- taken from "Superimpositions" (BKEDIT010)

B2. xxx1

Samples from Half life 2 Episode 2 & A Piano at Hotel Acao in Atami Japan

Its an Endless World!

https://soundcloud.com/t_u_n_a

pictures projected
as they flicker through the leaves
an afterglow of spring
sets the soil in motion
–Julian Schäfer

Fairy-esque synths, digital strings and spectral atmospherics combine to lure you into tuna's “Object Permanence”, out via NYC's Altamira Records on June 14th, 2024. In the release, tuna, real name Julian Schäfer, evokes fractals that combine his glossy audio productions with the lushness of the boreal world.

Represented through a mixture of auditory synthesis and fantastical themes, “Object Permanence” ponders, and then objects to, the idea of immutability. The natural world serves as a metaphor for the concept. An appropriated painting of a shoreline on the EP's cover may seem like a representative moment of nature's beauty and order, but through evaporation, tides, human intervention, and the life and death of millions of organisms that live within, a seemingly static frame is actually representative of a continually changing environment.

The closing song, “Melt Like Water,” encapsulates this theme with a quote by a tribal community elder from Vanuatu in Werner Herzog’s 2016 documentary, "Into the Inferno." “Everything will melt, the stones, the trees, everything, like water.” In our crumbling world, how can one expect any permanence?

All tracks written by Julian Schäfer
Piano on "let's just rest on the floor and watch the dust settle" by Theresa Worm
Artwork by Alex van Dorp
Drawings by Melanie Nguyên Pietsch, Julian Schäfer
Mastered by Christoff Reidel (https://soundcloud.com/riedelchristoff)

Object Permanence

tuna - brb bog boy

🎊 Next STUDIO Event in Paris (28.02) : Phace, Visages, Posij x Former, & more  → https://bit.ly/3C8mfQk
⚡ Stream / Download 'Disektor - Lush Deviation' → https://tinyurl.com/sera023

----

Satellite Era presents the experimental 'Aetherial Pulses' by Disektor, balancing between digitized realms and the natural world.

https://soundcloud.com/satellite_era
https://instagram.com/satellite_era
https://x.com/satellite_era

https://soundcloud.com/disektor
https://instagram.com/disektor_
https://x.com/disektor_

----

STUDIO LINKS

Email → info@wearestudio.fr
Website → https://wearestudio.fr
Twitter → https://twitter.com/_wearestudio
TikTok → https://tiktok.com/@_wearestudio
Facebook → https://facebook.com/wearestudioofficial
Instagram → https://instagram.com/_wearestudio
YouTube → https://youtube.com/@_wearestudio
LinkedIn → https://linkedin.com/company/weare-studio
Bandcamp → https://wearestudioofficial.bandcamp.com

Disektor - Lush Deviation [Premiere]

Four years after their eponymous self-titled debut, Aestum return with a new full-length,STELLAE. The 10-track odyssey embarks on a hyper dimensional passage from hidden corridors to endless starlight ambient, capturing the project's most profound sonic arcs to date.
Recorded between 2023 and 2025,STELLAE retains the cinematic grandeur of the debut while expanding its scope into uplifting realms. The album's foundation was partially forged in live performance environments, with prepared bits and stretches later transformed into textured studio pieces.
Two tracks are co-produced by anonymous UK producer pools, whose collaboration with Aestum was sparked by an impromptu SoundCloud discussion, culminating in a synergy of heavenly trance, pulsating rhythms and otherworldly vocal reflections.

This new chapter finds Aestum delving further into a visionary realm that was initially shaped by their 2021 release. Where that first record was a deep dive into tranceformative soundscapes and panoramic atmospheres, STELLAE looks skyward, unearthing the sonic constellations of stellar vistas shaped by transcendent frequencies and resounding hope.

セルフタイトルのデビュー作から4年、Aestum が新たなフルアルバム『STELLAE』を発表。全10曲からなるこのアルバムは、隠された回廊から果てしない星明かりのアンビエントへと超次元的な音の旅を描き、これまでで最も深みのあるサウンドを表現している。
2023年から2025年にかけて録音され、デビュー作のシネマティックな壮大さを保ちつつ、より高揚感に満ちた新たな領域に踏み込んでいる。アルバムの基盤には、ライブパフォーマンス中に生まれた音の断片が使われており、それらがスタジオで丁寧に再構築され、テクスチャ豊かな楽曲へと進化した。
また、2曲は匿名のイギリス人プロデューサーpoolsとの共同制作で、SoundCloudでの即興的なやり取りがきっかけとなり生まれたコラボレーション。そこでは、浮遊感のあるトランス、脈打つリズム、そしてボーカルが絡み合い、唯一無二な音の世界を生み出している。

この新たな作品でAestumは、2021年のリリースで築き始めた想像の世界を広げるような音の旅をさらに深めていく。
初作が、トランス的で没入感のある音の風景や広がりのある雰囲気に焦点を当てていたのに対し、『STELLAE』は空に目を向け、希望に満ちた響きと心を打つ周波数で、まるで星空を音で描き出すような作品となっている。


Written & Programmed by Aestum
Additional production by pools
Mastered by Victor Muñoz
Artwork by Matyáš Maláč

AESTUM - Liquides (feat. pools)

CLAM024 | SUTSURUKEKI - UMBIGADA 3000

http://clam-pressure.bandcamp.com/album/umbigada-3000

BELLY PONKERz, MANIFOLD ov VAPOR DOOMZ into CHUNES

SUT SU RU KE KI
SUT SU RU KE KI


SUTSURUKEKI - RUSKO

Dead Loop, is a meditation on risk, memory, and the haunting legacy of forbidden movement(s). The titles of the two tracks—1972 and 1977—refer to when the infamous gymnastic bars move, the ‘Korbut Flip’, was performed for the first (and last) time. Deemed so perilous the flip had to be banned from international competition following its first execution at the 1972 Munich Olympics by 17-year-old Soviet gold medallist, Olga Korbut. In 1977, another Soviet gymnast, Elena Mukhina, modified the risky flip with an additional twist… cementing the move’s mythological status with an additional re-iteration.

Over two brief sides of tape, Flora Yin Wong narrates the myth of the forbidden Korbut Flip with elongated, processed, and looped layers of the kemençe (an Eastern Mediterranean stringed instrument found in Turkey, Greece, and Iran). The strings of the kemençe are bowed, plucked and struck, echoing the gymnast’s own uncanny motions, cycles, and steps on and around the bars. Flora Yin Wong manipulates the sounds through various pedals and GRM Tools to craft an unpredictable diptych of haunted soundscapes. Recorded in London, this music is immersive and tense, brimming with a sense of suspended risk, much like the gymnast tumbling around the bars.

Limited Edition tape. Pro Dubbed at Monotype. Printed at L'automatica letterpress in Barcelona on 100 year old Heidelberg machines. Artwork by Oficina de Disseny.

Out now via Paralaxe Editions (@paralaxe-editions) https://florayinwong.bandcamp.com/album/dead-loop


Dead Loop - 1972 [Preview Clip]

jano - jucie

Tribe♡.mp3

Acid Life

HARD Q TECH HARDE! 3.0 HARDTECH MIX.

Into bass music? Get a monthly recap of the best news, releases & mixes 
📥 → https://bit.ly/3WSrsmA

Want more? Follow our 'Cutting-Edge Bass' playlist on Spotify 
🔊 → https://spoti.fi/3RclVnG