This playlist dates back to my first STBB entry, 369, all the way back to March 2014. It's been a great ride so far, a lot of talented people over there to provide a lot of musical inspiration. 



Scottie's STBB Entries

All Right Reserved to Nirvana and its Copyrights Owners.
This Remix is not with Any profits Goals.
Just ART.
FREE DOWNLOAD.

Free Download

FREE DOWNLOAD: Nirvana - Heart-Shaped Box (Greg Ochman Remix)

Free D/L here: https://wegrowwax.bandcamp.com/releases

To be featured on the upcoming #WegrowWax compilation "We Got It In Nature Vol. 1". Also this will make an appearence on my upcoming project "Great Scottie", also being released by We Grow Wax coming in January.

Used some hihats and brush sounds from one sample, horns from that same one, and a lot of that weird synth sample. Also some rhodes and what not. Was going to put Soulja Boy Crank That on this, but I just couldn't bring myself to do it. It was part of some crazy experiment to see if a better beat than the original could save a horrid song. Seeing that I didn't even complete the remix, I guess I have my answer!

We Got it in Nature 

Phone Hack (STBB 391 WINNER!)

We are very proud to present the third instalment of our flagship series - We Got it in Nature. 

This time around, our always reliable team of artists have cooked up a blend of beats that traverse the boundaries of consciousness. 23 selections from all corners of the world will consistently amaze with their fresh and creative approach whilst still keeping a fundamental attachment to classic hip-hop. 

The compilation begins with a mystical atmosphere of jazz, introducing our ear drums to another dimension. We then bring a change of energy through a suite of dark and spatial sounds. These tracks shrouded in mystery are illuminated by the shinning moon, then giving way to dawn. Finally a crescendo of sounds, a graceful transition into bright lands filled with hot sun. 

The album takes us on a journey through the world of amplitude. Through its forests, over its beaches, and on its ocean floor. 

Perfectly balanced - Yin and Yang. 

Pure magic - not to be forgotten.

------------

If you like what we do, please consider supporting Talented Artists by following, sharing and buying Their releases. We believe only in Organic Growth. Our Main Goal is to Press Vinyl for our Team . We won't do it without your Love and Support. 

www.wegrowwax.com 

Scottie Royal - This Is All They Got

More beat tapes on my Bandcamp:

https://scottieroyal.bandcamp.com/

New Year, Same Me

https://www.facebook.com/ScottieRoyalMusic/

FACEBOOK

Blue (do do dooo do do) STBB 465 WINNER!

Mirrors 4Eighty4 srorriM (STBB 484 Co-Winner)

Get your tickets to our upcoming Beautiful Beyond Tour @ www.HippieSabotage.com

DRIFTER

Taken from the forthcoming 'Welcome To The Jungle Volume 4" EP this is a 2016 relick of Kursiva's massive track Aztec Spree.

Follow Kursiva
@kursivamusic
www.twitter.com/kursiva_music
www.facebook.com/kursivamusic

Follow Ninja Ninja
@NinjaNinja
www.ninjaninja.co.uk
www.twitter.com/ninjaninja
www.facebook.com/ninjaninja

Welcome to the Jungle Vol. 4 [Jungle Cakes]

More Music

PREMIERE: Kursiva - Aztec Spree Ft. Isaac Maya (2016 VIP Mix)

www.ScottieRoyal.com
www.facebook.com/ScottieRoyalMusic/
www.youtube.com/c/ScottieRoyal

Break week here at STBB. If you're feeling like and repost!
Break used: Lou Donaldson "Ode to Billy Joel"

Laid down some bass, keys, guitar. Chopped up the guitar from the sample and laid some filter effects on it with Guitar Rig 5.

https://www.facebook.com/ScottieRoyalMusic
youtube.com/c/ScottieRoyal

STBB 499

I'm Right Here is a sad vibe lofi beat with a lot of weight. I asked trumpetist Garot Michael Conklin to join me on this one. His beautiful (live recorded) horns add so much emotion to this already sentimental track.

I wrote this track for mom who is terminally ill. She propably doesn't have much longer to live. I have watched her suffer. Seen her and my family struggle. This is a process in which you are completely powerless. The only thing you can do is try to be there as much as you can.

That's what this track is about. Being there to support a struggling loved one through the process.

I'm Right Here

Spotify

I'm Right Here (feat. Garot Michael Conklin)

I haven't met you yet

The first collaboration project with producer/guitarplayer Broey. Most certainly not the last.

Find it on your favourite DSP: 
https://ffm.to/qp3wnj2

Bittersweet

Bittersweet (feat. Broey.)

fanlink

Thank you <3 The love is real. Please keep on <3

 - Releasing 11/08/2019 - OUT NOW!
----- https://d93audio.bandcamp.com/album/empress-lp -----

1. Reconcile
2. Empress
3. Center of One
4. Data Love
5. Lust
6. Chasing
7. Release
8. Summit
9. Embrace

Written, Mixed, Mastered, and Artwork by yours truly <3

Empress LP (Album Mix)

Buy Stream: https://LateNightTales.lnk.to/departure

Seeking a respite from the noise and clamour of New York City, Eric Phillips and some friends moved for a time out to a remote area on the Olympic peninsula. With no fixed plan in mind, this period of adventure and discovery spent in the beautiful Pacific Northwest gradually seeped into an organically evolving musical vision for Kennebec.  

