A solstice song - possibly - not exactly cheery and I'm probably unwise to post but it's the shortest day today (in the northern hemisphere) so it's now or never.

Many thanks to Jonathan Beckenstein and grumpy Ian (unknown on SC) for their extremely helpful feedback on an earlier version of this track.
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The light grows weak and the dark grows strong
But life must end for life to go on
Rich and strange
This world is rich and strange my child

When the snow comes down it's so beautiful
But the birds will starve and the cold will kill
Rich and strange...

We cherish the lamb keep him safe from harm
Then we slit his throat cut the meat from the bone
Rich and strange...

And if you don’t fight they’ll drive out our kind
But to win a war you've got to lose your mind
Rich and strange...
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Produced arranged composed performed recorded & mixed (inexpertly) by Wheelwright in bedroom.
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Original image (detail, processed) by Jr Korpa https://unsplash.com/@jrkorpa
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17th November 2023: Replaced with a hopefully somewhat better mix.

Rich And Strange

AVANT GARDE | GUTTER PROG | GARAGE JAZZ

Some of our art is made on computers, some of it is made by hand. We are particularly interested in that gray area in between where you cant really tell. All of what we create here is one work laid out in segments, all connected. The Mystic Tape Deck universe is vast and explores all manner of adding meaning to our lives, while pondering meaninglessness.

Please consider supporting our project and helping us complete the work. We make books and cds that go with them. We also have a graphic novel and a custom oracle deck in the works. All part of the story.

A Multimedia Puzzle-Story Of An Immortal Being's Struggle To Define And Exert Their Will Upon A Wholly Deterministic And Ambivalent Multiverse, And The Strange Cult Who Loves Them.

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Greetings to you: readers, beaders, seekers, wanderers, wonderers, outsiders, rebels, fantasy gamers, freaks, mythologists, philosophers, appreciators, creators, perpetuators of beauty, coveters of mysterious objects, collectors of counter culture, the curious, the questioners, the unusual, the unique, the star children, the light workers, shadow integrators, diviners, alchemists, hermits, monks and popes, the saviors and prophets, the builders and destroyers of worlds, the old ones, the young ones, the rollers of boulders, the sun orbiters, the morning star dewdrops and twinkle toed dreamers of dreams, you mystic shining beacons, you crossers and denizens of the void, reality shapers, universe makers and underworld freaks.

"A prominent feature of avant-garde music is to break through various rules and regulations of traditional culture, in order to transcend established creative principles and appreciation habits. Avant-garde music pursues novelty in musical form and style, insisting that art is above everything else; thus, it creates a transcendental and mysterious sound world. Hint, metaphor, symbol, association, imagery, synesthesia and perception are widely used in avant-garde music techniques to excavate the mystery of human heart and the flow of consciousness, so that many seemingly unrelated but essentially very important events interweave into multi-level structures and forms."

Is there anybody out there fancy a jam? I’ve really been enjoying rearranging covers of classics but feeling stuck in a rut - so if you have a riff but never know where to take it - chord sequence you always strum but never use -bass - melody lyrics -even a whole song you wanna hear in a different style -DM me ☺️💜😈-nothing can become something with a little energy exchange ....💜🤘🏻💜

Hi all, I'm a multi-genre, diversely-themed very prolific hobbyist lyricist who writes virtually with a variety of composer-singers and sometimes solo. Header pics courtesy of Wavebreakmedia and Pvproductions. Also benart75 and Vecteezy.com

All songs are copyrighted by myself, Jay Rich, and various co-writers, 2007-2025.

Please don't 'follow' me if you can't be bothered listening to any of my songs. It's no kind of compliment and you will be BLOCKED, as will all scammy pitchers.

Scotty. (almost) everywhere. Hasty home recordings in between realities while the children are (sometimes) quiet or at their mom's.

I assure you I am NOT some guitar guru shredding complex riffs to oblivion. I am merely a man who has too much going on inside and needs a release for his soul. I create more electronic style alternative tracks under the name Razzi but I needed a place for the stripped down and raw sound of my rock tracks to live. A place where they could breathe, and stand alone, away from the complexities of their more electrified and meticulously produced counterparts.

I look forward to hearing your truths about life adventures, convictions and turmoil. Personal Expression is the one thing we have left nobody can take away. Use it and let it emblaze yourself a path forward....

All Music, lyrics, vocals and production done by this guy. Enjoy...

\m/

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

I have a mind and soul that uses music as an extension to express itself.  I'll find the right keys or chords or just catch a vibe and things happen. I mix it down into a sonic symphony for my ear drums and a visceral voyage for the soul. It might not sound like what's on the radio or anything like your favorite band but I'm not trying to. I simply do what It is I can do best. I do me. Simple. Authentic. Raw. 

My sound is a mix of rock and electronic elements. I've been influenced by many types of music and you'll hear it all blend together nicely if I'm hitting my mark proper. My production methods are a mix of Ableton, my guitar, my midi keyboard, and my mind. Basic, but enough to do some damage.

Bon Appetite  \m/

Music's got a hold of me.
I am also half of Fictive Sisters https://fictivesisters.bandcamp.com

I have a soundcloud manifesto too (I know almost no one cares):
(1) I do not want to win at soundcloud
(2) I respect people who listen by trying to do work that is as good as I can make it but I may attempt (and possibly fail badly at) different kinds of music so you will probably find some of my tracks suck quite badly even if you like others
(3) If I follow you please feel no obligation to follow me back or to listen to my tracks because I know different people like different things
(4) If you follow me please don’t expect me automatically to follow you back because as I said different people like different things. I try to listen to most new uploads of the people I do follow, so there are only so many people I can meaningfully follow (and only so many reposts I can cope with) at any one time before it all gets a bit overwhelming
(5) If I add a track of yours to my likes that means I particularly like it and if I comment on a track that means I really did want to communicate something. I do not do these things expecting or wanting anything in return or fishing for listeners/followers etc.
(6) Soundcloud (still) can be wonderful and has wonderful people in its universe but some aspects of it do my head in and so I am putting this out here so everyone knows where I am coming from. This is not intended as criticism of anyone else, it is just what works for me

New piano piece: Live Reflexion#035

Composer on minor keys. I play by ears since my youth days, I love all kinds of music 

All tracks are originals, composed, produced and performed by Rina (myself) except covers  at 4face Musik

If you are intetested to buy my tracks, just email me 
4facemusik@gmail.com

Respect to all Soundclouders, proud to be on this platform and I thank you so Very much..
Peace,
Rina