Westbrook are Rich and Rachael, an uncle/niece duo from Melbourne. Rachael writes songs about murderous housewives, mental breakdowns and awkward social situations. Rich transforms them into the beautifully layered compositions you hear here.

Spike Fuck is inspired primarily by love and obsession, addiction, sexual disorientation, Catholic guilt and washed up 60s musicians who make overproduced comeback albums a decade later crying out for redemption and a maybe even just little bit of the limelight back. Spike Fuck describes her music and attitude as a whole (for the sake of classification and utility) as “smackwave” - a blend of late 80s new wave and late 70s post-punk, a dash of country music/singer-songwriter sensibilities delivered in Las Vegas Ballroom karaoke vocal style. Currently working on her first full-length project, she describes her sound as  “country music uncovered in an archived .zip file somewhere on the Deep Dark Web.” But above all else - in the post-smackwave era Spike - lies at its heart a story of redemption, forgiveness and the ability to transcend pain through singing and dancing about it.

SERF is the nom de guerre of Rory Maxwell, a Naarm (Melbourne, Australia) based multi-instrumentalist. Sonically planted somewhere on the spectrum between 80s counter culture and cheesy pop tunes, Rory pays feeble homage to his post-punk and indie heroes of days past. His second album 'The Dunes You Wander In' is out on Bandcamp now!

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