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Melobeatium

Deep Sensation - Part 1

DOWNTEMPO / BREAKBEAT / INSTRUMENTAL / BEATMAKER / TRIP HOP / NU JAZZ / AMBIENT / ELECTRONICA / IDM

2016 Compilation

Out Of The Game

Tikken

9091FM

Weval - Detian

Subtlety is not the first word used in connection with most DJs, but there is much more the métier of Germany's Gregor Tresher than simply playing records, as Lights From The Inside attests. In fact, after he completed pre-production on his third full-length, Tresher actually stepped away from the decks for six weeks to clear his head. "DJing is my first profession," he admits. "It's what I love to do and what I have been doing for almost twenty years now, even before before I started to write my own music." In the past two years, the producer of 2008's best-selling Techno track on Beatport ("A Thousand Nights") has aspired to make music he would want to play out. "But for this record, I had the feeling that this shouldn't be my priority." While Lights From The Inside features several songs sure to find favor with Tresher's nightclub colleagues—"Frontline," "Breaking Routines," the giddy "As Days Go By" (recently issued as a single on Josh Wink's Ovum label)—this twelve-song odyssey operates on multiple levels.

Just as a painting or photograph appears to move if one stares at it long enough, with close listening the stratified grooves and melodies assembled on Lights From The Inside reveal an organic universe of shifting sound. Meticulous attention to the latter element—melody—was of utmost concern to the Frankfurt resident. Not obvious, eight-bar earworms that would quickly exhaust their welcome, but musical lines that could repeat and intertwine in different patterns, "melodies that are more subtle and develop as you're listening." In this regard, Lights From The Inside harks back to Tresher's earlier releases, even as his aesthetic continues to evolve in new directions.

Tone color was also a key consideration. "Most of the music was written in two months, but finding the perfect sounds and putting them together took much longer." Listen to the interplay of slow-moving tones and twinkling sounds on the title track, or how muted snare hits reverberate against the chilly lower registers of "Leaving." It's no coincidence that the almost-tactile crackles, clanks and pops animating the whole album sometimes recall Depeche Mode's Construction Time Again; the 35 year-old producer cites that 1984 classic as a longtime inspiration, alongside work by other electro-pop iconoclasts from that era.

The album's play of light against darkness and its pervasive mood of melancholy, both underscored by its title, betray a more specific influence on Tresher's latest offering: The Cure's Disintegration. As on that 1989 landmark, he aspired to create an all-encompassing sense of atmosphere, as well as a comprehensive album that covered varied emotional terrain. Towards that end, specific set pieces guide the shape and flow of the record: The menacing opener "Shadow Layers"; the concise, ebullient interlude "If Only"; and "Destroy," a metallic, rumbling closer that concludes the album with an air of questions-yet-unanswered. Tresher aspires to create what another producer once sagely called "music that makes you dance and cry at the same time." With its simultaneous, synchronized appeal to the feet, head and heart, Lights From The Inside succeeds.

Gregor Tresher began his career as a DJ in Frankfurt in the early '90s; today, he can be found plying that trade at venues around the world, from Berlin to Tokyo, Sydney to Los Angeles. Following two critically-acclaimed albums credited to his Sniper Mode alias, Tresher broke through as a producer under his own name via his 2005 releases Still and Neon, his remix of Sven Väth's "Komm," and his contribution to Cocoon's Compilation F, "Full Range Madness." In addition to releasing tracks on countless other esteemed labels, including Intacto, Great Stuff, Rebel One, Ovum, and Moon Harbour, Tresher launched his own eclectic imprint, Break New Soil, in 2009. Lights From The Inside is the third Gregor Tresher studio album, following his debut A Thousand Nights (2007) and The Life Wire (2009).

Gregor Tresher - Leaving (Break New Soil)

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Take/Five - Midnight

Billed as “An Alternate History of Pop Music”, the great Scott Bradlee leads the Postmodern Jukebox, a collective that creates great reinterpretations of current Pop songs, bridging different genres, orchestrations and eras with ours. As a Jazz composer/arranger/pianist originally before I got into loud obnoxious dance music, I obviously just can’t enough of their videos! They are currently on their Eviction Tour in the USA so please check out the links below.

This is a simple Re-edit I cooked up of their cover of “Maps” by Maroon 5 featuring Morgan James. I sped up the tempo and added some percussion for a sexy, NY Garage/Diva inspired House track. 

http://www.postmodernjukebox.com/
https://www.youtube.com/user/ScottBradleeLovesYa/

Maps- Scott Bradlee's PostModern Jukebox Cover of Marron 5 (Fried Bananas Diva House Re-Edit)

Full Circle is available digitally now and taken from Fading Love the debut album from George FitzGerald, released 27th April 2015. 

Pre Order album from 
iTunes: http://po.st/FadingLove
LP / CD from Dom Mart: http://po.st/FadingLoveDM

Fading Love

Full Circle

iTunes

After the great success of Solomun’s Love Recycled EP, 2DIY4 is back with the second installment of the series. The `Various Artists’ EP showcases work by fresh talents as well as proven producers. A1 ‘Deep in the Three’ by Thyladomid &amp; Adriatique is a groovy beast with a chunky bass-line, playful organic percussion and Feist’s irresistible vocal. The track has already been receiving great response on the dancefloor. On the Flip ‘Young Girl’ a rework by Peter Kruder, member of the legendary Kruder&amp;Dorfmeister, has a more mysterious vibe. The haunting, stretched vocal is counter-parted by a catchy groove that maintains the drive to the song. B2 ‘No Giggity’ by the young australian producer Gary Todd gets the groove on. Giving a r&amp;b ultra-classic a fresh polish he creates a catchy tool for the dancefloor.

