As always, feel free to add something or alter it
Artwork: https://journalofanobody.tumblr.com/post/183466208747

Who Is In Charge, But I Dont Know Who

Glacis is London-based Scottish composer Euan Millar-McMeeken, who some may recall from his previous collaboration work on Whitelabrecs including ‘Nothing Hurts Forever’ with Gavin Miller and as one half of Dead Bell, alongside The Green Kingdom. Euan also records as Civic Hall with Craig Tattersall and as Gallowglas alongside Johan G Winther. His most recent work 'Distances' with Adrian Lane was released on vinyl via Oscarson.

As a frequent collaborator, it is fitting that Euan’s debut for Whitelabrecs is in fact further partnered music in the form of ‘Interpretations’. He invited 11 artists to adapt, distort and deconstruct a collection of his original compositions, realising these into an album in its own right. Interpretations are not simply remixes. Euan explains that he’s never really liked the term ‘remix’ as it simplifies the process of working with original material. He never intended for this record to be a remix record and now it is complete, this feeling remains.

Euan aimed high in curating his artists, enlisting the likes of Tape Loop Orchestra, the Humble Bee, C.Diab and Satomimage and placing them alongside friends and regular collaborators including The Green Kingdom, Simon McCorry and Adrian Lane.

The tracks contained on Interpretations are all careful sonic studies of the original work that respond and react in different ways. Some of the pieces contain moments of the original pieces, some are unrecognisable, all are fascinating examinations. A rebirth, of a kind, from the original idea. Through these interpretations, the tracks are given new meaning and new life. Remarkably, this hour of music stands together as an album experience, despite the variety of the line-up and each artist’s approach to composition.

interpretations

wlr142 glacis - interpretations

Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries.

Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times "liquid" and postproduced, at times raw and direct, at times acoustic and at other times oddly electronic (even while still being made with acoustic instruments). Post Koma is a culmination of this sonic study by Eldh, resulting in a music vision that never second-guesses throwing tasty hooks and everlasting melodies out the window after a mere bite of them. But fear not: there are even more new ideas just around the corner.

Eldh's compositions and ideas merge together in a way that just flows. There are quality musicians in the mix, including Koma Saxo live band members Sofia Jernberg, Jonas Kullhammar, Otis Sandsjö, Mikko Innanen, Maciej Obara and Christian Lillinger, but that's like saying that a cake includes flour and sugar. This music is not about playing, it's essentially about how the music is and how it takes its shape, so you quickly lose track of who did what, and that's all in the benefit of encountering this music as an entity that is constantly challenging itself while moving forward. The musicians are valued contributors, and an integral part of what's here, but this is far from traditional jazz playing where a band sits in a room playing takes after takes of compositions on sheet.

That being said, this is jazz to the fullest. That is, music that understands its past but always moves forward, and is never afraid of taking risks. Petter Eldh uses jazz as a starting point, not the end goal. This gives his music edge and mobility beyond what can be contained on one album. In a way, an album, then, becomes a snapshot of a creative process in constant flux and evolution.

Opening track "Koma" is literally drum & bass. It only consists of those two elements, yet what comes out of it is an open invite, a way of clearing your palette. It would be useless to describe individual tracks beyond that, but there's a strong sense of deliverance to the set. It feels like an ending, and also like a new beginning.

Poly Amok

Henrik Meierkord is a cellist, artist and composer from Helsingborg, Sweden who currently lives in Stockholm. He returns to Whitelabrecs following his ‘Cello Improvisations’ EP (2023) and the collaborative album ‘Inseln’ with Logic Moon (2022). He has also previously released music on labels such as Ambientologist, Audiobulb, Projekt records, Ella ruth Institutet and Subcontinental Records. Henrik began playing cello aged of 12, progressing to play in classical orchestras, onto performing in bands and then creating his own music. He has also collaborated and performed for artists such as Ossler, Pawel Kobak, Marco Lucchi, Meipr, Sole and Strulgattu.

Typically Henrik’s approach to composition tends to begin with the cello, before further layers of strings are added, such as double bass or violin. But often, he will create music intuitively and free from set rules; sometimes a piece of music can be started with a synthesiser or piano, or written purely as an experiment. In this album entitled ‘Proscenium’, Henrik gathered a collection of instinctive compositions, inspired by nostalgia and a longing for a different world. Fragile piano, emotive strings and earthy cello weave out dream-like sequences, expressing hard-to-recall bitter-sweet experiences.

