thank god someone finally posted this on here 😭

Vibes

(Giveaway) Keep On Walking

https://cosmicleaf.gr/releases/620/once-upon-a-time
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Side Liner - Esoteric Peace

in the depth of the starhead

Pure (A Lazy Afternoon)

Day Spa Studios Vol. 1 (Side A)

Playing with Dilla's beats is just another way for me to practice and improvise, guess I'm not the only one doing that.
 
There's no losin' game when playin' with Love 
that's what I've learned from you, Dilla.
 
Blessing

1. What's up (Detroit 98)
2. I believe in a love Supreme (Let me be the one)
3. What a color (Colors of you)

Art Work by J.Lamotta Suzume

About Love #1 (Dilla Tribute)

04.HER HANDS Feat. Allysha Joy - SO.Crates

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

http://funkit.virose.net/?p=1804

D'angelo - Joe Texan (Voodoo Outtakes & Rehearsals)


D'angelo - Joe Texan (Voodoo Outtakes & Rehearsals)

D'Angelo - Go Back 2 That Thing

Yussef Dayes/Mansur Brown & Charlotte Dos Santos - Red Clay LIVE

Yussef Dayes X Alfa Mist - Love Is The Message (Live @ Abbey Road) Ft.Mansur Brown  Rocco Palladino

Alfa Mist x Yussef Dayes Live at Red Bull Studios London

ARTIST : Christoph El Truento
TITLE    : Sunflower 
LABEL  : WONDERFUL NOISE
Cat #   : WN12027  
format : 7inch Vinyl（40g vinyl w/Sleeve）
Available Now / 発売中

Track List 
side A 
1) Sunflower
Music by Christoph El Truento,Horns by Isaac Aesili,Additional Guitar by Si-Res,
Additional Drums by Julien Dyne,Additional Vocals by Christoph & Waiata

side B 
1) Insect
Music by Christoph El Truento,Vocals by Groeni

B2) Birds
Music by Christoph El Truento,Vocals by Groeni,Sax by Adam Page

all songs produced by Christoph El Truento
Mastered by Benny Tones (Organik Muzik Workz/ www.organikmuzikworkz.co.nz )
Artwork by FJD (藤田二郎/ www.fjd.jp ) 

昨年リリースしたデビューシングル「EP01」は、ここ日本を経由しヨーロッパ各地のビートシーンでも話題となり、瞬く間にその名前を知らしめたニュージーランドの若きビートメーカー／プロデューサー＜クリストフ・エル・トルエント＞、注目のセカンド・シングルはなんと、「ジャズ」。黒人音楽や実験音楽、電子音楽、ブラジル音楽の影響をつよく受け、彼が持つ音楽的な豊かさとヴィジョンがビートミュージックという枠を超え、これまでどのビートメイカーも思い描かなかった圧倒的な世界へと導く本作。現在のビートシーンが突入した新次元の表現のあり方を象徴的にあらわした作品と言えだろう。参加ミュージシャンにはニュージーランドのビートシーンの旗手、ジュリアン・ダインがドラムスにホーンにはFunkommunityとして活動するIsaac AesiliのWNアーティストが全面強力バックアップ、予想を遙かに越えたビートメーカーが描く現代進行形の「ジャズ」、絶対聴き逃すな！ アートワークはNujabesをはじめとするHydeout関連のジャケットも手掛ける、FJD（藤田二郎）による本作をイメージした幻想的で美しい世界観を描いたデザインを採用。

● Christoph El Truentoプロフィール
クリストフ・エル・トルエント（Christoph El Truento）はニュージーランドのオークランド出身の音楽プロデューサー、DJ。おもにビートミュージックを手がけるが、ジャズやエレクトロ・ミュージックの影響をつよく受けており、強い重低音と特異なリズム、ときにはミニマルなビートを作り出すのが特徴的である。デビューEPはグルーブマン・スポットなどの国内トップ・プロデューサー達も注目しカルト・ヒットした。近く発表するアルバムではSUN RA、Alice Coltraneなどにインスパイアーされ実験音楽〜エレクトロミュージック〜ジャズへと消化しビートミュージックを超越したアルバム「What We Used To Know」をリリース予定。

Christoph El Truento - Sunflower (WN12027) [7"]

Vox - Saara Maria
Trumpet - Nick Bianchini
Produced by Jonah Christian

Alfa Mist x Yussef Dayes Live at Red Bull Studios London

anima

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