Thyladomid, Adriatique - Deep In The Three (2DIY4_02)

Hedron

Clubland 26

Waves (Robin Schulz Radio Edit)

Psychic

Metatron

Thunder

It's Party Time!

Monster Mash (Rerecorded)

Clutchy Hopkins - 3:26

Wilderness

Leporidae

Vaccine

Train

Tropical Oceans

I Woke Up Covered In Sand

Instagram: www.instagram.com/frostsounds/
Facebook: www.facebook.com/frostsounds/
Twitter: twitter.com/FROSTSOUNDS

Afterglow

RELEASE DATE 2018-01-01
LABEL Heath Mill Recordings
CATALOG HMR043

What's the best gift you could give this New Years? For the Heath Mill Recordings crew, a brand new single from one of the label's rising talents, Matter, ticks all the boxes. Last time we heard from the Melbourne-based Matt Doyle was the early September release 'Lonely Robot', a 121bpm production that made for an impressive debut offering from an artist that has already secured releases with Proton, Particles, Balkan Connection, and Mistique. 

'Energon' launches with a supple shaker/kick combo that carefully blossoms in to an emotive production lead by sky-bound synths and an inviting atmosphere. This massive production clocks in just under an astounding 10 minutes long and sees Matter use every inch of its sonic fabric to employ a wide range of effects and emotions. If minimalistic bodies of work are your thing, the underlying grooves and powerful melodies of 'Energon' should be more than enough to lull even the pickiest of critics in to a blissful state of pure joy. 

The perfect start to a promising year for both Heath Mill Recordings and Matter, you can catch 'Energon' when it officially drops on January 1st.

Matter - Energon

Buy/Stream: https://anjunadeep.lnk.to/BBMFEPso
Follow Anjunadeep New Releases on Spotify: https://Anjunadeep.lnk.to/NewReleasesYo/spotify

Following on from his Anjunadeep Explorations debut last summer, emerging German DJ/producer Ben Böhmer returns to the label for his first solo outing with a trio of melodic weapons on ‘Morning Falls EP’. The EP opens with the rolling melodies of ‘Morning Falls’ before drifting into peak time club cut ‘After Earth’. Böhmer rounds off the EP with the laid back grooves of ‘Velvet Rebellion’ which also features his friend and frequent collaborator Wood.

Buy on Beatport

Ben Böhmer - After Earth

Plaid - Eyen

Galestian - Tell Me (Ezequiel Arias Space Mix

Odyssey / Sonne

Odyssey

We are pleased to announce the first official worldwide Kazantip Compilation by Denis A. We will share one track per day. Stay on touch!

Buy at Beatport

Guy J - Sahara (Dub Mix)

STPH174 Eyes Faces - Sorry I'm Busy (Original Mix) [Stereophonic]

Prod. Heartful
SPOTIFY: https://open.spotify.com/track/3pXVmZh293nWtqxildz9jf?si=3KU0DGfyREKz1w5nDx5uXA
AMV: https://www.youtube.com/watch?v=clnIeauiVDM
I DON'T WANT TO LOOK LIKE THIS
FUCK
I DON'T WANT TO FEEL LIKE THIS
FUCK
WISH I DIDN'T MISS HER SO 
MUCH
KNEW THAT THIS WOULD HAPPEN, FUCK
LOVE

BREAK A MIRROR, YEAH FUCKIN BREAK A MIRROR
GLASS SHATTER, GUMS BLEED, OFF THE FUCKIN EVERCLEAR
EYES RED, MIND RACE, FUCKIN WISH THAT YOU WERE HERE
I WAS REALLY  FUCKING HOPING IT'D BE DIFFERENT THIS YEAR

SHE OPTIMISTIC, NOT ME
NO QUIERO ESTAR AQUÍ
WOE IS ME, L'APPEL DU VIDE
SHE STILL WANT ME, C'EST LA VIE

I CAN'T EVEN LEAVE MY PLACE WITHOUT HIDING MY FACE
JUST A GLAMORIZED DESK JOB ROTTING AWAY
I AIN'T EVEN GOT FRIENDS, FEEL LIKE EVERYONE FAKE
REALLY PRAYING FOR THE DAY THE REAPER TAKE ME AWAY

BREAK A MIRROR, YEAH FUCKIN BREAK A MIRROR
GLASS SHATTER, GUMS BLEED, OFF THE FUCKIN EVERCLEAR
EYES RED, MIND RACE, FUCKIN WISH THAT YOU WERE HERE
I WAS REALLY FUCKING HOPING IT'D BE DIFFERENT THIS YEAR

I DON'T WANT TO LOOK LIKE THIS
FUCK
I DON'T WANT TO FEEL LIKE THIS
FUCK
WISH I DIDN'T MISS HER SO 
MUCH
KNEW THAT THIS WOULD HAPPEN, FUCK
LOVE

MISS YOU!

Emergence

Waves

Music For Babies

How To Suckie

We're New Here

Home

New single out now // Dopamine
https://weval.lnk.to/dopamineSO


Critically-acclaimed Dutch act Weval (AKA Harm Coolen and Merijn Scholte Albers) arrive on Ninja Tune’s Technicolour imprint with their new EP Changed For The Better. The duo hail from Amsterdam, where they have been cultivating a unique sound that balances high energy electronic funk and emotive synth arrangements with bold, beautifully composed melodies and songwriting. The duo recently embarked on a mission to rediscover themselves and what truly drives them, in a process of liberation from self-imposed constraints. Their creative process was reinvigorated with an uninhibited approach and Changed For The Better represents Weval unfiltered, accepting themselves for who they truly are. It’s sincere and heartfelt and unashamedly positive.

Bookings: naomi@earth-agency.com (EU / RoW) / sgoodgold@teamwass.com
Management: mb@285.group / am@285.group