Name: Urna - Sangjidorji (What Air disintegration tape version) by what air
Duration: 8 min 48 s
Description: My version of one of my all time favourite track. Check out the original track by Urna Chahar-Tugchi if you've never heard it.

C’est comme le vent qui te prend par la main et qui te souffle « enfuis toi avec moi».

My version of one of my all time favourite track. Check out the original track by Urna Chahar-Tugchi if you've never heard it.

Urna - Sangjidorji (What Air disintegration tape version)

"desert dream" is a synthetic track taken from débruit's new album "Outside The Line" out on "ICI". 
you can listen and buy here: https://debruit.bandcamp.com/album/outside-the-line

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Desert Dream

Mauve Zone, (feat. Catherine Hershey)
Released by Nashazphone (EG) in 2016
Artwork by Antoine Gérard.

Mauve Zone  - LP  - Nashazphone - 2016

01. Milan W. - Data
02. Цукор Біла Смерть - Процесія Мертвих
03. E g Oblique Graph - Scar
04. Стук Бамбука в XI часов - Хрупко Двух
05. A Gethsemani - Impressions
06. Alessandro Cortini - La via
07. Pan Sonic - Arktinen/Arctic
08. Coil - Another Brown World
09. Jon Hassell - Blues Nile
10. Михаил Чекалин - Вырванная Страница
11. Отряд имени Валерия Чкалова - Разбитый Компас
12. Zwickau - The Law Of Silence
13. Vtgnike - ONON
14. Dj Dreamer - Bye Bye House (Train)
15. Letta Mbulu - Down By The River (1983)'
16. Jon Hassell - Wide Sky
17. Hiele - Glow
18. Neu! - Leb Wohl
19. Psychic TV - The Orchids

Kedr Livanskiy @ 20ft Radio - 21/07/2017

Vu du Dôme released by Editions Gravats the 6Th april 2018

Èlg - Hourra - from "Vu du Dôme" LP - Editions Gravats - 2018

Efficient Space is honoured to share the little-heard recordings of three Yolngu songmen from Northeast Arnhem Land - Bobby Bunnungurr, Jimmy Djamunba and Peter Milaynga (d. 2007) - working in collaboration with Victorian musician Peter Mumme. Yolngu are the indigenous peoples of Arnhem Land in Northern Territory, Australia; their clans are the Marangu and Malabirr, the languages Djinang and Gannalbingu. Their songs are of instruction, story and ceremony. 

A connection first initiated by Yolngu actor David Gulpilil, Waak Waak Djungi’s mid-90s recordings were preceded by years of respectful sharing of culture. Mumme explains that “the aim was to produce something that is new, not in the sense of a breakthrough, but what emerges from the combining of existing ideas”. What developed was sonically unique - sprawling vocal/electronic soundscapes and field recordings that reimagine the traditional songs of black crows and white cockatoos, sharing, creation spirits and of leaving and returning home to country. Spacious and patiently durational, the songs resound in a big land with a big story to tell. 

On the 1997 Waak Waak Djungi album Crow Fire Music, these interpretations were assembled with traditional recordings and additional material from Sebastian Jörgensen and Sally Grice. Falling short of generating public interest, it became well known in the Yolngu homeland. Nearly two decades later, a CD copy filed away in the 3RRR FM library would prompt a three year investigation to meet the people behind the music. 

Waak Waak ga Min Min (Black Crow, White Cockatoo) combines the previously unreleased Gandi Bawong with five contemporary versions from the original album, with a new cover painting by Bobby Bunnungurr. Tracing 1997 back to many millennia ago, this is a captivating window into the richness of Aboriginal culture and collaboration.

Urna - Sangjidorji (What Air disintegration tape version)

what air

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