In many ways, ‘Departure’ catalogues this time of his move out west. Eventually moving to Portland to find work as a teacher, film composer, and mentorship under Mark Orton (Nebraska, Tin Hat.) Kennebec’s producing of ‘Departure’ began in Spring 2017. It took two long years of patient, daily labour to complete the album, during which time influences such as Studio Ghibli soundtrack composer Joe Hisaishi, cult hip hop artist Nujabes as well as Australia’s Taylor Crawford and Tycho’s ambient electronica began to permeate the soundworld. On February 14th 2020, Night Time Stories, sister label of acclaimed Late Night Tales, will release his much anticipated debut album and Kennebec will become part of an internationally respected roster including Khraungbin, Leifur James and Ash Walker. 

He scored parts for classical guitar, ngoni, kalimba, bass, piano and Rhodes all of which he plays himself on ‘Departure’. Phillips began writing violin and viola parts for friend and collaborator Mirabai Peart (Joanna Newsom, Alela Diane, Ryan Francesconi), whose balkan inflections and beautiful tone became a defining sound of the record — and eventually tied the album together. All tracks on the album were mixed by Phillips. 

On ‘Departure’, organic beats and soaring string lines envelope the listener with a dreamful kind of optimism. New single ‘Seasons Change’ is a silky myriad of sounds, textures and techniques that melt against a backdrop of subtle electronics, while ‘Kalahari’ glistens with curiosity and adventure as magnetic strings meet with a mosaic of horns. Elsewhere, the melancholic and wistful moods of ‘Wellspring’ provide a moment of reflection before the warm, fuzzy, feel good grooves of ‘Quest’, embellished by flutes and sax, venture into more overt atmospherics and fluid modulations.

“Recording ‘Departure’ was an amazing learning experience for me as a producer, composer and musician. It was a concentrated period of time in my life that was fully dedicated to focusing in on my craft. To me, the songs sound like journal entries — they bring me back to those specific times and places, but I also write music in an active, intentional way to try and summon the better parts of myself day to day to come to life and fruition. I have to be doing something new and experimenting to be inspired musically and I also wanted the music to be evocative of that sense of discovery in an almost physical sense —  a sense of journey, motion and exploration of new spaces. The passing of time, setting out,” says Phillips. 

He adds, “I wanted to make something bold and ambitious that sounded fresh and different. I think I took a big swing with this album, and, while I feel it’s impossible to fully nail the vision and intention, I’m really proud of it and the sense of idealism, even if naive at times. Hopefully it’s just fun to listen to someone take a big swing like that.”

In addition to the Kennebec project, Phillips has enjoyed working on and composing the music for numerous feature films, shorts, national parks films, documentaries (including 2017’s National Geographic ‘From the Ashes’), advertisements and video games. Films Phillip’s has worked on have screened and are set to screen at the Toronto, Napa Valley and Big Sky film festivals as well as National Geographic and more.

Kennebec - Seasons Change

Taiyo To Yama

3rd single "My Girl" off of my album "Welcome Home". 

Now available for streaming on all services.

https://open.spotify.com/track/6TXeLPNseWzCnmCjgexEfE?si=ZmNeTbB8SPavDzSaqTvfiw

Blaze up.

-K

My Girl

We are a fresh label focusing on organic Downtempo/Electronica
We got it in Nature.

Management & Demos (Links): office@wegrowwax.com 
www.wegrowwax.com

Inspired by Hip Hop, Soul, Jazz, and Funk to name a few, the North Carolina based producer has been making music for over ten years. He primarily uses the Maschine blending his love of sampling and musicianship together to create new pieces. He is currently a member of We Grow Wax, an international collective of producers musicians.

Some Things I've Done:
-8X @StonesThrow Records Beat Battle Winner
-Chuck Inglish/Chromeo 'Legs' Remix Contest Runner Up
-DSB 16 & 17 Winner
-@tokyodawnrecords Top 10 Finalist in Pugs Atomz "Girl" Remix Contest
-One of sixteen contestants in 9th Wonder's Gladiator Beat Battle in 2011 (over 300 entries)
-Appeared alongside Grammy winner 9th Wonder and Khrysis on  Actual Proof’s "Still Hotter Than July"
-Knowledge Giving Birth Remix Contest Finalist
-iStandard Alumni

My Gear:
Maschine MKII
Komplete Kontrol S61
Technics 1210
Ibanez hollow body electric guitar
Ibanez electric bass
Too many VSTs
Too much Vinyl
  
My Long story:
In 2005 I came across a copy of FL Studio 4 and started making beats with no musical background, just armed with a laundry list of usual suspects for inspiration (Pete Rock, DJ Premier, 9th Wonder, etc.). Sampling primarily from great P2P programs like Kazaa and Bearshare, I moved on from downloading random MP3s and started chopping up records. After about a year of this, I felt a bit limited and wanted to explore other avenues, so I eventually started incorporating original instrumentation into my works. Along the way I began to rely more heavily on a broader list of musical influences from various genres. Within the realm of Hip Hop, some artists include The Roots, J Dilla, and 20Syl of Hocus Pocus. These three have had a very large influence on the sound that I present today, which primarily consists of original instrumentation, with traces of my earlier years of heavy sampling.

Scottie Royal - This Is All They Got

WeGrowWax Records

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