More at https://briffaut.bandcamp.com/
Briffaut is an electrified force bent on sharing the philosophy of feeling through music to the world of one's and two's who share their ears with their souls. 
Don't forget to listen to music! It is medicine.

Colorado based Song-Writer, Daniel James Eaton fronts this emotional and engaging wave of think-piece Psychedelia aided by Alex Koshak.

John Artise aka,"Spacetunes," is from New York City, the birth place of Hip Hop. Spacetunes has left an indelible impression on the internet scene ever since his entrance through the Akai IMPC/Retronyms platform in 2013. His dynamic production skills have certainly enabled him to become an infinite force in the world of Hip Hop. He has gained a great deal of respect beyond the realm of urban hip hop music, Spacetunes, whose musical inspirations transcend ethnic lines, has also been requested by a wide variety of artists whose talent identically knows no boundaries, from hip hop rap duo,"CAMP LO," to the ever so soulful R&B singer, "NELSON," from Badboy Records. Spacetunes, aquired recognition because of his infinite ability to create multi-dimensional music. In addition, he even managed to also land a license agreement deal with a company called," 3 Point Production," who was then a subsidiary of ESPN which allowed him to frequently produce instrumental jingles for the syndication on a weekly basis. Most of the tracks were utilized for shows such as: The Life, Sports Century, and host of other affiliated shows with the network. He later produced a hip hop track, and co-directed a music video music for a talented, underground reggae artist named,"JAHMALI." In addition, he helped another reggae artist named, "BLAKA NICE."  with the filming of a music video. Spacetunes is undeniably a super talented Hip-Hop producer with melodic mosaics that will definitely help reshape the way we all listen to music. 

Disclaimer: All songs have been independently created by John Artise AKA,"Space-tunes." The majority of songs on soundcloud were made with the iMPC app for promotional purposes only whenever advertised on www.soundcloud.com/space-tunes. None of these songs have been mastered, engineered, registered or even hold any sort of copy right permission. No copyrights have been violated because none of these songs that contain extrapolations are being offered for sale or have been released. In addition, some songs may be interpreted as offensive or derogatory by some groups. It is not the creators intention to offend anyone herein deliberately as these songs were created solely for entertainment purposes only. Listening discretion is advised as some of these songs may contain explicit language, and most of these songs may not be suitable for a younger audience. I will not be held liable or accountable for any misunderstandings regarding the content within some of these songs. These works are strictly for entertainment purposes only and are in no shape of form a reflection, and or extension of my reality or life experiences at all. I am also not affiliated, and hold no claim to being associated, and or under contract with Akai or retronyms at all.

The Psych Apocalypse - A weekly show broadcast live to the world every Wednesday 7 till 9pm from the heart of Manchester City Centre (UK) exclusively on http://www.fabradiointernational.com 

A platform for past, present and future sounds across the Psychedelic Rock, Blues, Electro, Acoustic and Dark Underground Musical Multi-Verse. Featuring special guests, deep talk and subject matter you won’t find covered in the Mainstream. The Psych Apocalypse is upon us, Tune in and Zone Out as we soundtrack our way back to the Vibration Station at the centre of the Sun!

Hosted by Musician and Producer, Mike Bee, best known for fronting Psychedelic band 'The Phoenix Experiment' and driving force of legendary Warrington band 'The 66'. 

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.

The intergalactic transmissions have faded but the machines are still alive.

Fantastic Light Machine is following