'Return To Innocence' is our imprint of the recent period with the help of our friends from all over the world. A story with which we look to the future with hope.

'Closed For Subsidence' with its damaged melody and throbbing bassline evokes the loneliness and darkness we’ve all experienced at some time over the past year, but we feel that Jeigo dripped a little hope for us into the song as well. 

out on @this-is-our-time
@jeigomusic

Return To Innocence [TIOT-DIGI3]

PREMIÈRE: Jeigo - Closed For Subsidence

Preorder Vinyl & Digital via Bandcamp:
bit.ly/3q2T60D

One Eye Witness:
bit.ly/3pYYbXT

Out 03.12.2021

Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.

“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.

One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.

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Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene.

Sansibar - Aurora Eclipse (Forthcoming on Sans Musique LP on 03/12/2021)

Iss008

Stoat

TIME digital available now!
https://mnlth.bandcamp.com/album/time-2

MNLTH - Time EP 12"

A1 Time
A2 Headlight
B1 My Rush chords
B2 Harrier 2
B3 Spwint (eeytoEatemix)
5 songs, 26:20 total time
WeMe Records Belgium

Release: 02/02/15



01_MNLTH _Time_WeMe029_MP3

Special limited ( Cool blue vinyl !  only on this website!)
https://wemerecords.com

WeMe090 Binary Digit "Balearic Acid Protocol" B2 Bongoz

BUY: https://orcd.co/cwpt011r1

CWPT are proud to reissue Acopia’s self-titled sophomore album, available on vinyl outside of Australia for the first time, and accompanied by two powerful new digital remixes from Daniel Avery and JD Twitch of Optimo.

Based in Melbourne/Naarm, Acopia’s music is a careful control of tension and release, sparseness and warmth, momentum, and space. Across ten tracks, the band’s three members move across post-punk lamentation, shoegazing DnB, smoldering trip hop and subdued electronic pop, as they carve out their own hazy world of romanticism and restraint.

Leaning deep into the heavier palette of his celebrated sound, Daniel Avery transforms the skeletal intimacy of ‘Be Enough’ into skittering, hardcore-indebted, warehouse material. Already established as a breathless highlight of his recent DJ sets, lead singer Kate Durman’s gossamer vocal is layered into a feverish dream state, holding strong beneath an onslaught of kicks and atop powerful bass weight.

JD Twitch conjures his extensive knowledge of brooding outsider music throughout a rich, lucid dub of ‘Holding On’. Coaxing out the band’s gothic undertones, Twitch pulls away a billowing sheet to reveal layers of guitar feedback that recall the resplendent gloom of This Mortal Coil or Sunn O))).