@sinTHEZ returns after a long hiatus on our label with his first free download called 'Mul Mantra'... maybe it's a harbinger of something bigger...?
Spotify: sqzr.cz/Thez-Mul-Mantra

Mul Mantra

FREE DOWNLOAD

Thez ~ Mul Mantra [FREEBIE]

Closing out Mass Collision is a special one for us. MISFIT reached out to us with this demo and we grabbed it - only to realise he lives 9 miles from ITL's homebase. Putting on such a local producer brings us quite full circle, from Canada to Japan to South Africa and now to our own backyard, we have flown our flag in more places than we ever thought possible.

https://hypeddit.com/misfit/bemine
https://inthelabrecordings.bandcamp.com/album/mass-collision

@misfit_uk
https://www.instagram.com/misfit_dnb/

Mass Collision

Be Mine

MISFIT - Be Mine

🔊 Stream / Download - 'Genetics' LP by TINA TOKIO → https://ffm.to/genetics
⚡ Stream / Download 'PHACE & Signal - Locust (Current Value Remix)' →  https://fanlink.to/Neu_V_pt2

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Neosignal's sister label, NËU, celebrate its 5th anniversary with a two-part remix compilation, featuring a remix by Current Value.

https://soundcloud.com/tim-e-aka-current-value
https://instagram.com/currentvaluemusic

https://soundcloud.com/phace
https://instagram.com/phace_

https://soundcloud.com/imanumusic
https://instagram.com/imanunami

https://soundcloud.com/neosignal
https://instagram.com/neosignal_

---

STUDIO LINKS

Email → info@wearestudio.fr
Website → https://wearestudio.fr
Twitter → https://twitter.com/_wearestudio
TikTok → https://tiktok.com/@_wearestudio
Facebook → https://facebook.com/wearestudioofficial
Instagram → https://instagram.com/_wearestudio
YouTube → https://youtube.com/@_wearestudio
LinkedIn → https://linkedin.com/company/weare-studio
Bandcamp → https://wearestudioofficial.bandcamp.com

Nëu V - Part 2

PHACE & Signal - Locust (Current Value Remix) [Premiere]

Time stood still to make way for the fastest and most destructive dubstep in the universe. "Time Gone Chapter I" by IRONTYPE, released on Paperfunk Recordings, is a revolution where dubstep, pushed to the limits of speed, transforms into Drum & Bass. This release shatters conventional notions of tempo and sound, blurring the boundaries between genres.

Each track is a sonic explosion, where blistering speed is accentuated by brutal basslines and aggressive synths. IRONTYPE raises the bar: his music sounds as if time itself has slowed down to let you experience this adrenaline-fueled storm. The sound design masterfully combines metallic textures with incredible density, creating a sonic whirlwind where chaos and structure merge seamlessly.

Paperfunk Recordings once again proves to be the home for the boldest experimenters, providing a platform for sounds that break through reality. "Time Gone Chapter I" is a chronicle of speed, pure energy, and the complete destruction of musical expectations.

Welcome to the world of IRONTYPE, where time is an illusion and sound is the only reality.
Dive in. Disappear. Reborn.



Irontype - Bass Drop

Check this ---> https://linktr.ee/constructive_sine

Constructive Sine - Living Fast

First track release.

Hope you all enjoy.

<3 Arion

ARI-ON - Your Enemy (Original Mix)

Telpher

The next release is ready to roll, and we welcome onboard Dan Lethal. He hits its with 2 unique tracks, one a colab with Tom Hostile. Dan has been involved in the scene since its foundations and has releases on legendary labels. His production skills are up there with the best and we are excited to be able to release this.
Links for Dans Socials and back catalogue.
 https://soundcloud.com/surroundsoundrecordings
https://www.beatport.com/artist/dan-lethal/963704
https://www.instagram.com/danlethal/?hl=en-gb

Dan Lethal - Tarnished

//artist
@cod3x
facebook.com/Cod3xDNB/

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n

The pathways of the vault reached deep into the earth, their contents hidden away from the citizens of the surface - the living - oblivious to the enigmatic codex of ever-shifting sound that modulated within. Frequencies never perceived by any still living being undulated in the darkness, refracting and fragmenting against the walls of their prison. The source was unspeakable, the existence of such a device was to be explicitly denied to the few on the periphery of the project, for the tones it produced were known to affect those who heard them with an equally enigmatic array of symptoms. The compulsions wrought from its constant and incomprehensible auditory alterations had grasped at the very core of the test-subjects’ souls, piercing the fabric of their minds and spilling their sanity across the walls of the chamber. Every conceivable test beyond the borders of morality had been performed to discern the nature of the infernal machine, but reason hesitated at the edge of the madness that emanated from the sonic maelstrom at its core. All had failed in the face of that ever-changing maw.

