Howdy folks!
 
Simon here, your friendly neighborhood Gridrocker. I’m an Australian, living in Qatar with a HQ in Poland.
 
I love my Synthwave, I love my Hard House, I love my Hard Trance and I love my Metal. And you’ll find, I end up mixing them all together along the way. 
 
I’ve been producing music and playing rhythm guitar since High School, and on and off DJ’ing along the way. 
 
I use FL Studio for music production and recording, and I use a Denon Prime 4 for mixing.
 
I will be slowly remixing/remastering all my back catalog, and producing new music when I can. 
 
I hope you like my music, and maybe catch you live one day.

Charles S. Kuzmanovic, under the moniker "Fake Plastic Heads," crafts sonic landscapes from his studio nestled in a small town near Munich, Germany. Drawing inspiration from the electronic realm, Kuzmanovic's music is an exploration of experimental sounds infused with elements of noise, glitch, and IDM.

The name "Fake Plastic Heads" requires no elucidation, resonating universally with those who have encountered the veneer of falseness in human interactions. It serves as a poignant reminder of the pervasive presence of inauthenticity in our lives, urging listeners to confront the facades that surround them.

At the heart of Kuzmanovic's work lies a commitment to translating the depths of inner emotion into tangible, abstract forms that linger in the minds of his audience. Eschewing fleeting trends, each composition and album embarks on a journey that demands patience and introspection, offering a respite from the ephemeral nature of modern media consumption.

With a cinematic approach, Kuzmanovic constructs audio-visual worlds that invite listeners to immerse themselves fully in his dark, industrial soundscapes. Within these realms, intricate structures of sound and noise intertwine, creating a tapestry that reflects the complexities of the human psyche.

"Fake Plastic Heads" represents more than just music; it is an artistic endeavor aimed at alleviating the burdens of suffering and exploring the enigmatic recesses of human consciousness. Through his work, Kuzmanovic seeks to transcend the mundane and delve into the abstract, inviting listeners to embark on a transformative journey of self-discovery and reflection.

#kiyozumiprimes  #indie #alternative #industrial #core #trap #shoegazer #post-grunge #post-hardcore #metalcore #metal #nu-metalcore
https://x.com/kiyozumiprimes

KIYOZUMIPRIMES

No one truly knows what stands behind this name. Some say it was found in an old archive where every record looked scorched from the inside. Others claim it’s a cipher, a mark left on things that were never meant to make a sound. Its first appearance happened at night - not on air, not online, but somewhere in the in-between. People reported hearing a strange rhythm where it couldn’t exist: inside the hum of ventilation, in the overload of a dying transformer, in the static between stations. The sound felt alive, as if something was trying to break through, but doing it carefully. Everyone who encountered the phenomenon describes the same thing: the melody seemed human… yet something else stood behind it. Cold. Breathing. Too close. And the strangest part - it never repeated itself. As if the source reacted to the listener, adjusted itself, whispered in rhythm with their own fears. Later, some began to insist that KIYOZUMIPRIMES is not a band, not a project, but an echo - a remnant of someone’s will stuck between states. Sometimes it manifests as music, sometimes as interference, sometimes as a voice with no body. But the most important thing is this: no one has ever seen the ones behind it. Not once. And still, the sound keeps appearing - clinging to devices, to empty rooms, to silence. They say that if you hear it once - it hears you back.

Followers of Weirdoism