"Outstanding" is a song originally performed by The Gap Band and written by member Raymond Calhoun. The song originally appeared on the group's platinum-selling 1982 album Gap Band IV.
The song was covered by Kenny Thomas.

Kenny Does GAP Band - Outstanding (Frankie Does Deep)

ANOTHER SURE SHOT REMIX FROM THE ORIGINAL GANGSTER OF LOVE. NOTHING TOO STRIPPED DOWN HERE, BUT AS ALWAYS A DRUM BREAK THAT NEVER EXISTED ON THE VERSION WE ALL KNOW.

BARRY BLANCO ~ GAMING YOUR PLAY ~ KON'S EXTENDED MULTI REMIX.

the second and best incarnation of this solid tune slightly touched by me

Brand New Heavies - Never Stop (UF's Cant Stop Edit)

Bonsoir everyone,
Here is my brand new rework, officially released today on Midnight Riot Vol.8 (featuring tracks by Late Nite Tuff Guy, Rayko, 80's Child, and many more).
It is a sweet & sexy Nu-Disco rework to which I added many new synth, bass lines, drums & percussions, that you should play as an early jam, or to make love tonight ;-)

Back For More (Original Mix) - from the compilation MIDNIGHT RIOT vol. 8 (AVAILABLE NOW)

Another in a series of slow groovers. This one by Barry White's girl group...the incredible *Love Unlimited*. The Barry White Orchestra is highlighted here making it more of an instrumental groove. Late night sultry goodness with strings.... Hope you enjoy.

Love Unlimited - Move Me No Mountain (bydesign rework)

Bonjour everyone, after the great success of my "Young Pulse - Paris Edits vol. 1" in 2014, I am back today with the volume 2, featuring some very hooooot new reworks of Rhyze, Spinners, & GQ. A must have ;-)

Enjoy & comment !

Check out the great review made by Picadilly Records : 

"Enfant Terrible of the disco scene, Gallic genius Young Pulse returns to GAMM with the second instalment of his "Paris Edits" series. If you copped the first volume then you'll know exactly what's on the menu; funk, soul and disco grooves and no messin' around! We head straight to the club on the A-side with "Enjoy & Relax", as Young Pulse reworks (or is that remixes?) Rhyze's soulful disco stomper to perfection. The re-EQed kick and bubbly bassline are as meaty as your local charcuterie, while the uplifting chord progression adds a subtle hint of fromage to get your tastebuds working overtime. Don't be put off though, I'm thinking more the mild flavour of Brie than the hefty pong of a Pont l’Eveque. On the B-side, the dynamic Frenchman zooms us far across the ocean to the shores of Brazil (perhaps he can say hi to Piccadilly staffer Martin while he's at it) for a smooth and jazzy bossa edit of soul classic "It's A Shame". Closing the EP in feel good fashion is Young Pulse's driving disco funk edit of GQ classic "Shake". As you'd expect, the bassline is king here, powering the Chic-esque strings and sunny vocals from the top to the bottom. The up-and-coming Frenchman delivers classic GAMM material here, no fuzz whatsoever! "

Buy track

Young Pulse - Got To Be A Shame

https://koolfunk.bandcamp.com/track/willie-beaver-hale-groove-on

Willie Beaver Hale - Groove On  (Edit Dj Amine)

Alopecia

An album of rock fusion.tracks - written, performed, played. recorded and mixed by David Taylor Hughes. Remastered album from the 1990's.

TOOT

EDIT (OR JUST A BEAT) BASED ON PATRICE RUSHEN, REMIND ME 

Remind me (Weedy Weekender ed, with free DL)

"The label with the giant sound is back for release number fifteen, Kojak's the name and edits are the game. Having previously played host to the likes of Nicholas, Maxxi Soundsystem and Al Kent, DJ Ionik's imprint has developed a pedigree for classy edits by players at the top of the game. For release number fifteen Ebony Cuts rolls up to the party, adjusts his tie and puts the champagne on ice. 

Up first under the scalpel is Jesse Gould's "Out of Work", an uptempo disco funk track with filtered guitar matched by a bouncing bassline.  This is one of those bumping disco funk tracks for peak time enjoyment. Ebony Cuts has stitched the vocal and instrumental versions from the original P&P release together and come out of it with a raw funk bomb. Samples are slightly off and bass drums double over each other, but I don't care and neither does Ebony Cuts. A wild disco edit that can hide a shoddy mix, perfect.