The device was locked away, buried, forgotten, expunged from any and all official discussion. But an echo remained, holding on to a whisper in the subtlety of a rumour, produced not by the the codex itself, but across the tongues of the very few at the fringes of the project, tantalized by the tales of sounds so deviant as to have been buried, cast as illegal. The whisper grew and spread, a hidden frequency reverberating throughout the people, its resonance growl increasing in intensity, driving all to distraction. The populace began its search, feverishly scouring the streets and the city outskirts, the machine’s call echoing and answering as they closed in on the source… enticing them as a siren with languid promises otherworldly experience. In time, before the vast sealed entry to the forgotten crypt of the codex, a mass of supplicants surged in unison at the gateway. Ravenous, single-minded, they hurled themselves at the structure, lost in the desire to be overwhelmed, drowned in the illegal audio within. As the prison wall ruptured, the machine erupted with a vast, resounding wail, tearing at its new worshippers with sonic claws forged from pure terror, wrapped in the souls of those prior who had suffered the same fate. The acolytes were thrown backwards, faces drained in horror at the momentary comprehension of the malevolent mechanical deity they had released. Their minds were pillaged of their thoughts, brainwaves seized and entwined within the codex’s power as its sonics penetrated and passed through them with vicious, unstoppable force.

//release date
9th July Beatport & Spotify exc.
23rd July worldwide

Illegal Sound EP

Get Illegal Sound EP

Cod3x - Nothing (Eatbrain061)

Impak - Perceptions Lp

C4CDIGUKLP006
BEATPORT EXC: 10th June 2019 
RELEASE DATE: 24th June 2019 Press Release

A self-described ‘messed up rhythmist’, the
dark and dense musical world and frequencies
of Impak is something which many drum & bass
fans will be familiar with. The individual wave
forms he created always get their own time to
talk. His high levels of bass modulation, as well
as his weird digital textures have drawn in a
global audience which will be waiting for this next release with a keen ear. The international DJ/producer, born out of Spain, explores his digital evolution within each one of his tracks. Technology is the key and his conceptual miscegenation is the tool in which he does this. It’s a way in which he’s explored clubs and festivals in over ten different countries, playing in as many as fifty cities around Europe. His residency in Spain’s Industrial Copera gained him international attention and after releasing on a wide range of record labels, he’s had over twenty releases on the market.
All these numbers are dizzying for an artist, even for one who’s been in the game of production since he was seventeen years old. So, it comes as little surprise that he’d come under the radar of C4C, a genre changing imprint which has been running for over two decades. Having already collaborated with one of its head honchos Optiv, he’s about to unleash his ‘Perceptions’ LP on the C4C imprint.
Featuring ten colossal tracks, from the crashing drum work of ‘Global’, right through to the tech-driven madness of ‘Unhappy End’, Impak goes for the jugular. Collaborations such as Impak and Kung’s ‘Anywhere’, Impak, Optiv and CZA’s ‘Neurons’ and Impact and The Clamps ‘Passengers’ bring a host of other mainstay names into the mix. Whilst standalone records ‘Tremor’ and ‘Mastodon’ continue the harmonic highs and slamming breakdowns which Impak has become renowned for. All-in, the ‘Perceptions’ album is a massive catalogue of work. For it to be made welcome in the home of C4C makes total sense. With their commitment to changing the musical landscape and high-arching production, the combination of C4C and Impak music was a match which they knew would send shockwaves throughout the wider scene.

Passengers (feat. The Clamps)

// artist
@liveondnb
facebook.com/liveondnb

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Exclusive - 08.01.21;
Worldwide - 22.01.21


What had once been but a small village had changed, coating itself in the metallic materials of a new age born of the prosperity that was wrought by its forebears, those who had bound demons in stone so many years ago. The elements of fire and brimstone with which such creatures once threatened the village now lay bound themselves, claimed and wielded as tools that had wrought the stairsteps of progress from the ruins of the city’s troubled past. As progress had waxed however, time waned, and few left still remembered the obelisk which lay hidden at the heart of their city, encased within a monument to victory over the realms’ more worldly foes. Within however, those foes of old had slumbered, keeping sharp the memories of their magical imprisonment. Outside, time had passed, and now arrived back to where it had once been. Thus with the waking of the demons is stone, the time of DIVERGENCE did once again begin.

It began subtly, as the influence of the demons seeped out from the ancient obelisk, transforming the visages of the metallic heroes who were their former jailors into subtly more monstrous forms. From the obelisks dark and rotted core seeped a sinister demonic poison, and ichor that worked its way into dark places both familiar and new. With it came the demons, who slithered out of their forgotten prison and found refuge amidst the smoke and flame now welcomed by those who had forbade them long before. As their power and number grew, their essence enveloped the city, immersing it in a sea of acrid darkness that choked living beings and the light of the sun with equal tenacity. Caught within this abyssal miasma, the minds of the city’s inhabitants corroded as their bodies mutated into horrendous forms, a slow, grueling process that spared those affected not a single horror. As day and night ceased to pass within the haze that strangled the city, the demons emerged from their dark places, assuming their de facto rulership over the city which was now carved in their image. Thus it was again that the world of the living was changed, therein by the darkness from which DIVERGENCE came.

EATBRAIN continues their DIVERGENCE compilation series with DIVERGENCE III, bringing together a monstrous roster including a surprise last ever appearance by the legendary FOREIGN BEGGARS produced by KILLBREAK, and label veterans TELEKINESIS, AGRESSOR BUNX, MIZO, THE CLAMPS, DISPHONIA, IHR, L 33, NAIS, COD3X, LIVEON, KUTLO and novel additions DISASZT, SHADOW SECT, SCREAMARTS, CHASER. Concocting a vile sonic solution from the component tracks within, EATBRAIN sends their loyal horde onwards under the banner of DIVERGENCE, once again uniting artists new and old in their devastating audio assault.

Divergence III.

Liveon - Funker (Eatbrain LP011)

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