seven years of sets, but my musical direction has never changed. The title of the mix is “Panorama Bar 06 - Ryan Elliott”, it is my version of what Panorama Bar sounds like.

I knew I wanted to have roughly 30 to 40 tracks on the mix. Also, because the mix wouldn’t be a physical CD anymore, I wanted to have two EPs of exclusive material, to add a little more of a physical element. I started the A+R process for the exclusive material in February 2014. I received so much good music that we decided to put five tracks on each of the EPs, totaling 10 exclusive tracks. After that I started going through all my records and folders of music to pick the remaining material. In a perfect world, I could have used any song on the mix that I wanted. But, there is the agreement from the tracks’ owners to consider. Saying that, there were only 2 or 3 records that I wanted to use on the mix that I wasn’t able to for one reason or another. 

The most important thing to me was that the mix actually sounds like a night at the club. That it would contain tracks that I’ve played in the club many times. I wanted the mix to contain a few of my Panorama Bar ‘classics’. Because of the new format of the mix, I was a little concerned that some of the older producers wouldn’t be up for giving their agreement for using their tracks, but for the most part I was pleasantly surprised. Besides a few classics, I really wanted a wide range of songs on the mix. Some old, some new and unreleased, some new and released, exclusives, etc.

I don’t view Panorama Bar 06 as just another ‘free downloadable mix’. This mix is available as a fully mastered wave file, includes full artwork and is complimented by two EPs of exclusive material. Vinyl still exists because it's a fidelity and physical thing for DJs. DJs actually use it to do their jobs. We don’t see many tapes or 8-tracks being sold now and the CD will soon go the same way. I made the mix as long as it should be, without thinking about time limitations. We can do that now!

– Ryan Elliott, Berlin, August 2014 –"

Mr. Tophat & Art Alfie - House Music (2015)

Retro 2

How Deep

Watch the video here: https://www.youtube.com/watch?v=Rg95A17VumI

Bandcamp

Brame & Hamo - Space Dub

Next up on eudemonia is moroccan born and based Kosh. The 28-year-old who has previously released some highly acclaimed music on his home label Casa Voyager as well as on Mechatronica delivers a versatile and funky techno/electro EP with breakbeat and acid influences. Any profits will be donated to Musicians Without Borders.

Tracklist: 
A1 - Endless Quest
A2 - Trespassing
B1 - Damn Frogs
B2 - Benefit Of The Doubt 

Release Date: 19.4.2019

Preorder: https://kompakt.fm/releases/endless_quest

Artwork: John Karborn

Kosh - Endless Quest EP

Bandcamp link - https://jordannocturne.bandcamp.com/album/believe

Bobby Analog's pounding yet emotive house remix from the upcoming EP by Jordan 'Believe'

Loose Fit Records 2020 

@bobby-analog
@jordannocturne
@loosefitrecords

PREMIER: Jordan - Late Nine Ten (Bobby Analog Remix)

Aril Brikha Berghain

Out now digitally: http://lnk.to/jameswelshPH99

Phantasy approaches it’s landmark hundredth-single release with another impactful single from one of the label’s key artists, James Welsh. Regularly played by producers from Midland to Charlotte De Witte, Welsh’s masterfully dense take on techno and electronica reaches new complexities on ‘Pan’, without ever-sacrificing his singular industrial groove.

The title track is a tunneling electroid roller layered informed by complex conversations seemingly taking place between man, machine, ghostly human speech and a veritable wind tunnel of noise. Perhaps Welsh’s finest connection yet between the blissful and the ruthless, ‘Pan’ demands submission.

On ‘Sink’, Welsh builds yet another perfectly-executed club weapon around an imaginative spoken-word sample, loosening up the tension of it’s more severe partner with a lucid and rhythmic trail of wide-eyed electro.

Pan/Sink

Sink

http://www.wearesoundspace.com

Independent music site since 2013.

Email: kyle@wearesoundspace.co.uk
Repost: https://wearesoundspace.com/submit-your-repost

Premiere: Grad U - Geomagnetic Storm

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