very enigmatic soundscape, excellent instrumentation

Speed Kills...& then...& then...& then...& then...& than...& then...& then...& then...& then...& th

Hi and welcome to the 2nd track from my new project "Then She Reaches For The Gun". Firstly I wanna say BIG BIG thanks to all the people around the world that have sent me files to be part of this ongoing fun… I am currently working on track 3 and all the recent recruits will feature in that.

 “All Roads Lead To the Carpark” was finished before the callout so it’s line up is the same bunch of crazy talent as track One except for Carolyn Wigston stepping down from vocals and the formidable Paolo D’Emilio taking her place with a little rant in Italian and English about speaking in Italian and English : ) Neska Wigston is also having a rest from barking duties : )

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it” a chance to work with an never ending stream of talented musicians that i have known for years either in real life Australia or via the Internet. Each track will no doubt change depending on who has sent me what. 

All Roads Lead To the Carpark features 

Paolo D’Emilio (Italy) - Vocals
Dane Renshaw ( Australia/Japan) - Drums
Primaloops (Australia) - Drums/Percussion
Frank Wilke (Germany) - Trumpet
Paul Miller(U.S.A) - Keyboards
Dani Kirby (Australia) - Piano
Juan A Miñana (Canary Islands) - Electronics
Phil Bywater - Tenor Sax
Glenn Ward - Guitar
Me - Bass Guitar/Noise/arrangement

If you would like to be part of this…….

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc. Cheers!

All Roads Lead To The Carpark

by chicago_word_brigade based on Funking Duck's "Complicated Thoughts"

Check out Funking Duck @ https://soundcloud.com/funking-duck

Involved Undercurrents - Funking Duck & chicago_word_brigade collaboration

Driven

Erosion

This is musically and technically the most-difficulty piece I've ever done. I hope it was worth it.
:00:00 - 67.00 bpm
:04:10 - 47.50 bpm
:08:15 - 53.00 bpm
:10:17 - 58.00 bpm
:11:32 - 38.00 bpm
:15:13 - 60.00 bpm
:17:13 - 68.00 bpm
:19:49 - 44.00 bpm
:22:04 - 67.00 bpm

City Of Broken Glass

2nd track from Grundomma 
Grundomma is myself and my brother Glenn Ward. It's been a few years since we actively made music together...but now seems like a good a time as any. We live a few 1000 kms apart across Australia so this a file swapping exercise. Bongo features Glenn on rhythm programming, synths and sampling, bass and yours truly on Piano/keys. The track features samples from the 1970s/80s cult Australian Tv show Prisoner  (released in the UK and USA as Prisoner: Cell Block H)  that ended up playing in repeat on late night Tv for decades afterwards. My brother even owns the DVD box set Thanks as always for stopping by. Grundomma salutes you : )

Bongo!

a little grab from a recent gig in our home town of Hobart

Live@The Founders Room Kirby/Ward

Stuey Valentoni  (https://soundcloud.com/stueyvalentoni)  gave me the great opportunity to mix his "Transmit" with my track "Lost and Found". Here´s the result.... I hope you enjoy it.If you´ld like to listen to Transmit, here is the link:
https://soundcloud.com/stueyvalentoni/transmit
Many greatful thanks to you, Stuey.
P.s.: i mixed it with headphones. May be you´ll get the best impressions using some (good ) cans,too.

Transmit / Lost And Found (Collab with Stuey Valentoni)

UVI Meteor - Swell and Impact Designer 
www.uvi.net/meteor.html

Produce epic swells, dynamic crescendos, thunderous impacts, emotive orchestral gestures and dramatic backdrops with Meteor. A powerful sound design tool outfitting 7 sample layers with in-depth controls and a massive collection of sounds from field recordings and effects to exclusive orchestral sessions, all available in an intuitive and inspiring user interface.

Transmit / Lost And Found (Collab with Stuey Valentoni)

Wespen

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