Fb/line/wechat:eespnnba
Mail:eespnnba@gmail.com

主唱兼節奏吉他手：陳瑋儒
主唱兼節奏吉他手：陳鈺羲
表演邀約：0975207840

Thank you  for listening to my music!
I'm a new composer from Taiwan, who love to  compose for theatre, film and TV very much. You are welcome to leave your opinions or suggestions!
Also if you have an interest in working with me  email me or contact me on Facebook!!
You are also welcome to follow me on Facebook or on YouTube channel!!

謝謝和歡迎來聽我的作品！我是一個配樂新秀，一直喜歡替劇場、電影、電視配樂。歡迎留下您寶貴的意見！也歡迎找我合作！
可以透過email聯絡！

EMAIL:kieazax@gmail.com

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

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