Zheng Tsung for prepared 21-string steel string Zheng(2018)
《錚鏦》給預置21絃鋼絃箏（2018）

2019三個人獨奏家系列－箏新視野II～郭岷勤箏獨奏會】
2019/01/04 19:45 
國家兩廳院演奏廳
策展/演出：郭岷勤 

演奏箏意味著什麼？更具體地提問，當演奏者將手放在樂器上，樂器與演奏者之間的關係是什麼？當然，箏充滿了無限的可能，而《錚鏦》是作曲家對「縮短演奏者與樂器之間的距離」這單一面向，所做的探索。把箏作為演奏者的延伸，而演奏者也成為箏的延伸，使演奏者的身體也成為箏共振的載體。雁柱左側的絃通常是作為亂奏區，在預置下改變了它的原聲，產出如鐘聲般的聲響；雁柱右側的絃則在定絃上做出呼應，產出另一種鐘聲。在這兩種不同聲音上的振動，使箏與演奏者成為一個無限共振的循環。

2019 3people Solo Concert Series - Zheng: New Horizon II - KUO Ming-chin solo Zheng Recital
2019/01/04 19:45 
Recital Hall at the National Theater and Concert Hall in Taiwan
Producer/Zheng: KUO Min-chin

What does it mean to play the Zheng? More specifically, when the performer puts hands on the instrument, what is the relationship between them? Of course, Zheng is full of infinite possibilities,
but in “Zheng Tsung” I am only interested in exploring the path of dissolving the distance between the performer and the instrument. The Zheng becomes an extension of the performer, the
performer also becomes an extension of the instrument, and further serves as the resonant body of the resonance. Normally the left side of the bridge is considered as an area of unspecified
pitches, however, under unique preparations, the sound is transformed into bell-like qualities; the strings on the right side are also tuned accordingly in order to echo similar bell-like
characteristics. The vibration of these two different sounds form a cycle of infinite resonance and reverberation with the body of the performer.

Zheng Tsung (2018) for prepared 21-string steel string Zheng

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Born in Taichung, Taiwan, now lives around the world...
ibmlizard@gmail.com

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz

Experimental -Aleatoric-Improvisation-Sonification-Data Bending-Computer Music-Science and Research 
Video Link :
https://www.youtube.com/@trampelfad
Bandcamp : 
https://trampelfad.bandcamp.com

https://maxelzholz.bandcamp.com

Drummer:

Caligula
Flacid House  
Larri and the Lepidopterists
DUCK 'N' THE BOYZ
The Equation of Time
Grumpy Bandersnatch
The Dark And Bloody Ground
Vulgar
ERIC 'N' THE BOYZ
Crack Rock
Gravity Shadow

Flacid House You Tube Channel:
https://www.youtube.com/channel/UC-ESn7w30nD3XyOCQBa5OAA

Caligula YouTube Channel 
https://www.youtube.com/@caligulacaligula1086

taiwanese sound artist 
IG: laichihsia
https://linktr.ee/laichihsia

all rights reserved © for all sounds published here

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

My music is written without the use of AI, though some of my older albums used jankier, older (pre-chatGPT) AI for album art.

Hope you enjoy and thanks for visiting!

Please help create this profile - follow, and if you find something interesting, like it or share it. We publish contemporary classical music in the broad sense. So all tricks are allowed: mainly classical instruments, but also synthesizers, prepared piano, musique concrète, sampling, background sounds... 

There are only three conditions:
1. The composition must be original, created by you.
2. You should follow us.
3. Your piece should be cool :-)

Please send all suggestions as private messages.

May the Muse be with you!


P.S. We don't publish historical music! Or epic distorted gaming music with the growing tension of the non-melodic noise of the strings and brass section, with roaring viking choirs and the great timpani kabum at the end...

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

Zheng Tsung (2018) for prepared 21-string steel string Zheng

Wei-Chieh Lin