The album was recorded in Henrik’s Soundbread  studio in Stockholm, including a West German cello from the seventies, a double bass and a violin belonging to his son. Whilst over a long period of time he’d gathered together numerous pieces of music, there is a thematic vibe present within these chosen tracks. ‘Proscenium’ is the view the audience have when watching an Ancient Greek theatre performance, or indeed the location from which the actors carry out their performance. Henrik felt drawn to a loose theme of Ancient Greek theatrical culture for the concept, and the artwork and track titles give listeners something in which to meditate, or a scene in which to place themselves if they wish. There is however no specific play or plot in mind. It could in fact be numerous stories collected together as many overlapping emotions, played back all at once, as if recalling centuries of moments emitted from a theatre stage.

Credits:
Written and Produced by Henrik Meierkord
Mastered by James Edward Armstrong
Imagery by Harry Towell
Art and Design by Andrew Heath

Proscenium

wlr154 Henrik Meierkord - Proscenium

My Way

Acupuncture

Letra(LYRICS): Cada día

Cada día recuerdo tu nombre y solo pienso, yo solo quiero
Todo el tiempo recuerdo tus ojos y solo quiero llegar al lugar
Donde estarás y no mirar más hacia atrás

Todo el tiempo viajamos sin rumbo y cada día cruzamos el mar
Solo queda un puente al final para seguir
Tus sueños y más en cada ciudad
En cada momento, cada noche, pensando en ti

Tu y yo en cada momento
Corremos en busca de la vida para ser libres

Cada día, todo el tiempo, vamos juntos
A tus sueños
Cada día, todo el tiempo, vamos juntos
Por el mundo
Cada día, todo el tiempo, vamos juntos
A tus sueños
Cada día, todo el tiempo, vamos juntos
Por el mundo.

Nuevo sencillo 'Cada día' próximamente en plataformas!
NEW SINGLE "Cada día" Coming soon everywhere!

Original Photography by Mark Knight, under free license content/Pixabay

Cada día

The work by an up-and-coming producer who made his major debut with Nippon Columbia's album "Mystic Islands Dub" in November 2023, exploring the possibilities of Okinawan folk songs and dub!

He gained attention with his work ``Shima DUB'' (2013), which was based on an old song from his roots in Ryukyu, and has released two 7-inch works to date, ``Oshima Yango-bushi'' and ``Sulukill Kuichar.'' The album “Mystic Islands Dub” was also completed immediately. Harikuyamaku is currently one of the most popular dub producers and is highly trusted as an engineer for Okinawa-based artists such as Yukino Inamine and Ododoafrobeat. This album contains 5 psychedelic to trancey dance tracks that are truly ``kachashi (stirring)'', where high-speed swirling sanshin meets deep electronic & dub.

artwork by sandpaint OCEANO

Buy 12" or WAV

B1.サングルロ Thungururo

Night Walk

Starting with the illegal UN vote to partition Palestine in 1947, this second episode in a series goes over the colonial, racist history of the zionist project up until the 1967 Six-Day War. Listen to the first one on Apple, Spotify, or anywhere you get your podcasts. This was recorded April 26, 2024.

Brian is joined by Richard Becker, the author of the newly updated book, "Palestine, Israel, and U.S. Empire," published by 1804 Books.

Please make an urgently-needed contribution to The Socialist Program by joining our Patreon community at patreon.com/thesocialistprogram. We rely on the generous support of our listeners to keep bringing you consistent, high-quality shows. All Patreon donors of $5 a month or more are invited to join the monthly Q&A seminar with Brian.

The Colonial Roots of Zionism: Palestine, Israel, and the U.S. Empire Part 2: 1947-1967

Liquid Drum & Bass 4 Autism presents:

Pioneers, Legends & Icons of Liquid Drum & Bass Music

Like fine wine that improves in flavor and increases in value over time, this unprecedented musical release featuring 30-year pioneer drum & bass producer Big Bud teamed up with the legendary Furney  and drum & bass icon DJ A sides , will last the tests of time as not only a classic but as one of the most memorable drum & bass compilation albums of its time.

Fittingly and in remarkably similar spirit, the beloved drum & bass MC and lyricist Tali makes a musical appearance in a cross collaboration with A Sides with her smash hit “Rise To The Top”.

So, put on your most comfortable dancing shoes, open that bottle of fine wine you’ve been saving, set the EQ/bass levels to your liking, click play and enjoy this musical masterpiece.

LTJ BUKEM: "Wicked tunes"

Jay Cappo a.k.a. DJ Stunna - "Another great album of refined DNB"
#dnb #drumandbass

Pioneers, Legends & Icons

Furney - Fantastic Passion (Preview)

Label from Helsinki. http://wejazzrecords.bandcamp.com

Poly Amok

We Jazz

Related tracks