some carols played on my Roland Gaia with my Boss drum machine guaranteed to annoy everybody for Christmas
note to ScifiFunk PLEASE do not listen to this horrid track, did not put up for you (redface)



WendyXmas

With ‘No Further Than the Present’ it was Adrian’s intention to take the music further into the realm of ambient music than he had explored before. In this album the synthesizer is more prominent, including the use of the 1978 Jen Synthetone SX1000 which he has had since he was 16 years old. However, each piece also has strong neo-classical elements with melancholic contrapuntal strings appearing in most tracks.

Adrian Lane (UK)
adrianlane.bandcamp.com

Adrian Lane produces quiet, intimate neo-classical music that explores sounds from acoustic sources, mixed with electronic but organic sounding ones. The music feels acoustic, and employs a combination of age-old instruments (piano, violin, alto and baritone bowed psalteries, acoustic guitar, banjo, zither, glockenspiel) mixed with synthesizers and virtual instruments and constructed in a way that could only be achieved with modern technology. Adrian likes to tread the line between the real and the synthetic so that it is difficult for the listener to discern which is which.

Adrian Lane has released 10 albums to date, on the labels; Whitelabrecs, Hibernate Recordings and Preserved Sound, and each album focuses on a different palette of sounds. Some albums are largely piano based, and others focusing more on stringed instruments.

All tracks composed and performed by Adrian Lane
Mastering by Dionis Afonichev (Dionisaf)
Photo by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

www.chitrarecords.com

No Further Than The Present

Adrian Lane - And Tapers Burned

Frédéric D. Oberland (FR — ZamZamRec, IIKKI, NAHAL Recordings)

Des océans opaques, des cieux déguisés de nuées, des continents qui se cherchent : c’est à la surface de cette anatomie de la durée que pérégrine Frédéric D. Oberland, depuis la jeunesse, les groupes et les rêves, au travers de pratiques multi-instrumentistes farouchement autodidactes, vers la litanie pulvérulente du monde.

" Dans les vents solaires qui disperseront la poussière de vos précédentes incarnations, vous reconnaîtrez la clameur. "

« Solstices » est le quatrième opus solo de l’artiste, lui-même en circulation entre les groupes qu’il a cofondés : Oiseaux-Tempête, FOUDRE ! Le Réveil Des Tropiques, FareWell Poetry.

Tape / CD / Digital OUT March 3rd, 2023
Pre-order now via bandcamp > https://zamzamrec.bandcamp.com/album/solstices

Frédéric D. Oberland - Panspermia Pneuma

Headspace [I] - Mixed by Alphaxone - (2015)

Thin Layers

Music written, recorded and produced by Hotel Neon (www.hotelneonmusic.com).
Additional textures and arrangement on "4:10 AM" by Takahiro Yorifuji (www.hakobunemusic.jp).
Vocals on "6:59 AM" and "8:30 AM" by Lacey Tasselmyer.
Mixing and additional production by Matthew Kidd (www.slowmeadow.com).
Mastering by Taylor Deupree (www.12kmastering.com).

4:10 AM (ft. Hakobune)

Part of "Whisper of rain (album) '18"
BandCamp: https://svsh.bandcamp.com/album/whisper-of-rain-album-18

BandCamp

Prostotak

opening track from forthcoming album "7 Sjæle".
release date 11. October 2019
limited vinyl release

7 Sjæle

øjeRum - Første Sjæl

"Adnasjur" - large wave or waves, coming off a succession of lesser ones

Music by Hammock
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Hammock - Adnasjur

A remix of my track Aurora which was officially released on Whitelabrecs

WendyXmas

wendyvainity

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