On the flipside Ebony Cuts extends Roy Ayers' "Can't You See Me" into a finger clicking, shoulder popping groovathon. Thanks to a subtle restructure of the track, the smooth jazz funk of the original is given some extra dancefloor dynamics, with each instrumental break looped up for full impact. This is the classiest of cocktail disco, the kind of track Dimitri plays while he sips on a white russian."

- Piccadilly Records

"Hot new Kojak Giant Sounds release! These never hang around long and there’s no repress!"

- Rush Hour

"Two Ebony Cuts edits /reworks - Jesse Gold's killer P&P driving boogie disco groover gets its beef chunked up , flip for Roy Ayers - 'Can't You See Me' with a more percussive backing groove!"

- Vinyl Underground

"名作エディット２連発！！Al KentやKool DJ Dust、Nicholasも作品を残すフィンランドの人気ディスコ/エディット・レーベルKojak Giant Soundsから待望のニュー・シングルが到着！！今回は、1977年にJesse Gouldが名門P&P Recordsから放った名作「Out Of Work」と、近頃再発もされたキング・オブ・ヴァイブスこと大御所Roy Ayersが1978年にリリースしたガラージ/ダンス・クラシックス「Can't You See Me」を、Tropical TreatsやSelfmade Millionaire名義でもお馴染みのハンブルグのネタ師Ebony Cutsがエディットしてしまった要注意な一枚！！オリジナルの雰囲気をダイレクトに伝えてくれると共に、フロアでの機能性も重視された激キラーなエディットが施された問答無用の仕上がり！！ネタがネタだけにフロアを大爆発させてくれること間違いなしの一枚です！！！！"

- Technique

"オープニングのドラム・ブレイクを引き延ばし、中盤のインストパート→フック→本編と絶妙に再構築されたRoy Ayres「Can't You See Me」のエディットが最高！！

フィンランドのDJ Ionikが主宰するオブスキュア・エディット・レーベル【Kojak Giant Sound】の15作目は、あのSelfmade Millionaireを手掛けていたハンブルグのディスコ・フリークEbony Cutsによる2トラックEdit！

何と言っても注目したいのが「Roy Ayers / Can't You See Me」のエディットとなるB「Can't You See Me (Ebony Cuts Edits)」。原曲ではドラムブレイクから本編へとすぐに入っていくため、殆どの場合クイック・ミックスする事が多かったのですが、このエディットではブレイクが引き延ばされ、しかもそこから中盤のヴァイブ＆スキャット・ソロに至るインストパートを用意し、ループと再構築を交えて、ジワジワとしたビルドアップ感を携えて本編へと持っていけるという抜群の仕上がり！そしてAサイドには、Billy Nicholas手掛けた【P&P】産のブギー/ディスコ・ナンバーJesse Gould「Out Of Work」のエディットで、こちらもインストパートを主軸に、そのドライブ感のあるブラック・ディスコ・サウンドを構築していた、こちらも素晴しい仕上がり。オススメです！"

- Rootdown Records

Raw Ayers - "Can't You See Me" (Ebony Cuts Edit)

Same story as many of my age... My ears first pricked up to music at the Two Tone/Ska era. I remember hearing Rappers Delight and thinking that's something cool there, "borrowed" my sisters Boogie and Funk tunes, listened to a lot of what we called Jazz Funk at the time. When Bam came along with Planet Rock, i knew "my own thing" had at last arrived. Got into Electro then Hip Hop, scratched records, cut breaks, breakdanced on plenty of lino and cardboard, still listened to Funk, Soul, and Boogie, had a brief time getting down at the Go Go. Rare Groove and Jazz was big once i started going out getting on it, particularly in my home town. Hip Hop was always there. Started hunting for rare tunes, breaks.. Then Acid House arrived & knocked us all sideways, had decks still, bought samplers and keyboards, sold some, bought some more. All went on till around mid 90s then lost the love for it. 
Music tastes changed, settled down, got married, had a beautiful son, after a few years had the time to be able to get my records out and started to track down the stuff i lost or never had online, realized so much was on Soundcloud now as edits.
My mates bought me Traktor as a 40th birthday present and that got me back into collecting tunes, and gave me the creativity and flexibility i always wanted from a DJ set up.
Got back into making "my own stuff" firstly through edits just to learn how to do things and then by making my own mid tempo chuggers. 
Still just a punter, and all this is for fun, but it keeps me off the streets at night.

Remind me (Weedy Weekender ed, with free DL)

Weedyman