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"Only in the rupture reconstruction can occur" 
 
 
Hinan is an electronic project born in 2021 between the influences of genres such as techno, synthwave, and electro that seeks to remind people of the constant internal process of reconstruction in order to improve day by day. 
 
Linked to this is the Japanese culture, especially the ancient art of kintsugi, the art of delicate reconstruction through gold representing the metaphor that life is not perfect but it is beautiful if you make the decision to see it that way. 
 
Jonnathan Díaz the person behind the project with more than 7 years of 
experience as a DJ and producer as well as more than 2 years as an instructor. 

 
Hinan in Japanese means refuge, the banner of this DJ and producer to give his demons a suitable place on stage and accompany whoever allows it in their own process of discovering their inner voice and healing their wounds.

Do we ever stop feeling lost?

Lost in Light is a project that seeks to make us look back on those precious moments in our lives that have forged us for a chance to hug them once again.

Every journey has its darkness, there is fear and pain, then there's light, there's hope and there's peace.

Sometimes they go out as if they have been blown away until something or someone relights them with their spark.

“Whenever I look at them, I feel like I am gazing at a distant star so bright I get lost in light.”

Officially born in 2022 but conceived back in 2017 the project finds its roots on artists like Tiesto, Rodriguez Jr, Depeche Mode & Jody Wisternoff, music he took as shelter that his father introduced to him before passing away in a road accident in his teenage years.

Behind the project we find Alejandro De Ita, the man behind “The Second Wave” who has earned supports from artists like Umek & Paco Osuna, showing us the complexity of humankind and duality, in his own words:

“Those who don't feel lost never find themselves.”

Digital Record Labels 
@Moombahtoncentral & @EdmDisruption Send your demos → info@moombahtoncentral.com...  
Please only send original and unreleased material, 
Don't send track for "repost" to that email Fail to comply will get you black listed !!!

Moombahton Central accepts and publishes only author's original tracks and official remixes in the following music genres: Moombahton, afro, hybrid Moombah. Your tracks can be sent to moombahtoncentral@gmail.com  specifying the name (nickname) of the author, the title of the track and the musical genre, as well as the contact information. 
If we like your music and decide to publish it, we will contact you.

MANDATORY CONDITIONS FOR OFFICIAL RELEASE!
1. Send your demo tracks only in the form of a private link SoundCloud.

2. We consider only complete songs, Send your demo tracks entirely.

3. You must send original tracks and official remixes.

4. Official release the tracks must not be subscribed to any other record label, as well as being previously published. It is also prohibited to post it for free downloading in social networks and in any Internet resources.

5. You must have the copyright to your tracks and official remixes. The tracks and remixes must be completely yours, from the idea to the technical performance.

6. Be sure to specify the author's name and track title, the music genre, your contact information, as well as the date of creation of the track or the remix.

7. To send us your track at the initial stage of listening, it is enough to provide a private link SoundCloud, MP3, 320 kbps.

8. if we decide you track has what we are looking for we will inform you of a potential release on our labels, please keep in mind that the process of release of your music in the online stores can take up to 4 weeks. Do not expect your release to be ready within a week.

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*** THE FUTURE Of Bass Music ***

Send us your music (private sc link) 

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|| Theremista/DJ/Productor || Terror || México ||

💽 DJ | Productor
🇲🇽 Méxicano
⚡ Música Electrónica
🎵 Escucha mi nueva canción #Waiting ⬇️
linktr.ee/jay_ancor

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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